Written in 1724, just after Giulio Cesare and just before Rodelinda, Tamerlano comes from one of the most fruitful periods of Handel’s career, full of compelling inspiration, yet it has been relatively neglected on disc. This Avie recording was made live at Sadler’s Wells in London in collaboration with the BBC in June 2001, marking a welcome return to disc of Trevor Pinnock and the English Concert. The result is delicate on a smallish scale, less sharply focused than Pinnock’s Archiv recordings, but with unerring judgement on style and pacing.
Simon Preston's recordings of the complete set of Handel's organ concertos with Trevor Pinnock and The English Concert was the first to use the latest musicological research by Anthony Hicks. These recordings remain unsurpassed from a scholarly point of view, and the performances themselves remained a benchmark for at least a decade. They may not be the best versions available now but still have a lot to offer. Preston's performances are alert and still sound very vibrant and strong, yet it must be confessed that the rather harsh sound of Preston's instrument in Opus 7 verges on becoming joyless at times.
This disc brings together recordings made in the 1980's as part of a reduction of three original discs down to two. At the same time, the original fine recordings have been remastered to good effect with added depth and space. This makes a particularly important improvement to the Coronation Anthems which previously came over as sonically lacking ideal breadth, depth and recorded weight in Zadok. The ears adjusted after that.
Belshazzar (HWV 61) is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably. Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus the Great and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Handel composed Belshazzar in the late Summer of 1744 concurrently with Hercules, during a time that Winton Dean calls "the peak of Handel's creative life".The work premiered the following Lenten season on 27 March 1745 at the King's Theatre, London.The work fell into neglect after Handel's death, with revivals of the work occurring in the United Kingdom in 1847, 1848 and 1873.With the revival of interest in Baroque music and historically informed musical performance since the 1960s, Belsahzzar receives performances in concert form today and is also sometimes fully staged as an opera.
Celebrate the 250th anniversary of Handel's death with this impressive box set. 30-CD box set of the composer's most celebrated works–including the Royal Fireworks and Water Music, The Messiah, concerti grossi and much more! Featuring conductors Sir Neville Marriner, Christopher Hogwood, Trevor Pinnock, Mark Minkowski and others. Performances by the Gabrielli Players, Academy of St. Martin in the Fields, English Baroque Soloists and others.
The castrato in Italian opera of the early 18th century had vocal power that was often associated with heroic roles, but Handel wrote several memorable villains for the voice type as well. Indeed, using the castrato's star quality to add depth to his bad guys was one facet of his operatic genius, and the idea of collecting a group of these arias is good enough to recommend this album even apart from the vocal gifts of Spanish countertenor Xavier Sabata. And those gifts are considerable. Sabata is a true operatic countertenor, somewhat in the vein of Philippe Jaroussky (to whose album of Vivaldi heroic arias this release makes a fine companion).