Handel Hwv.37

Kiri Te Kanawa: Sorceress - A Handel Celebration [1994]  Music

Posted by Aregak at Feb. 24, 2017
Kiri Te Kanawa: Sorceress - A Handel Celebration [1994]

Kiri Te Kanawa: Sorceress - A Handel Celebration (Christopher Hogwood; The Academy of Ancient Music) [1994]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 298 MB
Classical | Label: Philips; Polygram Records | Catalog Number: 434 992-2 | TT: 77:55

Dame Kiri Janette Te Kanawa ONZ DBE AC (born 6 March 1944) is a New Zealand/Māori soprano who has had a highly successful international opera career since 1968. Acclaimed as one of the most beloved sopranos in both the United States and Britain she possesses a warm full lyric soprano voice, singing a wide array of works in multiple languages from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini…
London Early Opera, Bridget Cunningham - Handel at Vauxhall, Vol.1 (2016)

London Early Opera, Bridget Cunningham - Handel at Vauxhall, Vol.1 (2016)
EAC | FLAC | Image (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 114 Mb | Artwork included
Classical, Baroque, Vocal | Label: Signum | # SIGCD428 | Time: 00:48:16

London Early Opera follow up their debut release (Handel in Italy, Vol. 1) with a treasure trove of music by George Frideric Handel (as well as his contemporaries Thomas Arne and John Hebden) centered on the Vauxhall Pleasure Gardens – a carnival of music and entertainments that entertained visitors for nearly 200 years. The booklet notes features images and expert commentaries of the Vauxhall Gardens by author David E. Coke and conductor and musicologist Bridget Cunningham.
Max Emanuel Cencic, George Petrou, Il Pomo d'Oro, Lauren Snouffer - Handel: Ottone, HWV 15 (2017) [24/96]

Max Emanuel Cencic, George Petrou, Il Pomo d'Oro, Lauren Snouffer - Handel: Ottone, HWV 15 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 202:31 minutes | 3.65 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Handel’s Ottone, re di Germania is presented here in a new recording by Max Emanuel Cencic and a superb cast, under the baton of George Petrou with Il Pomo d’Oro.

Sonya Yoncheva - Handel (2017)  Music

Posted by SERTiL at May 16, 2017
Sonya Yoncheva - Handel (2017)

Sonya Yoncheva - Handel
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 63:41 min | 224 MB
Label: Sony Classical | Tracks: 11 | Rls.date: 2017
Classical, Opera

Sonya’s international career started in Paris, when she was elected by the eminent conductor William Christie into his academy for young singers, ‘JARDIN DES VOIX” in 2007, where she maintained a special focus the Early and Baroque repertoire. The participation paved the way for appearances at venues such as Glyndebourne, the Théâtre du Châtelet, and at The Proms in London.
Ensemble Zaïs, Paul Goussot - Rameau & Handel: Dom Bedos (2014)

Ensemble Zaïs, Paul Goussot - Rameau & Handel: Dom Bedos (2014)
EAC | FLAC (log,tracks+cue) -> 358 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 163 Mb (5% Rec.) | Covers +d.booklet included
Classical | Label: Paraty Productions, PARATY 714127 | 2014 | 01:08:22

Handel s concertos for organ and Rameau s concert harpsichord pieces figure among the most original works in the keyboard repertoire of the 18th century. The Dom Bedos organ is one of the rare French instruments from the 18th century equipped with a 32-foot manual organ stop, endowing the grand plein-jeu with an incredible depth. The process of re-working and adapting musical material was a very common practice and some of these harpsichord pieces en concert seem to suit the organ perfectly.
Hiro Kurosaki, William Christie - Handel: Violin Sonatas (2003) (Repost)

Hiro Kurosaki, William Christie - Handel: Violin Sonatas (2003)
EAC | FLAC (tracks+.cue, log) | Covers Included | 59:34 | 364 MB
Genre: Classical | Label: Virgin Veritas | Catalog: 7243 5 45554 2 8

Ornate, opulent, majestic: Handel's music truly exemplifies the Baroque in its elaborate monumentality, which many listeners associate with his vast, dramatic oratorios. Perhaps lesser known, but hardly less significant is Handel's chamber music, which reveals a different kind of artistry, an intimately refined facet of the Baroque spirit. The contrast between the monumental and the intimate in Handel's music is especially interesting since he cultivated chamber music throughout his career, composing works that reflected the development of his style from its Italianate beginnings to the ultimate richness of his late idiom.

Keith Jarrett - Handel - Suites For Keyboard (1995) {ECM 1530}  Music

Posted by tiburon at March 12, 2017
Keith Jarrett - Handel - Suites For Keyboard (1995) {ECM 1530}

Keith Jarrett - Handel - Suites For Keyboard (1995) {ECM 1530}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 271MB + 5% Recovery
Genre: Classical, Baroque

While purists might claim that the jazz pianist Keith Jarrett’s disc of Handel’s keyboard suites is an example of the wrong performer on the wrong instrument, his straightforward conception and contrapuntal clarity underscore the solid foundation on which Handel’s most flamboyant fantasies were built. This one of Keith's finest classical performances, and essential listening for baroque enthusiasts.

Richard Egarr - Handel: 8 'Great' Suites (2014)  Music

Posted by tirexiss at Jan. 19, 2017
Richard Egarr - Handel: 8 'Great' Suites (2014)

Richard Egarr - Handel: 8 'Great' Suites (2014)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:58:12 | 779 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: HMU 907581

“[These suites] have rarely been recorded or promoted by harpsichordists during the most recent revival of interest in ‘early music.’” I realize that Richard Egarr is entitled to his own opinions—his liner notes on an earlier release, for example, likened the humor in Purcell’s harpsichord music to that of the wonderful old 1950s BBC comedy The Goon Show —but he’s not entitled to his own facts. Christopher Brodersen pointed out in a 2011 review of these works featuring Laurence Cummings ( Fanfare 34:5) that ArkivMusic listed nine complete sets played on the harpsichord, with several others on the piano. I find some of the suites have considerably more recordings than that, in 2014: 26 for the Suite in A Major, 28 for the Suite in D Minor, 25 for the Suite in E Minor, 47 for the Suite in E Major. If such numbers reflect rare recordings, I have to wonder what Egarr would consider a moderate number, let alone a frequent one.
Emma Kirkby, Paul Nicholson - Handel: The Occasional Songs (2001)

Emma Kirkby, Paul Nicholson - Handel: The Occasional Songs (2001)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 76:10 | 369 MB
Genre: Classical, Vocal | Label: SOMM Recordings | Catalog: B00005LVXK

Here is a side of Handel unfamiliar even to those knowledgeable about his music. Most of this CD is devoted to miscellaneous songs in English‚ many of them published in his time on song sheets‚ or in journals‚ or given to friends‚ or intended for use in the theatre. They are‚ generally‚ in a more popular vein than his familiar music‚ and often in the style used by such composers as Arne or Boyce‚ or lesser men‚ in their English songs. The best of them‚ to my taste‚ are the theatre songs: ‘I like the amorous youth’ is a specially charming piece‚ and ‘Love’s but the frailty of the mind’‚ a Congreve setting made for the admired actress­singer Kitty Clive‚ is an exquisite and touching little song‚ especially when sung as beautifully as it is here by Emma Kirkby.
George Frideric Handel - Collegium Cartusianum - Belshazzar [HWV 61] (2001, MDG "Gold" # 332 1079-2) [RE-UP]

George Frideric Handel - Belshazzar [HWV 61] (3xCD)
Kölner Kammerchor / Collegium Cartusianum / Peter Neumann
EAC+LOG+CUE | FLAC: 1,06 GB | MP3 CBR 320: 404 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 1079-2 | Country/Year: Germany 2001
Genre: Classical | Hoster: Style: Baroque, Oratorio

From bar one, I felt an assurance and naturalness about the rhythms, a clarity and tonal richness in the orchestral and vocal texture, a stylishness of phrasing and embellishment, and a sheer zest and power of dramatic presentation that add up to a totally convincing and gripping whole. […] Neumann and his team have excelled themselves, and so has Handel, and anyone who thinks 18th-century music wanting in musico-dramatic force is urged to acquire this magnificent set without delay.