Handel Glorias

Handel - Ezio (Alan Curtis) [2009]  Music

Posted by Vilboa at Feb. 25, 2017
Handel - Ezio (Alan Curtis) [2009]

Handel - Ezio (Alan Curtis) [2009]
Classical | Archiv Produktion 289 477 8073 | TT: 67.56+61.08+57.45 | EAC (FLAC, cue, log) | Covers | 907 Mb

Alan Curtis continues his exemplary series of Handel operas for Archiv with Ezio, a 1732 work that has received few modern productions. Its initial limited success and failure to generate much interest until the late twentieth century may have to do with its length (over three hours), its preponderance of recitatives, and the composer's reluctance to use the voices together in ensembles, so that the entire opera, until the final chorus, consists of solo singing. Handel's gift for astute psychological insight and distinctive musical characterization is evident throughout the score, and the recitatives, which are necessary for explicating Metastasio's convoluted plot, are not a problem when they are performed with as much vivid dramatic realism as they are here.

Handel - Il Pastor Fido (Nicholas McGegan) [1994]  Music

Posted by Vilboa at Feb. 24, 2017
Handel - Il Pastor Fido (Nicholas McGegan) [1994]

Handel - Il Pastor Fido (Nicholas McGegan) [1994]
Classical | Hungaroton 12912-13 | TT: 75.20+71.43 | EAC (FLAC, cue, log) | Covers | 684 Mb

L'opera fu composta nel 1712 e andò in scena per la prima volta il 22 novembre dello stesso anno, sotto la direzione del compositore stesso, al Her Majesty's Theatre di Londra. L'accoglienza fu generalmente negativa, probabilmente a causa delle elevate aspettative che il pubblico nutriva in seguito al successo dell'opera Rinaldo. Un commentatore riporta che "la scenografia rappresentava unicamente l'Arcadia, i costumi erano vecchi e l'opera breve". I ruoli di Mirtillo e Silvio furono interpretati dai castrati Valeriano Pellegrini e Valentino Urbani. L'ouverture è in sei movimenti appare eccessivamente ampia per quei tempi: è verosimile pensare che fosse stata scritta come una suite orchestrale distinta dall'opera.
Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Messiah (1992)

Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Messiah (1992)
EAC | FLAC (image+.cue, log) | Covers Included | 74:30 + 71:05 + 44:37 | 885 MB
Genre: Classical, Choral | Label: Harmonia Mundi | Catalog: 907050/52

McGegan's recording is of considerable documentary interest in that a separate section at the conclusion of each of the three parts of Messiah - there are three discs accordingly - is reserved for the many alternative versions of arias, accompanied recitatives and choruses which Handel himself used or at least approved in performances during the 1740s and 1750s. In this way, the booklet explains, the listener can select which version of the work he/she wants to listen to at any given time. About six versions are possible from the 18 alternative tracks provided on the three CDs. By following a table printed in the back of the booklet (a few minutes' mental gymnastics are initially required) you can programme your CD player to replace particular arias with others.

Handel - Giustino (Nicholas McGegan) [1994]  Music

Posted by Vilboa at Feb. 22, 2017
Handel - Giustino (Nicholas McGegan) [1994]

Handel - Giustino (Nicholas McGegan) [1994]
Classical | Harmonia Mundi 907130.32 | TT: 74.22+38.35+60.20 | EAC (FLAC, cue, log) | Covers | 789 Mb

Giustino is the Baroque version of a ‘ripping yarn’. The eponymous hero rises from ploughboy to emperor via an action-packed curriculum vitae that has him seeing visions, routing traitors, fighting bears and even slaying a sea-monster! Written in the autumn of 1736, shortly after Handel had suffered a period of ill-health, Giustino is not among his greatest operas, but it is thoroughly entertaining and offers much fine music. Particularly felicitous are Giustino’s bucolic aria ‘Può ben nascere tra li boschi’ and Anastasio’s lovely ‘O fiero e rio sospetto’. The headlong pace leaves Handel little time to develop the more sensual, amorous side of his music. One exception – and the opera’s most entrancing interlude – is the ravishing love duet in Act II, superbly sung here by Dorothea Röschmann (Arianna) and Dawn Kotoski (Anastasio). Michael Chance too is outstanding in the title role, proving that even countertenors can exude machismo. Nicholas McGegan coaxes a stylish performance from the Freiburg Baroque Orchestra. Giustino is the fourth Handel opera he has now recorded following a staging at the Göttingen Festival and this is his most assured reading to date. Mention in the credits of a Bear Growl Advisor suggests a commendable attention to grizzly detail. (Graham Lock)

Carlo Ipata - Handel: Catone, HWV A7 (2017)  Music

Posted by Pisulik at Feb. 22, 2017
Carlo Ipata - Handel: Catone, HWV A7 (2017)

Carlo Ipata - Handel: Catone, HWV A7 (2017)
Classical, Opera | MP3 CBR 320 kbps | 02:05:11 | 290 MB
Label: Glossa | Release Year: 2017

By bringing Catone to disc, Carlo Ipata is celebrating the pasticcio, especially those curated by George Frederic Handel, as is the case wtih this new Glossa release. In a co-production involving the Fondazione Teatro di Pisa and the Handel Festpiele Halle, Ipata brings a further slant on Handel's oepratic career in London: whilst being busy with running the second Royal Academy of Music and writing his own operas, the composer was striving to present London audiences with selections from the best of recent Italian operas by other composers - all at the same time as giving his star singers the opportunity to show off early in the opera company's season. One result was Catone in 1732, with music by Leo, Hasse, Vivaldi, Vinci, Porpora as well as by Handel himself: company members included Senesino, Anna Maria Strada del Po and Antonio Montagnana.
The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)

The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)
EAC | FLAC (image+.cue, log) | Covers Included | 60:35 | 342 MB
Genre: Classical | Label: ARCHIV Produktion | Catalog: 410898

Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.

Richard Egarr - Handel: 8 'Great' Suites (2014)  Music

Posted by tirexiss at Jan. 19, 2017
Richard Egarr - Handel: 8 'Great' Suites (2014)

Richard Egarr - Handel: 8 'Great' Suites (2014)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:58:12 | 779 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: HMU 907581

“[These suites] have rarely been recorded or promoted by harpsichordists during the most recent revival of interest in ‘early music.’” I realize that Richard Egarr is entitled to his own opinions—his liner notes on an earlier release, for example, likened the humor in Purcell’s harpsichord music to that of the wonderful old 1950s BBC comedy The Goon Show —but he’s not entitled to his own facts. Christopher Brodersen pointed out in a 2011 review of these works featuring Laurence Cummings ( Fanfare 34:5) that ArkivMusic listed nine complete sets played on the harpsichord, with several others on the piano. I find some of the suites have considerably more recordings than that, in 2014: 26 for the Suite in A Major, 28 for the Suite in D Minor, 25 for the Suite in E Minor, 47 for the Suite in E Major. If such numbers reflect rare recordings, I have to wonder what Egarr would consider a moderate number, let alone a frequent one.
Sir Thomas Beecham & Royal Philharmonic Orchestra in Ascona, 1957: Beethoven, Handel, Delius, Sibelius (2000)

Ludwig van Beethoven - Symphony No.7; George Frideric Handel - Love in Bath: Ballet Suite
Frederick Delius - A Village Romeo and Juliet; Jean Sibelius - Alla marcia da: Karelia Suite
Royal Philharmonic Orchestra, conducted by Sir Thomas Beecham

EAC | FLAC | Image (Cue&Log) ~ 323 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: AURA | # AUR 142-2 ADD | Time: 01:11:54

Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.
Emma Kirkby, Christopher Hogwood - Handel, Arne, Lampe, Haydn & Mozart (1998)

Emma Kirkby, Christopher Hogwood - Handel, Arne, Lampe, Haydn & Mozart (1998)
EAC | FLAC (image+.cue, log) | Covers Included | 139:22 | 637 MB
Genre: Classical, Vocal | Label: Decca | Catalog: B000009DG1

Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.
Ralph van Raat - Gavin Bryars: Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)

Gavin Bryars - Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)
Ralph van Raat, piano; Cappella Amsterdam, Netherlands Radio Chamber Philharmonic, Otto Tausk

EAC | FLAC | Image (Cue&Log) ~ 216 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Contemporary Classical | Label: Naxos | # 8.572570 | Time: 00:52:39

The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.