Another great recording that fuses Indian music and jazz by the fantastic drummer Trilok Gurtu. Some amazing players on this album including sax maestro Jan Garbarek.
ndian percussionist Trilok Gurtu, the son of vocalist Shobha Gurtu, who had played with Don Cherry (1976), with Oregon (1984) and with John McLaughlin (1989), perfected a technique that draws equally from Indian tabla and dhol drums, from jazz music (cymbals, hi-hats) and from other ethnic cultures (gongs, congas, cowbells, snares). He even dipped resonating instruments in buckets of water to produce sounds that he could not produce with traditional instruments. He began his mission with the intense mixture of Indian music, jazz-rock and world-music of the CD Usfret (1988), featuring the likes of trumpeter Don Cherry, guitarist Ralph Towner, Indian violinist Lakshminarayana Shankar, Swedish bassist Jonas Hellborg, French keyboardist Daniel Goyone and his own mother, vocalist Shobha.
This collaboration between electronic music whiz Robert Miles and percussionist Trilok Gurtu is its own curiosity piece. Full of lush, meandering soundscapes that employ everything from chilled-out jungle vistas to breakbeat and trip hop, from groove and creative jazz to the deep layering of traditional and popular Indian melodies from that country's classical, folk, and Bollywood traditions. Yet this set is hardly a mishmash: each of the record's 13 tracks are compositions as well as collaborations. Dynamics, textures, melodies, themes, and variations are all closely tailored for maximum effect…
Song For Everyone heralds the return of the groove in Shankar's East-West-minded music, with former Shakti colleague Zakir Hussain on tabla, Trilok Gurtu on percussion, and Shankar's own manipulation of a drum machine tending to the rhythms. The result is a brighter, more outgoing record than its predecessor Vision, veering between Western acoustic and electric grooves and the complex beats churned out by the tabla. Jan Garbarek again shines beams of light on soprano and tenor, engaging Shankar's 10-string double-necked electric violin in some complex interplay on the title track.
An unusual meeting of minds: German jazz pianist Matthias Frey and Indian pioneering world music percussionist Trilok Gurtu. Surely this is going to be an ethno fusion album then? No, not at all! Seems like Herr Frey had been listening to a lot of John Cage prepared piano works, or maybe Peter Michael Hamel, and Trilok also tends to do as much noise and clatter as he does rhythms! As with "Ohrjazzter" this is Matthias Frey trying to be anything but a jazzer.
Indian-born percussionist Trilok Gurtu pays homage to avant-garde trumpeter Don Cherry with 2013's Spellbound. As a member of Cherry's band from 1976 to 1978, Gurtu experienced Cherry's cross-cultural approach to music firsthand, an approach that greatly influenced his own musical direction. Bookended by two tracks Gurtu recorded with Cherry prior to the pocket trumpeter's death in 1995, Spellbound picks up on Cherry's mix of groove-oriented sounds from Indian to Afro-Cuban music to funk, free jazz, classical, and ambient improvisation. Spellbound is an engaging, stylistically varied album that truly evokes the magic of Cherry's music.
Trilok Gurtu has had a remarkable career in recent years, most notably with his African-Indian projects and his compelling contribution on Tabla Beat Science, showing the versatility of his musicianship. No matter all the explorations we may attempt though, one as always is drawn back home at some point, and such is the case on Remembrance." With guest contributions from such luminaries of Indian classical music as Zakir Hussain, Sultan Khan, Ronu Majumdar, and his own mother, Shobha Gurtu, Remembrance pays homage to Trilok's past joined with the technology and diversity of his current influences.
Since Trilok Gurtu is not a vocalist, it's difficult to know what to expect from a CD that contains a lot of vocal tracks. Broken Rhythms proves you need only expect something great and you will not be disappointed. The music is both very Indian and very contemporary without falling into the genre of Bollywood or Bhangra.