Song For Everyone heralds the return of the groove in Shankar's East-West-minded music, with former Shakti colleague Zakir Hussain on tabla, Trilok Gurtu on percussion, and Shankar's own manipulation of a drum machine tending to the rhythms. The result is a brighter, more outgoing record than its predecessor Vision, veering between Western acoustic and electric grooves and the complex beats churned out by the tabla. Jan Garbarek again shines beams of light on soprano and tenor, engaging Shankar's 10-string double-necked electric violin in some complex interplay on the title track.
An unusual meeting of minds: German jazz pianist Matthias Frey and Indian pioneering world music percussionist Trilok Gurtu. Surely this is going to be an ethno fusion album then? No, not at all! Seems like Herr Frey had been listening to a lot of John Cage prepared piano works, or maybe Peter Michael Hamel, and Trilok also tends to do as much noise and clatter as he does rhythms! As with "Ohrjazzter" this is Matthias Frey trying to be anything but a jazzer.
Trilok Gurtu has had a remarkable career in recent years, most notably with his African-Indian projects and his compelling contribution on Tabla Beat Science, showing the versatility of his musicianship. No matter all the explorations we may attempt though, one as always is drawn back home at some point, and such is the case on Remembrance." With guest contributions from such luminaries of Indian classical music as Zakir Hussain, Sultan Khan, Ronu Majumdar, and his own mother, Shobha Gurtu, Remembrance pays homage to Trilok's past joined with the technology and diversity of his current influences.
Since Trilok Gurtu is not a vocalist, it's difficult to know what to expect from a CD that contains a lot of vocal tracks. Broken Rhythms proves you need only expect something great and you will not be disappointed. The music is both very Indian and very contemporary without falling into the genre of Bollywood or Bhangra.
In collaboration with London-based rock drummer Simon Phillips and Germany’s very own NDR Big Band, 21 Spices is the latest offering from the Bombay-bred musical virtuoso Trilok Gurtu. Easily seen as the meeting of two maestros from the world of percussion, this album is a unique concoction of heady rhythms, raw sounds of drums and tabla and the opulence of a philharmonic orchestra.
As a producer and sideman, Bombay-born percussionist and singer Trilok Gurtu has become something of a godfather to London's emerging Asian Underground movement, but he's also been quietly releasing solo albums for the last decade. The latest finds him teamed up with bassist Kai Eckhardt de Camargo (good luck sorting out the ethnicity of that name), guitarist Jaya Deva, sitar player Ravi Cherry, and several high-profile guests (including Neneh Cherry, who sings a touching tribute to Ravi's and her late stepfather) for a program of cross-cultural jamming.
Wizardly percussionist Trilok Gurtu knows more than most musicians about the true meaning of fusion. It's not a dirty word or an empty style posture for Gurtu, but a way of being, for a musician trained in classical tradition but happily flung into a wide world of jazz, rock, and sundry western influences. Kathak (Mintaka 1073; 46:37), from Trilok Gurtu and his group, The Glimpse, is all over the map, in a kindly, mostly musical way. Gurtu has no compunctions about crossing over idiomatic borders