While Mike Nichols' 1966 film of Edward Albee's Who's Afraid of Virginia Woolf? gets more frightening every time you watch it, Alexander North's score to the same film gets more consoling every time you hear it. Nichols' film, particularly the performances by Elizabeth Taylor and Richard Burton, has scenes of terrific intensity, but North's score, though faithful to what's on screen, has a tenderness, even a sweetness, that transforms the ultimate meaning of the film. Part of it is North's characteristically evocative orchestration with some cues delicately scored for guitar, celesta, bass clarinet, harpsichord, and a pair of harps, while others are scored for spare almost spooky winds arrayed against soothing strings. But most of it is North's soaring melodies and brooding harmonies – and especially his big-hearted main theme. By prefiguring the film's reconciliatory ending, the solace offered by North's score transfigures all the horrors enacted between Taylor and Burton.
Brilliant Classics is proud to bring to the market this unique 6-CD Set dedicated to the original music for solo guitar of the Paraguayan composer Agustin Barrios Mangore (1885 - 1944). Barrios is still revered in Paraguay, where he is seen as one of the greatest musicians of all time by many. John Williams has said of Barrios: "As a guitarist/composer, Barrios is the best of the lot, regardless of era. His music is better formed, it's more poetic, it's more everything! And it's more of all those things in a timeless way”.
Randy Brecker's debut album features the trumpeter leading two distinct all-star small groups, each with younger brother Michael (who was only 19 when this was recorded) on tenor sax, Larry Coryell on guitar, and Hal Galper on piano. The tunes alternate between jazz-rock (a style the Brecker Brothers were later to successfully exploit) and modern mainstream jazz. There are the customary fades, popular at the time, and a light, though constant, beat throughout that makes the music both accessible and even danceable, an impressive feat considering that virtually all the tunes are originals. The Brecker Brothers exhibit a command of their horns and a maturity that was to serve them well for many years. The recording has weathered the years well, in part because even the fusion pieces never lose their focus, nor do they compromise artistry for popular fads.