Gretry Cephale et Procris

Gretry - Zémiere et Azor/ Danses Villageoises/Cephale et Procris (Edgard Doneux, Paul Strauss)

Gretry - Zemiere et Azor/ Danses Villageoises/Cephale et Procris (Edgard Doneux, Paul Strauss)
Classical | EAC | APE+CUE+LOG | Covers | CD1:73’05; CD2:70’45 | 602.75 MB
Choeurs et Orchestre de Chambre de la R.T.B., Edgard Doneux; Orchestre de Liege, Paul Strauss
Recording: 1974 | Released: 1990 | Label: EMI
English Chamber Orchestra (Leppard) - Rameau "Le Temple De La Gloire" / Grétry "Suite of Ballet Music" (1967) 24-bit/96kHz

English Chamber Orchestra (Leppard) - Rameau "Le Temple De La Gloire" / Grétry "Suite of Ballet Music" (1967)
Vinyl rip @ 24/96 | FLAC | Artwork | 806Mb inc. 5% recovery
FilePost, FileFactory | Classical, Baroque | Circa 1972 UK repress | L'Oiseau-Lyre SOL 297

Raymond Leppard’s pioneering L’Oiseau-Lyre recordings of French Baroque music with the English Chamber Orchestra: the brilliant realisations of Rameau’s Temple de la Gloire suite have seldom been more strikingly performed. Le Temple de la Gloire was a theatrical entertainment to a text by Voltaire, written to celebrate a French victory and at the same time, of course, to glorify Louis XV.

Grétry: Céphale & Procris  Music

Posted by kizibibi2 at April 21, 2011
Grétry: Céphale & Procris

André-Modeste Grétry (1741-1813) - Céphale et Procris - Chœur de Chambre de Namur & Les Agrémens - Guy Van Waas :
2 CD | AAC 256 kbps (VBR) | 2 files, File 1: 141.10 MB File 2: 155.70 MB (zip) | Booklet 3,4 MB
October 2010 | 2 CD Box | Classical

Céphale & Procris is an important, early work: dating from 1774-1775, just before Gluck’s arrival in Paris and his Iphigenie en Aulide, this is a historic cog in the wheel turning French stage works from the Lullian past into the future to be established by Gluck. The recitatives are short and dramatically to the point, in the Italian style, and each character and scene has its music adapted to it in tailor-made fashion, often with ravishing solos from orchestral winds and brass. Everything which makes this an exciting historical event.
Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)

Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)
EAC | FLAC (image+.cue, log) | Covers Included | 01:51:31 | 584 MB
Genre: Classical, Opera | Label: Erato Disques | Catalog: 2292-45773-2

Béatrice et Bénédict, Berlioz's last completed work, is based on Shakespeare's Much Ado About Nothing, but the libretto, by the composer, dispenses with most of the intrigue of the original and reduces the plot to a single premise: Béatrice et Bénédict mask their affection for each other by squabbling, and then finally come to their senses and get married. Although designated an opera, it is closer in effect to an opéra comique because of its very extensive use of spoken dialogue.
Edgard Doneux, Louis de Froment - Gretry: Richard Coeur de Lion & Rousseau: Le Devin du village [2002]

Grétry - Richard Coeur de Lion & Rousseau - Le Devin du village (Edgard Doneux, Louis de Froment) [2002/1956/1978]
Classical | EMI 7243 5 75266 2 3 | TT: 79.23+54.11 | EAC (FLAC, cue, log) | Covers | 681 Mb

Gretry's "Richard Coeur De Lion" (1784), a rousing tale about the rescue of the crusader king Richard the Lionheart by his faithful troubadour Blondel, is a minor masterpiece, the greatest French opera comique of the Ancien Regime. Gretry wasn't an eighteenth century composer of the calibre of Mozart, Rameau or his contemporary Gluck, but his music seduced audiences with its charm and tunefulness and in this opera he provided a great deal more. Blondel's stirring aria of loyalty to his king, "O Richard, oh mon roi", was so powerful it was used as an anthem by the royalists in the 1790s and promptly banned by the revolutionary authorities. The romance "Une fievre brulante" (which recurs throughout the opera in a very early anticipation of the Wagnerian leitmotif) is a superb melody too, sentimental in the best sense of the word. The only aria most people today are likely to be familiar with is "Je crains de lui parler la nuit", the song the old countess sings to herself just before she is murdered in Tchaikovsky's "Queen of Spades", but there are also lively peasant dances and choruses, catchy duets and trios and a barnstorming finale in which King Richard's loyal followers overrun the castle where he is being held and free him from its dungeon.
Gretry - Pierre le Grand (Sergey Stadler, Maxim Mironov) [2002]

Grétry - Pierre le Grand (Sergey Stadler, Maxim Mironov) [2002]
NTSC 4:3 (720x480) VBR | Not specified (Dolby AC3, 2 ch); (Dolby AC3, 6 ch); (DTS, 5 ch) | 7,03 Gb (DVD9)
Classical | Label: ArtHaus | Sub: Deutsch, English, Francais, Russian | Sung in French, Dialogues in Russian | 94 min | +3% Recovery

Peter the Great was staged to celebrate the 300th anniversary of St. Petersburg.
In order to understand the needs and sorrows of his people the young and dashing Tsar Peter decides to live and work incognito among the working classes. He falls in love with Catherine, a commoner's daughter and, still preserving his real identity, wants to marry her. (Operacritic.com)
Gretry - Andromaque (Herve Niquet, Le Concert Spirituel) [2010]

Gretry - Andromaque (Herve Niquet, Le Concert Spirituel) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 447.36 MB
Classical | Label: Glossa | Catalog Number: GCD 921620

The work reflects the tendency of an age of changes which was torn between a nostalgia for the times of the reign of Louis XIV and the cult of modernity and progress. Thus, it overlays on the barely- altered Jean Racine text of Andromaque (1667) a music already suffused with Romantic aspirations where literally unheard-of tones and accents clothe the passions of the Classical Greek age in a new guise. Never performed again after its initial production Andromaque today reveals all the modernity of the French school on the eve of the French Revolution and imposes itself without doubt as one of the most singular and unexpected links between the Baroque and Romanticism.
Frédérick Haas, Mira Glodeanu & Ausonia - J. S. Bach, Concertos pour violon et pour clavecin (2017) [24/96]

Frédérick Haas, Mira Glodeanu & Ausonia - J. S. Bach, Concertos pour violon et pour clavecin (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 70:53 minutes | 1.39 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Les Concertos de J.S Bach sont à placer parmi les perles les plus miraculeuses que nous a transmis le dix-huitème siècle. Vitalité, lyrisme, intensité mais légèreté, complexité mais fraîcheur, éloquence, couleurs… tout y est. Un bonheur inépuisable à partager avec le public. Depuis une vingtaine d'années, Ausonia, Frédérick Haas et Mira Glodeanu pratiquent les concertos de J.S Bach. Voici enfin leur enregistrement très attendu : le premier opus, enflammé et poignant de Hitasura Productions.
Premiers pas sur Raspberry Pi - Du déballage à vos débuts en domotique: Conseils et applications pour débutants

Premiers pas sur Raspberry Pi - Du déballage à vos débuts en domotique: Conseils et applications pour débutants (Raspberry Pi - IoT) by Sascha Eschmann
French | 24 Jul. 2017 | ASIN: B0747MD1J7 | 36 Pages | PDF | 7 MB
Conversations avec Jules Hoüel: Regards sur la géométrie non euclidienne et l’analyse infinitésimale vers 1875

Conversations avec Jules Hoüel: Regards sur la géométrie non euclidienne et l’analyse infinitésimale vers 1875 By Philippe Henry, Prof. Philippe Nabonnand
French | PDF | 2017 | 648 Pages | ISBN : 3319564021 | 18.42 MB

Cet ouvrage contient les correspondances actives et passives de Jules Hoüel avec Joseph-Marie De Tilly, Gaston Darboux et Victor-Amédée Le Besgue ainsi qu’une introduction qui se focalise sur la découverte de l’impossibilité de démontrer le postulat des parallèles d’Euclide et l’apparition des premiers exemples de fonctions continues non dérivables.