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Os Túneis. A História Jamais Contada das Espetaculares Fugas Sob o Muro de Berlim

Os Túneis. A História Jamais Contada das Espetaculares Fugas Sob o Muro de Berlim (Em Portugues do Brasil) by Greg Mitchell
Portuguese Brazilian | 2017 | ISBN: 8582864000 | 352 pages | EPUB | 1.76 MB

Greg Abate Quintet - Bop Lives! (1996) {Blue Chip Jazz}  Music

Posted by tiburon at May 28, 2018
Greg Abate Quintet - Bop Lives! (1996) {Blue Chip Jazz}

Greg Abate Quintet - Bop Lives! (1996) {Blue Chip Jazz}
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Scans 200dpi | 325MB + 5% Recovery
MP3 CBR 320 Kbps | 147MB + 5% Recovery
Genre: Mainstream Jazz

With a title such as Bop Lives, it is a bit surprising to realize that there are actually no bop standards on this CD. However the playing by altoist Greg Abate (whose sound recalls Phil Woods and Richie Cole) is certainly in the bop tradition; he is a heated and frequently exciting improviser. Trumpeter Claudio Roditi is aboard for five of the nine selections and is a perfect frontline partner for Abate. Of the repertoire, three tunes are by the leader and there is one apiece from Roditi, pianist Kenny Barron (who leads a rhythm section also including bassist Rufus Reid and drummer Ben Riley), Mark Morganelli, Hank Mobley ("This I Dig Of You"), Thelonious Monk and Kurt Weill (a nearly 11-minute rendition of "Speak Low"). The well-rounded program features Greg Abate at his best and this uncomplicated but generally chancetaking bop set is easily recommended.

Greg Abate Quintet - Bop Lives! (1996)  Music

Posted by Domestos at May 28, 2018
Greg Abate Quintet - Bop Lives! (1996)

Greg Abate Quintet - Bop Lives! (1996)
XLD Rip | FLAC (tracks+.cue, log) ~ 325.70 Mb | 01:03:48 | Cover
Mainstream Jazz | Country: USA | Label: Blue Chip Jazz - CD 878/401-2

With a title such as Bop Lives, it is a bit surprising to realize that there are actually no bop standards on this CD. However the playing by altoist Greg Abate (whose sound recalls Phil Woods and Richie Cole) is certainly in the bop tradition; he is a heated and frequently exciting improviser. Trumpeter Claudio Roditi is aboard for five of the nine selections and is a perfect frontline partner for Abate. Of the repertoire, three tunes are by the leader and there is one apiece from Roditi, pianist Kenny Barron (who leads a rhythm section also including bassist Rufus Reid and drummer Ben Riley), Mark Morganelli, Hank Mobley ("This I Dig Of You"), Thelonious Monk and Kurt Weill (a nearly 11-minute rendition of "Speak Low"). The well-rounded program features Greg Abate at his best and this uncomplicated but generally chancetaking bop set is easily recommended.
Greg Lake - From The Underground Vol.II: Deeper Into The Mine (2003) [Columbia Music Japan, VQCD-10177] Repost

Greg Lake - From The Underground Vol.II: Deeper Into The Mine: An Official Greg Lake Bootleg (2003)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2011 | Columbia Music Japan, VQCD-10177 | ~ 391 or 141 Mb | Scans(png) -> 314 Mb
Progressive Rock, Art Rock

Like the first volume of this series, this gathers rare recordings from throughout the bulk of Greg Lake's career, spanning the late '60s to the mid-'90s. Lake might be one of the most famous musicians associated with progressive rock, but you'd have a hard time taking that impression away from this CD if it was the first or only sampling of his music you heard. Rarities collections can't serve as a fair career retrospective, of course…
Greg Lake - From The Underground: The Official Bootleg (1998) [Columbia Music Japan, VQCD-10176] Repost

Greg Lake - From The Underground: The Official Bootleg (1998)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2011 | Columbia Music Japan, VQCD-10176 | ~ 479 or 170 Mb | Scans(png) -> 430 Mb
Progressive Rock, Art Rock

Greg Lake is best known as a founding member of prog rock legends King Crimson and Emerson, Lake & Palmer, but his musical career spans nearly 35 years – and this disc is a delightful testament to every stop along his musical journey. Consisting entirely of extremely rare or previously unreleased material, From the Underground contains both studio and live selections from '60s groups the Shame, Shy Limbs, and King Crimson as well as Lake's later work with Emerson, Lake & Palmer, Asia, Emerson, Lake & Powell, and his own Greg Lake Band…
Greg Lake - King Biscuit Flower Hour Presents: Greg Lake in Concert (1995) [Columbia Music Japan, VQCD-10175] Repost

Greg Lake - King Biscuit Flower Hour Presents: Greg Lake in Concert (1995)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2011 | Columbia Music Japan, VQCD-10175 | ~ 414 or 140 Mb | Scans(png) -> 257 Mb
Progressive Rock, Art Rock

The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts…
Greg Lake - Manoeuvres (1983) [Columbia Music Japan, VQCD-10174] Repost

Greg Lake - Manoeuvres (1983)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2011 | Columbia Music Japan, VQCD-10174 | ~ 305 or 107 Mb | Scans(png) -> 153 Mb
Hard Rock, Progressive Rock, Art Rock

Manouevres was released in 1983 as the follow-up to Greg Lake's 1981 self-titled debut album. His core group of musicians (Gary Moore, Tristam Margetts, Tommy Eyre, and Ted McKenna) is still present, but Manoeuvres is a different sort of album than the '81 effort. The heavy, gritty, guitar-driven feel of the previous record is not quite as evident and this seems a more restrained album…
Greg Lake - Greg Lake (1981) [Columbia Music Japan, VQCD-10173] Repost

Greg Lake - Greg Lake (1981)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2010 | Columbia Music Japan, VQCD-10173 | ~ 313 or 107 Mb | Scans(png) -> 204 Mb
Progressive Rock, Art Rock

After the breakup of Emerson, Lake & Palmer in 1978, Greg Lake set out to launch a solo career. He teamed up with guitar virtuoso Gary Moore and enlisted the talents of Bruce Springsteen's sax player, Clarence Clemmons, as well as Toto veterans Steve Lukather, David Paich, and Jeff Porcaro. The result was his 1981 self-titled debut album…

D.O.A. - Fight Back (2018)  Music

Posted by varrock at May 4, 2018
D.O.A. - Fight Back (2018)

D.O.A. - Fight Back (2018)
MP3 CBR 320kbps | Tracks: 13 | 30:23 min | 73 Mb
Style: Alternative, Hardcore Punk | Label: Sudden Death

It wasn't long before punk rock expanded beyond just New York City, London, and Los Angeles during the mid- to late '70s, as evidenced by the emergence of the long-running Vancouver, Canada-based outfit D.O.A. Originally formed in 1978, D.O.A. have been led from the beginning by singer/guitarist Joe Keithley (aka Joey Shithead), joined by a wide variety of other bandmates through the years (including future Black Flag/Danzig/Social Distortion drummer Chuck Biscuits), although guitarist Dave Gregg was present for much of the hijinks up until 1990. The same year as their formation, D.O.A. issued a debut EP, Disco Sucks, before following it up with a pair of full-lengths that many longtime fans consider D.O.A.'s classic recordings, 1980's Something Better Change and 1981's Hardcore '81 (a popular compilation of both releases plus early tracks reared its head in 1984 as Bloodied But Unbowed).

Greg Jamie - Crazy Time (2018)  Music

Posted by varrock at April 23, 2018
Greg Jamie - Crazy Time (2018)

Greg Jamie - Crazy Time (2018)
MP3 CBR 320kbps | Tracks: 9 | 35:00 min | 82 Mb
Style: Folk | Label: Orindal Records

Crazy Time is the first solo album by Maine-based singer, songwriter and guitarist Greg Jamie. Combining the textural with the tuneful, Crazy Time echoes the dark, eerie qualities of Jamie’s previous work (with his bands O’Death and Blood Warrior), while inhabiting a sonic space all its own. Traditional folk melodies contrast cold, synthetic textures, generating an unsettling tension between intimacy and mystery. The atmosphere evokes both the weight of cold, New England winters and the ethereality of a sci-fi dreamscape. Jamie’s singing is in peak form, deftly balancing energy and tone with delicate vulnerability. Lyrical themes confront notions of disappointment, inevitability, mental illness and adventure. Elements of the uncanny and playful are embraced in order to avoid predictable patterns and dismantle preconceptions of loner-folk. In his first official solo effort, Greg Jamie has crafted a singular work of disorienting beauty.