It takes a special set of trading skills to thrive in today's intensely volatile markets, where point swings of plus or minus 200 points can occur on a weekly, sometimes daily, basis. The Volatility Course arms stock and options traders with those skills. George Fontanills and Tom Gentile provide readers with a deeper understanding of market volatility and the forces that drive it. They develop a comprehensive road map detailing how to identify its ups and downs. And they describe proven strategies and tools for quantifying volatility and confidently developing plans tailored to virtually any given market condition. The companion workbook provides step-by-step exercises to help you master the strategies outlined in The Volatility Course before putting them into action in the markets.
A comprehensive study companion to The Options Course, Second Edition
The Greatest Hits Volume III album includes hits from 1983 to 1997. Three previously unreleased studio tracks are included, "To Make You Feel My Love", "Hey Girl", and "Light as the Breeze". All three tracks are covers songs (a rare occurrence in his catalogue), and although "To Make You Feel My Love" and "Hey Girl" were recorded to be singles for this album, Joel originally recorded the song "Light as the Breeze" for a Leonard Cohen tribute album, Tower of Song, released in 1995. Chronologically, Greatest Hits Volume III overlaps slightly with Volume II, as the first two tracks, "Keeping the Faith" and "An Innocent Man", first appeared on his album An Innocent Man.
Their Greatest Hits: The Record is the career retrospective greatest hits album by the Bee Gees, released on UTV Records and Polydor in November 2001 as HDCD. The album includes 40 tracks spanning over 35 years of music. Four of the songs were new recordings of classic Gibb compositions originally recorded by other artists, including "Emotion" (Samantha Sang), "Heartbreaker" (Dionne Warwick), "Islands in the Stream" (Kenny Rogers and Dolly Parton), and "Immortality" (Celine Dion). It also features the Barry Gibb duet with Barbra Streisand, "Guilty", which originally appeared on Streisand's 1980 album of the same name. It is currently out of print and has been supplanted by another compilation, The Ultimate Bee Gees.
It may sound silly to call the 12th album by a group with an eight-year string of gold records behind them a "breakthrough," but that's what Main Course was. The group's first disco album – and, for many white listeners, the first disco album they ever purchased – Main Course marked a huge change in the Bee Gees' sound. The group's earlier LPs, steeped in a dense romantic balladry, were beautifully crafted but too serious for any but hardcore fans. Main Course had a few ballads, such as "Songbird" and "Country Lanes," but the writing was simpler, and the rest of it was made up of catchy dance tunes (heavily influenced by the Philadelphia-based soul music of the period), in which the beat and the texture of the voices and instruments took precedence over the words. The combination proved irresistible, and Main Course – driven by the singles "Jive Talkin'," "Nights on Broadway," and "Fanny (Be Tender With My Love)" – attracted millions of new listeners.
The durable Bachman-Turner Overdrive is one of those bands with more greatest-hits collections than actual studio albums. Greatest Hits digs a bit deeper than the definitive Best of B.T.O. (So Far), which was released at the height of the band's fame but passes over stompers such as "Give Me Your Money Please" and "Blue Collar" for faceless late-era (sans Randy Bachman) tunes like "Can We All Come Together."…