ESOTERIC proudly introduces a new series of re-master collcection - A great Jazz collection from Blue Note rebel. The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. These new audio versions feature ESOTERIC′s proprietary re-mastering process to achieve the highest level of sound quality.
Arthur Stewart "Art" Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination specially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.
Glenn Miller's reign as the most popular bandleader in the U.S. came relatively late in his career and was relatively brief, lasting only about three and a half years, from the spring of 1939 to the fall of 1942. But during that period he utterly dominated popular music, and over time he has proven the most enduring figure of the swing era, with reissues of his recordings achieving gold record status 40 years after his death. Miller developed a distinctive sound in which a high-pitched clarinet carried the melody, doubled by a saxophone section playing an octave lower, and he used that sound to produce a series of hits that remain definitive examples of swing music. Miller's approach is not much appreciated by jazz fans…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A bit of a variation on Hank Jones' Great Jazz Trio – at least in comparison to the group's better-known records from the Japanese scene in the late 70s and early 80s – but a variation that brings along some mighty nice changes, too! The rhythm section duo here is especially vibrant – rich basslines from Mads Vinding, and some tightly snapping drums from Billy Hart – who has this way of punctuating the tunes differently than previous drummers in the trio – creating a whole new scenario of swing for Hank to work with. Jones' piano is at the top of his gem at this point in his career – and titles on this second volume include "Angel Eyes", "Black Orpheus", "Gone With The Wind", "Dark Eyes", "Alone Together", "Softly As In A Morning Sunrise", and "On Green Dolphin Street".