A set of 2 movies for kindergarten children learning English at starter level. Contains 12 episodes.
We all have a Walt Disney cartoon tune or melody in mind, reminding us of magic afternoons spent with our parents when we were kids or with our own children now that we are grown-ups. It is a bit of this special feeling and pleasure that artists such as Gregory Porter, Melody Gardot, Stacey Kent, Jamie Cullum and other leading music stars share with us on the new project produced by Jay Newland and arranged and directed by Rob Mounsey, as they perform big band jazz covers of songs that are part of every kids heritage. Whether they come from Scandinavia, Andalusia, North Americas big cities or the Balkan plains, 21st century kids have the Disney magic in common, an imaginary world where both soft and wild tunes are closely linked to cult scenes from Uncle Walts animation classics.
"I can't fit into my skinny black jeans anymore," laments veteran blues rocker David Gogo on the appropriately titled, hard-driving, Stones-inflected, and likely autobiographical "Getting Old." Only in his early forties at the time of its 2011 release, he's obviously not letting fears of his advancing years slow or dull his attack, as his sixth release in a decade shows. Gogo isn't a particularly distinctive guitarist, but as this disc's title implies (Soul-Bender is also the name of the Fulltone guitar pedal he uses); he infuses plenty of soul with his bluesy rock & roll. To that end, a crackling version of Michael Jackson's "The Way You Make Me Feel," played as a high-energy swamp rocker with female backing vocals and horns, seems like a Southside Johnny & the Asbury Jukes cover instead of a hit for the King of Pop. Gogo is in tough voice throughout, charging into the rugged "Slow It Down" and a slinky slide guitar-driven burner "Do You Know How It Feels?" with raw nerves exposed. As usual, he uncorks some terrific covers (in addition to Jackson's); stampeding his blues guitar leads on the Robin Trower/Procol Harum nugget "Whisky Train" and the Doors' underappreciated "The Changeling" with chops and imagination.