Girls Will Be Girls, Vol. 1 is for collectors whose interest in 1960s girl groups has taken them beyond hits into the realm of demos, obscurities, and previously unreleased material. The recordings, made between 1962-1966, are drawn from a number of labels such as Colpix, Dimension, Roulette, Jubilee, and DynoVoice….
This is the second volume in this series of 60s girl group rarities. The original vinyl of this had only 12 tracks and was issued in 1963. This is the 30 track CD edition. This cd is out of print and somewhat scarce. This rip is from my new CD that I just opened to make this rip.
Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
2009 three CD set, the first volume in the So80s series. The finest collection of original classic 12" club & extended mixes.
Artist, producer, writer, arranger, musician, and all-around first-class baloney-thrower Kim Fowley was the man on the scene in Hollywood, CA, during the mid- to late '60s. This collection compiles 20 tracks from Fowley's solo recordings, circa 1966-1969. The collection kicks off with the garage punker "Underground Lady" from 1966, which, Fowley is happy to point out, was released before the Count Five's "Psychotic Reaction" and the Music Machine's "Talk Talk." "The Trip" is a fascinating bit of drug-laced ephemera ("Summer's here kiddies/It's time to take a trip," Fowley leers in the intro) and one of the CD's highlights…