Brazil's former minister of culture is enjoying himself. Freed from the constraints of office, the country's best-known singer-songwriter is clearly determined to show that his voice, guitar work and range are as impressive as ever. His last studio album, Banda Larga Cordel, showed he was still willing to experiment, and this new live set is a further reminder of his ability to develop. His lengthy career has included playing a key role in the rock-influenced Tropicália movement, the establishment of a Brazilian reggae scene, and excursions into anything from forró to electronica. On this album he is backed by his own acoustic guitar, with just a little help from his sons Bem and José, adding additional guitar, percussion and occasional bass.
Gil Scott-Heron's 1971 album Pieces of a Man set a standard for vocal artistry and political awareness that few musicians will ever match. His unique proto-rap vocal style influenced a generation of hip-hop artists, and nowhere is his style more powerful than on the classic "The Revolution Will Not Be Televised." Even though the media – the very entity attacked in this song – has used, reused, and recontextualized the song and its title so many times, the message is so strong that it has become almost impossible to co-opt. Musically, the track created a formula that modern hip-hop would follow for years to come: bare-bones arrangements featuring pounding basslines and stripped-down drumbeats. Although the song features plenty of outdated references to everything from Spiro Agnew and Jim Webb to The Beverly Hillbillies, the force of Scott-Heron's well-directed anger makes the song timeless. More than just a spoken word poet, Scott-Heron was also a uniquely gifted vocalist. On tracks like the reflective "I Think I'll Call It Morning" and the title track, Scott-Heron's voice is complemented perfectly by the soulful keyboards of Brian Jackson.
All the Bruckner symphony recordings that Hans Rosbaud made for SDR (now SWR) are released here for the first time. Rosbaud took care over matters of interpretation, which took several decades to make their mark Rosbaud generally used the Haas and Nowas editions.