“… Gerry Beaudoin is a fine guitarist, composer and arranger. I am looking forward to more musical adventures with Gerry and his trio in the future.” - David Grisman The all acoustic,no amps allowed, recordings by the Gerry Beaudoin Trio were a watershed mark in Gerry’s’ career. His special guest, mandolinist David Grisman, had a huge impact on on the way Gerry looked at music and the setting he presented it in. ” When I first heard the David Grisman Quintet I was very aware after a few songs that David was not just a jazz player but had allowed all of his experiences in music and all the genres he played or listened to to come out in his music. I also noticed, like all great jazz musicians, he used the Quintet as an instrument…
This is a rather relaxed recording featuring baritonist Gerry Mulligan and some of his top alumni (trumpeter Art Farmer, trombonist Bob Brookmeyer, guitarist Jim Hall, bassist Bill Crow, and drummer Dave Bailey) exploring three of his own songs (including "Festive Minor"), Chopin's Prelude in E minor, "In the Wee Small Hours of the Morning," and "Morning of the Carnival" (from Black Orpheus). The emphasis is on ballads and nothing too innovative occurs, but the results are pleasing and laid-back.
2016 solo album from the singer/songwriter best known for his work with the Grammy-winning band America. Recorded at his Los Angeles studio Human Nature, the shimmering 12-track album plays to all of Beckley's strengths; the singer, songwriter and musician played most instruments on the album. "With a solo project I'm really a committee of one," says Beckley. "There's only myself to please. Having said that, it's not always easy. Each project is a snapshot in time. The material on Carousel came from a wide scope of inspiration." Carousel contains original standouts such as the deeply personal "Lifeline", "No Way I'm Gonna Lose You" (co-written with Dan Wilson who won an award for his work with Adele) and "Tokyo", of which Beckley says: "The song actually came to me while I was waiting to board a flight home from Japan. I seem to remember I lost track of time and almost missed the flight".
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Over My Head is the eighth studio album by Gerry Rafferty, released in 1994. It is the follow-up to his album On a Wing and a Prayer and features many of the same musicians. The album includes songwriting contributions from Joe Egan and a John Lennon cover. This was the last album Hugh Murphy produced before his death in 1998.
Snakes and Ladders is the fourth album by Gerry Rafferty. It was released in 1980, following the success of his previous two albums, City to City and Night Owl. The album charted at No. 15 in the UK but only reached No. 61 in the US. The album was released on CD in 1998 [EMI 7 46609-2] but deleted soon after that, and it got reissued on CD on August 2012 as a 2-CD set with "Sleepwalking." Some of the songs are available on compilation albums. One of the songs, "The Garden Of England", was recorded at Beatles producer George Martin's AIR studio in Montserrat. All the songs were original Rafferty compositions, though one – "Johnny's Song" – was a remake of a song which had been previously released by his former band Stealer's Wheel, and another – "Didn't I" – was a remake of a song from Rafferty's 1971 album Can I Have My Money Back.
Can I Have My Money Back? is the first solo album by Gerry Rafferty. The distinctive cover design was by John Patrick Byrne and was the start of a long working relationship between Rafferty and the playwright. The LP was well received, but performed poorly in charts and sales, in part because Rafferty had just left a well known band, The Humblebums. The album also saw Joe Egan come on board, and the pair formed Stealers Wheel shortly afterwards. The album was subsequently re-issued on digitally remastered compact disc (CD) in an expanded version, with the same title (albeit subtitled "The Best of Gerry Rafferty") and a different cover design, by Castle Music, Ltd. (UK) in 2000 (Serial# ESMCD-879). Released only in the United Kingdom, it features an additional 12 tracks taken from his 1974 eponymous compilation album, Gerry Rafferty.
Another World is the ninth and final studio album by Gerry Rafferty. The album was released in 2000 on the Icon Music label to good reviews. It was re-released in 2003 on the Hypertension label with a slightly amended track order, and with "La Fenêtre" replaced by "Keep It To Yourself", the latter track also being released a single in Europe and the UK. Mark Knopfler of Dire Straits appears throughout the album, providing rhythm guitar and lead fills