Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved."
Deja Vu is 2010's bookend to 2008's Dukey Treats. That record explored George Duke's funk roots and channeled everything from Earth, Wind & Fire to P-Funk, artists who inspired his own successful run of funk outings. Deja Vu revisits Duke's love of electric funky jazz. Here he recalls some of the production and musical techniques he employed in the '70s. Along with playing a load of synths (mono and analog), Rhodes and Wurlitzer electric pianos, clavinet, acoustic piano, and even miniMoog bass are in abundance, too. The production is pure retro; compared to the contemporary jazz recordings of the 21st century, Deja Vu sounds almost organic.
Al Jarreau and George Duke were friends long before they became household names. They began playing together in the mid-1960's in San Francisco as Al Jarreau and the George Duke Trio. The successes of these performances are what helped to launch both their careers. George's tragic passing in August, 2013, inspired Al to record this loving tribute to his longtime friend. With the exception of the fitting title track composed by Jarreau, all the tunes were written by George. Guest artists/collaborators include Gerald Albright, Stanley Clarke, Dr. John, Lalah Hathaway, Boney James, Marcus Miller, Jeffrey Osborne, Kelly Price, Dianne Reeves and Patrice Rushen. There's even a song with George Duke playing on it!
This concert was first released on laser disc in Japan.Put your hands together for George Duke,Louis Johnson,Steve Ferrone and Paul Jackson and the GD Band for a seriously slammin' set live in Tokyo in 1983.The amiable Duke dances,sings and plays out his keyboards on "Shine On","Light", and "Silly Fightin'"-all torrid funkers!He also has time for a little sweetness on his classic "Sweet Baby" and with Lynn Davis singing lead on the 70's dance classic "I Want you For Myself".And Duke REALLY gets into it with a audiance;giving an excited young Japanese fan the opportunity to sing the chorus of "Shine On" on stage while he wandered into the audiance to allow everyone to touch his 'Dukey Stick'.A fantastic journey back to a time when REAL musicians played REAL funk before studio created groups and overly choreographed boy bands took center stage.
A dream of a set – at least to our Brazilian-loving ears – a special package that brings together all the best Brazilian-flavored cuts from George Duke's late 70s run on Epic Records! The package is filled with wonderfully sunny grooves throughout – tunes that sparkle and soar with mighty nice rhythms – topped with loads of keyboards from George, and vocals that often have a scatting, breezy style that's plenty sweet – American soul influenced by Brazilian grooves, in a sound that's a bit like the feel of Earth Wind & Fire's "Brazilian Rhyme".