George Duke t Jam

George Duke - Greatest Hits (1996)  Music

Posted by Designol at Sept. 12, 2017
George Duke - Greatest Hits (1996)

George Duke - Greatest Hits (1996)
EAC | FLAC | Image (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 114 Mb | Scans included
Jazz-Funk, Funk, Fusion | Label: Epic | # EPC 477462 2 | Time: 00:46:18

Greatest Hits is a fine ten-track overview of the funk keyboardist's late-'70s/early-'80s recordings, containing all three of his Top Ten R&B hits ("Reach for It," "Dukey Stick," "Sweet Baby") plus a good selection of minor hits and album tracks.
Stanley Clarke / George Duke - The Clarke/Duke Project II (1983) {Epic}

Stanley Clarke / George Duke - The Clarke/Duke Project II (1983) {Epic}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 262MB + 5% Recovery
MP3 CBR 320 Kbps | 91MB + 5% Recovery
Genre: Jazz-Funk, Fusion

A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with Pharoah Sanders in the early '70s. George Duke showed a great deal of promise early in his career as a jazz pianist and keyboardist, but has forsaken that form to be a pop producer.
The George Duke Quartet - Jazz Workshop 1966 (2014/2015) [Official Digital Download]

The George Duke Quartet - Jazz Workshop 1966 (2014/2015)
FLAC (tracks) 24-bit/44,1 kHz | Time - 37:56 minutes | 381 MB
Studio Master, Official Digital Download | Artwork: Front cover

Just barely 20 at the time, pianist George Duke made his recording debut with a straight-ahead quartet also including the obscure bass trumpeter David Simmons, bassist John Heard and drummer George Walker. This was one of Duke's very few all-standards sets, and he proved to be a fine hard bop/soul-jazz pianist; unfortunately, that phase would not last long. Highlights include "The Night Has a Thousand Eyes," "Jeannine" and "Secret Love." But by the time the pianist recorded his second date as a leader three years later, this particular George Duke would be history.
George Duke - I Love the Blues, She Heard My Cry (1975/2015) [TR24][OF]

George Duke - I Love the Blues, She Heard My Cry
Fusion, Jazz-Funk | FLAC (tracks) 24-bit/88.2 kHz | 40:53 min | 785 MB | Front Cover
Label: MPS Records | Tracks: 10 | Rls.date: 1975/2015

The list of heavyweights who join George Duke on 1975's I Love the Blues: She Heard My Cry is impressive — some of the participants include Johnny "Guitar" Watson, singer Flora Purim, percussionist Airto Moreira, guitarist Lee Ritenour, drummer Leon "Ndugu" Chancler, and guitarist George Johnson (of Brothers Johnson fame). With such a cast, one would expect this 1975 LP to be outstanding, which it isn't. But it's a respectable effort that thrives on diversity.

George Duke - The Aura Will Prevail (1975/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Feb. 11, 2017
George Duke - The Aura Will Prevail (1975/2015) [TR24][OF]

George Duke - The Aura Will Prevail
Fusion, Jazz-Funk | FLAC (tracks) 24-bit/88.2 kHz | 38:21 min | 708 MB | Front Cover
Label: MPS Records | Tracks: 09 | Rls.date: 1975/2015

In 1975, George Duke was dabbling in R&B vocals. But instrumental jazz-fusion was still his primary focus, and he had yet to be played extensively on any of the genres' stations. When The Aura Will Prevail came out that year, no one bought the LP for its occasional R&B vocal – the main attraction was Duke's keyboard playing. "Fools" is a melancholy soul ballad that finds him singing lead and predicts what was to come on R&B-oriented releases like Don't Let Go (1978) and Master of the Game (1979), but it isn't typical of the album on the whole.
The Billy Cobham / George Duke Band - Live On Tour In Europe (1976) {Wounded Bird}

The Billy Cobham / George Duke Band - Live On Tour In Europe (1976) {Wounded Bird}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 348MB + 5% Recovery
MP3 CBR 320 Kbps | 197MB + 5% Recovery
Genre: Jazz, Fusion, Jazz-Funk

Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved."
Al Jarreau - My Old Friend: Celebrating George Duke (2014) [Official Digital Download 24-bit/96kHz]

Al Jarreau - My Old Friend: Celebrating George Duke (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 45:20 minutes | 1,01 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The world of music was forever changed in 2013 with the passing of legendary keyboardist, composer and producer George Duke. This year, Al Jarreau, famed vocalist and long-time friend of Duke, re-interprets some of Duke's renowned catalog of post-bop, jazz-fusion, R&B and Brazilian jazz with My Old Friend: Celebrating George Duke. This work also hosts a stellar blend of guest artists including Gerald Albright, Dianne Reeves, Marcus Miller, Lalah Hathaway, Jeffrey Osborne, Kelly Price, Dr. John, and more, with a special appearance by George Duke on the track "Bring Me Joy" which also features Boney James.

George Duke - Deja' Vu (2010) {BMP}  Music

Posted by tiburon at Oct. 21, 2014
George Duke - Deja' Vu (2010) {BMP}

George Duke - Deja' Vu (2010) {BMP}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 384MB + 5% Recovery
Genre: Jazz-Funk, Fusion, R&B

Deja Vu is 2010's bookend to 2008's Dukey Treats. That record explored George Duke's funk roots and channeled everything from Earth, Wind & Fire to P-Funk, artists who inspired his own successful run of funk outings. Deja Vu revisits Duke's love of electric funky jazz. Here he recalls some of the production and musical techniques he employed in the '70s. Along with playing a load of synths (mono and analog), Rhodes and Wurlitzer electric pianos, clavinet, acoustic piano, and even miniMoog bass are in abundance, too. The production is pure retro; compared to the contemporary jazz recordings of the 21st century, Deja Vu sounds almost organic.

George Duke - Brazilian Fusion (2013) {Wounded Bird Records}  Music

Posted by ruskaval at July 15, 2014
George Duke - Brazilian Fusion (2013) {Wounded Bird Records}

George Duke - Brazilian Fusion (2013) {Wounded Bird Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 543 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 2013 Wounded Bird Records / Heads Up / Epic | WOU 7001
Jazz / Fusion / Funk

A dream of a set – at least to our Brazilian-loving ears – a special package that brings together all the best Brazilian-flavored cuts from George Duke's late 70s run on Epic Records! The package is filled with wonderfully sunny grooves throughout – tunes that sparkle and soar with mighty nice rhythms – topped with loads of keyboards from George, and vocals that often have a scatting, breezy style that's plenty sweet – American soul influenced by Brazilian grooves, in a sound that's a bit like the feel of Earth Wind & Fire's "Brazilian Rhyme".

George Duke - In A Mellow Tone (2006) {BPM}  Music

Posted by tiburon at Feb. 6, 2014
George Duke - In A Mellow Tone (2006) {BPM}

George Duke - In A Mellow Tone (2006) {BPM}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 377MB + 5% Recovery
Genre: Jazz, Post-Bop, Fusion

Straightforward small combo jazz (basically an electric/acoustic piano trio with occasional guitar, reeds and percussion) of a kind that George Duke's detractors say he has long since abandoned, In a Mellow Tone is indubitably a mainstream jazz record with little adventurous spirit and a sound that occasionally even verges on the easy listening horrors of smooth jazz. However, as such albums go, it's more than pleasant, with Duke's underrated piano and Fender Rhodes technique driving the songs.