Georg Solti Mozart

Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)

Alicia de Larrocha, Georg Solti - Mozart: Piano Concertos Nos. 24-27 (2010)
MP3 (CBR 320 kbps) | Digital Booklet | 02:08:32 | 319 MB
Genre: Classical | Label: Decca

This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.

Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)  Music

Posted by Discograf_man at Nov. 25, 2016
Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)

Sir Georg Solti - Mozart The Operas: Box Set 15CDs (2012)
Classical | MP3 CBR 320 kbps | 2,05 Gb | Scans 45 Mb
Label: Decca | Release Year: 2012

October 21, 2012 marks Sir Georg Solti's centenary and Decca is celebrating this with several important reissues.
Sir Georg was an exclusive Decca artist for 50 years.
In 1947 he signed his first contract with Decca - as a pianist and that same year he made his first record as a conductor (with the Zurich Tonhalle in Beethovens Egmont Overture). His last public concerts took place just a few weeks before his death in 1997 and were with the Zurich Tonhalle.
Georg Solti, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (2004/1991)

Georg Solti, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (2004/1991)
NTSC 4:3 (720x480) VBR | Latin (LinearPCM, 2 ch) | (DTS, 6 ch) | 6.40 Gb (DVD9) | 100 min
Classical | DECCA

This unique performance of Mozart's great Requiem took place on 5 December 1991, to commemorate the 200th anniversary of the composer's death. Conducted by maestro Sir Georg Solti. Mozart's music was performed as an integral part of the liturgy for which it was originally intended, rhe special taking place in the magnificent setting of St Stephen's Cathedral, Vienna, where Mozart's funeral rites were said on 6 December 1791.
Chicago Symphony Orchestra, Sir Georg Solti - Solti: The Complete Chicago Recordings (2017) [108CD Box Set]

Chicago Symphony Orchestra, Sir Georg Solti - Solti: The Complete Chicago Recordings (2017) [108CD Box Set]
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 27.2 GB
Label: Decca – 0289 483 1375 4 | Tracks: 1053 | Time: 109:25:03
Classical, Opera, Baroque, Romantic, Moder

Decca celebrates one of the world’s most prolific conductor-orchestra partnerships with a deluxe 108-CD box set marking both the 20th Anniversary of the passing of Sir Georg Solti and the 125th Anniversary of the founding of the Chicago Symphony Orchestra. 108 CDs presenting Solti’s and the CSO’s complete recorded legacy together: from their very first recording at Medinah Temple in March 1970 of Mahler’s Fifth Symphony to their last at Orchestra Hall, Chicago in March 1997 of Shostakovich’ Symphony No.15.
Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.
Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti - Solti at Covent Garden (2016)

Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti - Solti at Covent Garden (2016)
Classical | WEB FLAC (tracks) & front cover | 332 MB
Label: Decca | Tracks: 15 | Time: 66:12 min

Beginning in 1961, Georg Solti enjoyed a ten-year tenure as Music Director of London’s Covent Garden Opera Company, where he raised performance standards while giving British singers more prominence than ever before. These changes were not lost on Buckingham Palace, and in 1968, Covent Garden earned the right to be renamed ‘The Royal Opera’. With its orchestra he made some of his – and posterity’s – most thrilling recordings, cherished by music-lovers and audiophiles the world over.
Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti - Beethoven: Piano Concertos (1973/2016) [24/96]

Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti - Beethoven: Piano Concertos (1973/2016)
FLAC (tracks) 24-bit/96 kHz | Time - 176:53 minutes | 2.97 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This Grammy-winning release marks Vladimir Ashkenazy's first of three cycles of the complete Beethoven piano concertos and captures the Chicago Symphony Orchestra and conductor Sir Georg Solti at the peak of their careers. Ashkenazy recorded these concertos in May 1971 and May 1972: in 1971 the third and fifth concertos were recorded; a year later the cycle was completed with the first, second and fourth concertos.
Chicago Symphony Orchestra & Sir Georg Solti - Berlioz: Symphonie fantastique; Overture Les francs-juges (2017)

Chicago Symphony Orchestra & Sir Georg Solti - Berlioz: Symphonie fantastique; Overture Les francs-juges (2017)
Classical | MP3 CBR 320 kbps | 01:23:40 | 193 MB
Label: Decca

The Chicago Symphony Orchestra is one of the three most acclaimed orchestras in America at the end of the century (the others being the New York Philharmonic and the Boston Symphony Orchestra), and one of the few serious rivals that the New York Philharmonic has had in its long history. Curiously, the histories of the two orchestras are somewhat intermingled.
Beethoven - Chicago Symphony Orchestra / Sir Georg Solti ‎– The Nine Symphonies (1975) [Vinyl Rip 16/44 & mp3-320]

Beethoven - Chicago Symphony Orchestra / Sir Georg Solti ‎– The Nine Symphonies (1975)
9 x Vinyl Rip 16/44 | Flac(Image + Cue) > 1808 Mb
MP3 CBR 320Kbps > 893 Mb | Artwork(jpg) > 2.29 Mb
London Records, CSP-9 | 9LP Box Set
Classical / Romantic

Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio…
Georg Solti, Chamber Orchestra of Europe - Mozart: Cosi fan tutte [1996]

Mozart - Così fan tutte (Georg Solti) [1996]
Classical | DECCA 444 174-2 | TT: 178.39 | EAC (FLAC, cue, log) | Covers | 743 MB

It is more than twenty years since Solti last recorded Così for Decca, and if that earlier version was far from ideally cast, this new one more than makes amends. Above all, it has a commanding Fiordiligi in Renée Fleming, who conveys all the tragic vulnerability of this central character. Her performance of the great second-act rondo ‘Per pietà’ would be enough to melt the hardest of hearts. Anne Sofie von Otter and Olaf Bär are in fine form, too; and while Adelina Scarabelli is not exactly a mistress of disguises (she scarcely alters her voice at all for Despina’s part as the mesmeric doctor), her vitality is irresistible. More contentious is the Ferrando of Frank Lopardo. True, he can scale down his voice admirably, but all too often he lacks a genuine sense of line, and his intonation is unreliable.