October 21, 2012 marks Sir Georg Solti's centenary and Decca is celebrating this with several important reissues.
Sir Georg was an exclusive Decca artist for 50 years.
In 1947 he signed his first contract with Decca - as a pianist and that same year he made his first record as a conductor (with the Zurich Tonhalle in Beethovens Egmont Overture). His last public concerts took place just a few weeks before his death in 1997 and were with the Zurich Tonhalle.
This unique performance of Mozart's great Requiem took place on 5 December 1991, to commemorate the 200th anniversary of the composer's death. Conducted by maestro Sir Georg Solti. Mozart's music was performed as an integral part of the liturgy for which it was originally intended, rhe special taking place in the magnificent setting of St Stephen's Cathedral, Vienna, where Mozart's funeral rites were said on 6 December 1791.
It is more than twenty years since Solti last recorded Così for Decca, and if that earlier version was far from ideally cast, this new one more than makes amends. Above all, it has a commanding Fiordiligi in Renée Fleming, who conveys all the tragic vulnerability of this central character. Her performance of the great second-act rondo ‘Per pietà’ would be enough to melt the hardest of hearts. Anne Sofie von Otter and Olaf Bär are in fine form, too; and while Adelina Scarabelli is not exactly a mistress of disguises (she scarcely alters her voice at all for Despina’s part as the mesmeric doctor), her vitality is irresistible. More contentious is the Ferrando of Frank Lopardo. True, he can scale down his voice admirably, but all too often he lacks a genuine sense of line, and his intonation is unreliable.
This will be the Magic Flute chosen by most people who want to live with just one. It finds Georg Solti in a relatively relaxed state of mind, with an excellent if not particularly famous cast, and an orchestra and chorus that any conductor would give his left arm (not the one that welds the baton) to work with. The singers are not particularly well-known (London seems to have set up Solti as the star of this production) but a lack of celebrity attitudes and close attention to the conductor have paid substantial dividends in this production. Sumi Jo, in a spectacular and dramatic performance of the Queen of the Night's two arias, attracts special attention, as do Uwe Heilmann (Tamino) and Michael Kraus (Papageno). –Joe McLellan
Mozart's comic opera tells the story of Belmonte, a Spanish Nobleman, who arrives at a Turkish palace in search of his beloved Konstanze who has become part of Pasha Selim's harem. Together Belmonte and Konstanze plan her escape. Filmed at the Royal Opera House in Covent Garden in 1988, Georg Solti conducts the Orchestra and Chorus of the Royal Opera House. Deon van der Walt and Inga Nielsen star. “Solti's effervescence and warmth inspire a splendid cast, especially Nielsen's unusually desperate, passionate Constanze and antagonists Moll and Watson. Richly comic and brilliant sung.” - BBC Music Magazine
The Chicago Symphony Orchestra shines in this recording under the direction of Sir Georg Solti. From the delicate second movement to the robust finale, the Chicago Symphony Orchestra shows its musical dexterity, performing every note with the greatest musical sensibility. Simply the best interpretation of Dvorak's 9th symphony in recent years, this performance is a must have for serious music lovers.
Sir Georg Solti, KBE (21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor. He holds the record for having received the most Grammy Awards, having personally won 31, including the Grammy Lifetime Achievement Award. He is widely regarded as one of the greatest conductors of the 20th century.
Even as he is most closely associated with the music of Wagner and Beethoven, conductor Georg Solti enjoyed a long and fruitful relationship with the orchestral music of Johannes Brahms. Solti's own personal preferences in terms of Brahms, judging based on his performance history, were slanted toward the Haydn Variations, German Requiem, and the concerti, but in the late '70s he undertook a cycle of the symphonies with the Chicago Symphony Orchestra for Decca London that some expert listeners feel have never been bettered since.
October 21, 2012 marks Sir Georg Soltis centenary and Decca is celebrating this with several important reissues.
Sir Georg was an exclusive Decca artist for 50 years. In 1947 he signed his first contract with Decca - as a pianist and that same year he made his first record as a conductor (with the Zurich Tonhalle in Beethovens Egmont Overture). His last public concerts took place just a few weeks before his death in 1997 and were with the Zurich Tonhalle.