The Book of Genesis, regardless of our faith, is something with which almost all of us in the Western world are familiar—a foundational work of our culture we have read and, we believe, understood. After all, its language, despite its remarkable elegance, is simple. Its powerful sentences are short. And its messages glisten with clarity.
"Abacab" is the eleventh studio album by English rock band Genesis, released on 18 September 1981 in the United Kingdom by Charisma Records and 24 September 1981 in the United States by Atlantic Records. After their 1980 tour in support of their previous album Duke, the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums. "Abacab" received a mostly positive reception from critics and was a commercial success for the band, reaching #1 on the UK Albums Chart and #7 on the US Billboard 200.
Genesis 1970-1975 is a box set of five studio albums by Genesis featuring Peter Gabriel. The 7CD/6DVD box set includes newly remixed versions of the albums Trespass, Nursery Cryme, Foxtrot, Selling England by the Pound and The Lamb Lies Down on Broadway. The band's 1969 debut album, From Genesis to Revelation, was excluded because of the band losing the rights to it. The fifth pair of discs includes B-side songs, 3 rare songs from BBC Sessions in 1970 and the never-before-released Genesis Plays Jackson soundtrack. Each bonus DVD features audio versions of the albums in 5.1 surround sound, as well as videos from each album's corresponding tour, new interviews, and photo galleries.
Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks. In that sense, it does seem a bit like No Jacket Required, and the heavy emphasis on pop tunes does serve the singer, not the band, but it's not quite fair to call this a Collins album, and not just because there are two arty tunes that could have fit on its predecessor…