The Coincidentalist is Howe Gelb's first solo album since 2011's Alegrias, and his debut for New West Records. In 2012, his ever-evolving Giant Sand issued the sprawling "country rock opera" Tucson, which marked his return to the desert after spending most of the previous decade in Denmark. Self-produced, The Coincidentalist is a mostly low-key affair with a stellar mix by John Parish. As has been his M.O. for most of the last three decades, Gelb enlists a fine cast of co-conspirators: longtime bassist Thoger Tetens Lund, former Sonic Youth drummer Steve Shelley, M. Ward on lead guitar, and the Silver Thread Trio (Gabrielle Pietrangelo, Laura Kepner-Adney, and Caroline Isaacs) on chorus vocals.
In 2006, Howe Gelb embarked on a journey with a gospel choir with the result the astounding, critically acclaimed album Sno' Angel Like You. This new chapter sees Howe embellish a troop of amenco playing gypsies, including the virtuoso guitarist Raimundo Amador (collaborated with Bjork and BB King) and is mixed by the legendary John Parish (PJ Harvey). Recorded atop a Cordoba roof with his 'Band Of Gypsies' in the AndalucAa sun, Alegrias, is an exceptional new work from Howe Gelb. Originally only available in Spain, where the record enjoyed considerable success due in part to the wondrous contribution from Flamenco guitar virtuoso Raimundo Amador, Fire is pleased to be releasing the latest jewel in the considerable crown of Howe Gelb's musical delights.
Johann Mattheson gained lasting renown as a music writer with his two main works Die musikalische Ehrenpforte and Der vollkommene Kapellmeister, with the latter representing a foundational writing on cultural politics, musical aesthetics, and compositional practice in the first half of the eighteenth century. Mattheson was also himself a composer and experienced his most productive phase in this capacity during his years as cathedral music director at the Hamburg Cathedral (1715-28). He wrote twenty-four oratorios and other works for the cathedral music until increasing deafness forced him to resign from his post. That Mattheson is not at all known as a composer certainly has to do with the fact that a considerable portion of his compositional oeuvre was regarded as lost until 1998, when some works were rediscovered in a war evacuation depot in Erivan (Yerevan), Armenia. These works include Der liebreiche und geduldige David (The Loving and Patient David) of 1723, one of Mattheson’s last oratorios. It reveals him to us as a dramatically well-versed, highly imaginative musician who more than deserves his personal renaissance. cpo vows to take up his cause!