The Concert was recorded in Tokyo, Japan 1981.I have only attended one Chick Corea Concert some 20 or more years ago, the Electric Band, which he played with at the time, was so loud that it was painful to listen to and I left after the first half. It has taken me till now to listen again to his work! On the basis of this DVD I have missed out on a lot, Garry Burton and Chick Corea are master musicians and their work together is really exhilarating. All the compositions are written by Corea, but both musicians contribute to the musical entertainment in equal amounts. I have enjoyed Gary Burton' playing with Stan Getz and the GRP Big Band and know him to be the leading light of the contemporary vibes field. Both musicians' posses a phenomenal technique and the interplay between the two of them have to be seen and heard to be believed.
This is a selection of original compositions by the very original Carla Bley, played by a small group of Jazz musicians who represent both traditional, R&B and avant garde influences - another way of saying they're gifted and versatile. They're playing sophisticated compositions with that sense of verve, ease and informality that brings an element of joy to great Jazz. I was tempted to take off one star for the piece on which Bley sings because it seems self-indulgent and a bit silly compared to the rest, but good humor prevails throughout, and, let's face it, she's entitled. The rest of the pieces are so good that one less than stellar track shouldn't bring the rating down. It's worth noting that three of these compositions had previously been recorded by Art Farmer and Gary Burton, but Bley gives them adventurously different treatments here.
Praising a previous incarnation of Steve Swallows quintet, The Times of London described the band as near a perfect display of small-group jazz robust yet exquisitely poised.
Vibraphone innovator Gary Burton recorded a wealth of material for ECM during his 15 year tenure with the label. His anthology highlights the exceptional groups he led in the 1970s and 1980s. Burton’s quartets, quintets, and sextets introduced many remarkable players to a wider public, and these selections feature inspired performances by Pat Metheny, Mick Goodrick, Steve Swallow, Eberhard Weber, Bob Moses, Makoto Ozone and more. “We toured up to two hundred days a year,” Burton recalls. “The recordings we made were snapshots of the evolution of my working bands during this highly productive period.”
Features 24 bit digital remastering. Comes with a description. Because Gary Burton uses four mallets simultaneously, he has long been able to sound like two or three players at once. This remarkable solo set has three selections in which Burton overdubs vibes with piano, electric piano, and organ, but those are far overshadowed by three unaccompanied vibes showcased from the 1971 Montreux Jazz Festival and a slightly later (and very memorable) studio rendition of "Chega de Saudade (No More Blues)." The latter is one of the high points of Gary Burton's career. Wondrous music.
Though Heavy Heart was supposedly the "mellow, sensual" album Carla Bley had in mind, Night-Glo is more like it – a relaxed, easygoing, easy-listening series of compositions that nearly spills over into fuzak. Writing for a basic sextet with an added five-man horn section, most effectively when one color melts gently into another, Bley permits the lazy pina-colada mood to amble undisturbed from track to track.
For over 20 years, the trio of pianist Carla Bley, bassist Steve Swallow, and saxophonist Andy Sheppard have shared each other's creative company. The group's 2016 album, Andando el Tiempo, is a delicately passionate, classically influenced set. A follow-up to 2013's equally compelling Trios, Andando el Tiempo is, surprisingly, only the third album from the group after their initial live 1995 album Songs with Legs. Whereas on Trios they delved into various Bley compositions from throughout her career, on Andando el Tiempo they focus on several more recently penned works. "Naked Bridges/Diving Bridges" brings to mind the impressionism of composer Claude Debussy.