Gardiner John Eliot Cantatas 140

John Eliot Gardiner - Gabriel Faure: Requiem; French Choral Works: Saint-Saens, Debussy, Revel, Faure (1994) [Repost, New Rip]

Gabriel Fauré - Requiem; French Choral Works: Saint-Saëns, Debussy, Revel, Fauré (1994)
Monteverdi Choir; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner, conductor

EAC | FLAC | Image (Cue&Log) ~ 255 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical, Choral | Label: Philips | # 438 149-2PH | Time: 01:09:37

This generously programmed disc provides excellent value and outstanding performances of both major and lesser-known masterpieces of French choral music. The Fauré Requiem has been recorded many times, and several excellent versions of the original orchestration are available on disc. This one is among them, owing to John Eliot Gardiner's experience and perfectionist mastery of details overlooked by less-successful choral conductors. The real bonus here is the inclusion of the popular but very difficult Debussy and Ravel chansons, and the rarely heard but eminently worthy little part songs by Saint-Saëns. These pieces are a lesson in how to achieve maximum effect with the simplest materials.

John Eliot Gardiner - Purcell: King Arthur (2018)  Music

Posted by SERTiL at Jan. 21, 2018
John Eliot Gardiner - Purcell: King Arthur (2018)

John Eliot Gardiner - Purcell: King Arthur (2018)
Classical, Opera, Vocal | WEB FLAC (tracks) & front cover | 392 MB
Label: Erato | Tracks: 39 | Time: 91:16 min

With its lavish music and elaborate staging, the semi-opera King Arthur is one of the masterpieces in Purcell’s works. On a text by the poet John Dryden very freely inspired from Arthurian legend and specifically devised for him, Purcell created a work of great expressive intensity which includes among his most beautiful and well-known arias.
John Eliot Gardiner, Wiener Philharmoniker - Lehár: Die Lustige Witwe (1994)

John Eliot Gardiner, Wiener Philharmoniker - Lehár: Die Lustige Witwe (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 79:46 | 367 MB
Genre: Classical, Opera | Label: Deutsche Grammophon | Catalog: 0289 439 9112 4

This is a truly great operetta interpretation. Gardiner's approach is on an altogether more inspired plane than his rivals. In the Viennese rhythms, he shows himself utterly at home – as in the Act 2 Dance scene, where he eases the orchestra irresistibly into the famous waltz. But there are also countless instances where Gardiner provides a deliciously fresh inflexion to the score.
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Handel: Jephtha (2008)

John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Handel: Jephtha (2008)
EAC | FLAC | Image (Cue & Log) ~ 732 Mb | Total time: 158:14 | Scans included
Classical | Label: DECCA | # 478 0398 | Recorded: 1988

John Eliot Gardiner’s recording was made live at the Göttingen Festival in 1988 … the exhilaration and intensity of the performance come over vividly, with superb singing from both chorus and an almost ideal line-up of soloists … as for the Monteverdi Choir, their clarity, incisiveness and beauty are a constant delight.
(Penguin Guide)
John Eliot Gardiner, London Symphony Orchestra - Mendelssohn: A Midsummer Night's Dream, Symphony No 1 (2017) [Blu-Ray]

John Eliot Gardiner, London Symphony Orchestra - Mendelssohn: A Midsummer Night's Dream, Symphony No 1 (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 55+97 min | 32,4 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.1 / 192 kHz / 10478 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 55+97 min | 6,4 Gb
Audio: English / DTS / 6ch / 48.0 KHz / 24 bits | PCM / 2ch / 48.0 KHz / 24 bits
Classical | LSO Live

Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
John Eliot Gardiner, Orchestre Revolutionnaire et Romantique - Berlioz: Symphonie Fantastique, Messe Solennelle (2007/1991)

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Berlioz: Symphonie Fantastique, Messe Solennelle (2007/1991)
NTSC 4:3 (720x480) VBR | Latin (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.75 Gb (DVD9) | 112 min
Classical | DECCA

John Eliot Gardiner conducts his Orchestre Revolutionnaire et Romantique through two concerts of Berlioz compositions. The 'Symphonie Fantastique' is an orchestral tour de force which is central to the repertoire of every major orchestra. It is performed here on original instruments in its original 1830s orchestration in the atmospheric old hall of the Paris Conservatoire where it was first heard. Also included is the first performance of the newly discovered 'Messe Solennelle' with the Monteverdi choir. Written when Berlioz was just 20 years old, it was thought lost until its rediscovery in 1992. The first performance of this large-scale Mass for 150 years was filmed in London's Westminster Cathedral. Gardiner's period-instrument orchestra gives characteristically idiomatic performances of these seminal works (which are also linked thematically, through Berlioz's extensive re-use of material from the Messe).
John Eliot Gardiner, The English Baroque Soloists - Mozart: Le nozze di Figaro (2001/1993)

John Eliot Gardiner, The English Baroque Soloists - Mozart: Le nozze di Figaro (2001/1993)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.26 Gb (DVD9) | 168 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

It is an oft-repeated saw, about life in the heavenly spheres, that the angels revere Bach but listen to Mozart. If they have DVD players, you can bet they're now watching this stunning production of Le Nozze di Figaro ("The Marriage of Figaro"), which comes about as close to Mozartian perfection as one could possibly hope to get. The faultlessly cast youthful performers bubble with infectious energy. Alison Hagley is a sprightly Susanna with a voice as clear as a bell, and brilliantly matched by a 28-year-old Bryn Terfel both acting and sounding in fine form. Hillevi Martinpelto demonstrates why she is one of the world's favourite Mozart singers with her melting tones, richly coloured voice and generous stage presence, and Rodney Gilfry gives a muscular, wonderfully controlled performance as the Count.
John Eliot Gardiner, The English Baroque Soloists - Mozart: Cosi fan tutte (2002/1992)

John Eliot Gardiner, The English Baroque Soloists - Mozart: Così fan tutte (2002/1992)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | (Dolby AC3, 6 ch) | 7.06 Gb+7.77 Gb (2xDVD9) | 193 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

When this staging was presented in 1992, in various theatres, Gardiner decided to be his own director because he didn't trust any available alternative to be faithful to Da Ponte's and Mozart's original. In the circumstances his was a sensible decision because his deeply discerning stage interpretation perfectly seconds his own musically perceptive reading. His keen understanding of what this endlessly fascinating work is about is made plain in his absorbing essay in the booklet.
John Eliot Gardiner,  English Baroque Soloists, Monteverdi Choir - Bach: Christmas Oratorio (2014/1999) [Blu-ray]

John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Bach: Christmas Oratorio (2014/1999) [Blu-ray]
BluRay | BDMV | MPEG-4 AVC Video / 28749 kbps / 1080i / 29,970 fps | 146 min | 40.7 Gb
Audio1: German / LPCM Audio / 2.0 / 16-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 2027 kbps / 16-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 146 min | 7,90 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 16 bits
Classical | EuroArts | Sub: English, German, French, Japanese, Korean

In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. With this interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music.
John Eliot Gardiner, English Baroque Soloists - Handel: Israel in Egypt, Zadok the Priest, The King shall rejoice (2008)

John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Handel: Israel in Egypt, Zadok the Priest, The King shall rejoice (2008)
EAC | APE | Image (Cue & Log) ~ 419 Mb | Total time: 103:07 | Scans included
Classical | Label: DECCA | # 478 1374 | Recorded: 1990, 1993

Handel's epic oratorio, Israel in Egypt, here in a gripping performance by John Eliot Gardiner and the Monteverdi Choir and Orchestra, was a failure during Handel's lifetime. This was perhaps because of its immense variety of compositional techniques and forms. It is a virtual catalog of choral compositional methods, and thus stands outside the genre of 18th-century oratorio as such. Now, of course, it is recognized as what it is, a unique, dazzling work.
(Joshua Cody)