Gabriel Grossi

Igor Ruhadze, Ensemble Violini Capricciosi - Locatelli: Concerti Grossi (Locatelli Edition, Vol.4) (2015)

Igor Ruhadze, Ensemble Violini Capricciosi - Locatelli: Concerti Grossi (Locatelli Edition, Vol.4) (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 06:06:19 | 2 Gb
Genre: Classical | Label: Brilliant Classics | Catalog: 94773

The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument. This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
Les Arts Florissants, William Christie - Handel: Concerti Grossi Op.6 (1995)

Les Arts Florissants, William Christie - Handel: Concerti Grossi Op.6 (1995)
EAC | APE (image+.cue, log) | Covers Included | 67:54 | 330 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: 901507

Released in 1995, this Harmonia Mundi CD of five of Handel's Concerti grossi, Op. 6, is an absolute bargain and highly recommended to any lover of great music. Considering William Christie and Les Arts Florissants are among the most brilliant interpreters of Handel, that these gorgeous works afforded them an ideal platform for their talents, and that Harmonia Mundi provided the best possible engineering to capture their glorious sound, this album is an embarrassment of riches not to be missed.
Handel - Concerti Grossi Op.3 & 6 (Karl Richter) [1996/1971]

Handel - Concerti Grossi Op.3 & 6 (Karl Richter) [1996/1971]
Classical | ARCHIV Produktion 0289 453 2492 | TT: 66.31+66.27+64.22+59.51 | EAC (FLAC, cue, log) | Covers | 1.31 Gb

Richter actually made a full set of recordings for Handel's Concerti Grossi. The Munich Bach Orchestra, who almost played exclusively for Richter, maintained its essential baroque flur throughout all the pieces, under the impeccable conducting of Richter. The different string sections played as if they were in a chorus, each minute part played in fully melodious and engaging manner, while the ensemble as a whole displayed all the required congeniality and harmoniousness essential of the baroque style. The rhythms are enlivened while contrasts striking, and you will seldom find Handel's works played in such grand style as did Richter and the Munich Bach Orchestra here. (Amazon.com)
The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)

The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)
EAC | FLAC (image+.cue, log) | Covers Included | 60:35 | 342 MB
Genre: Classical | Label: ARCHIV Produktion | Catalog: 410898

Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.

Incanto - Pietro Grossi  eBooks & eLearning

Posted by Maroutan at Dec. 28, 2016
Incanto - Pietro Grossi

Incanto - Pietro Grossi
Italian | 2011 | 302 Pages | ASIN: B00606TR9I | EPUB | 419.96 KB

Un borgo tra i colli toscani, un'estate di sole e frinire di cicale, tre ragazzi diversissimi ma legati dall'amicizia tacita e rovente di chi vuole crescere in fretta: Greg, solitario erede della famiglia più ricca del circondario; Jacopo, genitori borghesi ai limiti della noia; e Biagio, povero, libero e strambo come Huckleberry Finn. Nel volgere di quell'estate, una vecchia motocicletta rimessa a nuovo e una pista d'asfalto comparsa magicamente nella campagna, nera e lucida come un serpente indiano, segneranno l'inizio di un'avventura destinata a portarli lontano…
Pierluigi Crescenzi, Giorgio Gambosi, Roberto Grossi, "Strutture di dati e algoritmi. Progettazione, analisi e visualizzazione"

Pierluigi Crescenzi, Giorgio Gambosi, Roberto Grossi, "Strutture di dati e algoritmi. Progettazione, analisi e visualizzazione"
Pearson | 2006 | ISBN: 8871922735 | Italian | PDF | 363 pages | 12.9 MB

Semplicità e chiarezza nella presentazione e nell'approfondimento si uniscono, in questo libro, al rigore scientifico degli argomenti. La trattazione copre i contenuti classici dei corsi introduttivi di algoritmi e strutture dati offerti nei corsi di laurea triennali e, per motivarne lo studio in stretta connessione con la programmazione nella pratica, l'approccio scelto è applicativo, rivolto alla soluzione di problemi concreti, ispirati agli "argomenti caldi" della tecnologia dell'informazione: …
Andrew Manze, Academy of Ancient Music - Geminiani: Concerti Grossi VII-XII (after Corelli, Op. 5) (2007)

Andrew Manze, Academy of Ancient Music - Geminiani: Concerti Grossi VII-XII (after Corelli, Op. 5) (2007)
MP3 (CBR 320 kbps) | Digital Booklet | 01:12:08 | 178 MB
Genre: Baroque | Label: Harmonia Mundi

Harmonia Mundi's Geminiani: Concerti Grossi VII-XII (after Corelli, Op. 5) is a single disc excerpted from a larger set issued in 1999 including all of Geminiani's concerti based on models of Corelli. That set was, and is, something of an expensive proposition, but certainly a first-class choice for the music of Geminiani, for the way the Academy of Ancient Music sounds under the direction of Andrew Manze and as representative of late English Baroque music as a whole. This disc is a single-disc condensation drawn from the earlier set that comes, as an added bonus, with a thick catalog of Harmonia Mundi's active releases, and the asking price is modest.

Giallo zen-zero - Patrizio Grossi  eBooks & eLearning

Posted by Maroutan at Oct. 12, 2016
Giallo zen-zero - Patrizio Grossi

Giallo zen-zero - Patrizio Grossi
Italian | 2016 | 130 Pages | ASIN: B01M1MT75Z | EPUB | 2.16 MB

Quando Matteo, giovane praticante di Coli, un ammanigliato notaio, manda al diavolo il principale, si premura di mettere in guardia Valentina Muller, in procinto di diventare una ricchissima ereditiera, intenta a sbrigare le ultime formalità presso lo studio. La conoscenza della pratica Muller segnerà per Matteo l'inizio di un'avventura dai ritmi serrati e dai toni surreali. Matteo e Valentina, invischiati in un terrificante delitto, ricercati dalla polizia e nel mirino di figuri insospettabili, vivranno un'altalena di fortune e sfortune, passando dalla speranza alla disperazione in un folle rincorrersi tra le vie e le creuze di Genova.
Elizabeth Wallfisch, The Raglan Baroque Players, Nicholas Kraemer - Pietro Locatelli: Concerti Grossi, Op.1 (1995) Reissue 2014

Pietro Antonio Locatelli - Concerti Grossi, Op.1 (1995) 2CDs, Reissue 2014
The Raglan Baroque Players; Nicholas Kraemer, conductor; Elizabeth Wallfisch, violin

EAC | FLAC | Image (Cue&Log) ~ 575 Mb (incl 5%) | Mp3 (CBR320) ~ 275 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDD22066 | Time: 01:53:27

The concerto grosso form was popularized by Corelli, and Locatelli’s Op 1 is a marvellous example of the genre: its solid craftsmanship, imaginative textures and exciting virtuosity bringing it into the top rank. These works are ravishingly performed here by The Raglan Baroque Players, Nicholas Kraemer and soloist Elizabeth Wallfisch.
Francesco Geminiani - Ensemble 415 / Banchini - Concerti Grossi (2007, ZigZag # ZZT2040301.1)

Francesco Geminiani - Concerti Grossi 1, 3, 5, 8, 10, 11 et la Follia
Ensemble 415 / Chiara Banchini
EAC+LOG+CUE | WV: 365 MB | Full Artwork: 66 MB | 5% Recovery Info
Label/Cat#: ZigZag # ZZT2040301.1 | Country/Year: France 2007
Genre: Classical | Style: Baroque

"Ensemble 415 is a chamber ensemble devoted largely to the performance of Baroque music on period instruments. The numerical reference in the group's name derives from the pitch used for tuning instruments in the Baroque era. In performing chamber music, Ensemble 415 consists of just a few players, but for larger compositions, the number expands to a minimum of 13 and can reach up to as high as 40 performers. The ensemble's repertory has been broad over the years, taking in many Baroque standards by J.S. Bach, Vivaldi, and Handel, as well as lesser known fare by Muffat and others…"