The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument. This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
Released in 1995, this Harmonia Mundi CD of five of Handel's Concerti grossi, Op. 6, is an absolute bargain and highly recommended to any lover of great music. Considering William Christie and Les Arts Florissants are among the most brilliant interpreters of Handel, that these gorgeous works afforded them an ideal platform for their talents, and that Harmonia Mundi provided the best possible engineering to capture their glorious sound, this album is an embarrassment of riches not to be missed.
Richter actually made a full set of recordings for Handel's Concerti Grossi. The Munich Bach Orchestra, who almost played exclusively for Richter, maintained its essential baroque flur throughout all the pieces, under the impeccable conducting of Richter. The different string sections played as if they were in a chorus, each minute part played in fully melodious and engaging manner, while the ensemble as a whole displayed all the required congeniality and harmoniousness essential of the baroque style. The rhythms are enlivened while contrasts striking, and you will seldom find Handel's works played in such grand style as did Richter and the Munich Bach Orchestra here. (Amazon.com)
Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.
Semplicità e chiarezza nella presentazione e nell'approfondimento si uniscono, in questo libro, al rigore scientifico degli argomenti. La trattazione copre i contenuti classici dei corsi introduttivi di algoritmi e strutture dati offerti nei corsi di laurea triennali e, per motivarne lo studio in stretta connessione con la programmazione nella pratica, l'approccio scelto è applicativo, rivolto alla soluzione di problemi concreti, ispirati agli "argomenti caldi" della tecnologia dell'informazione: …
Harmonia Mundi's Geminiani: Concerti Grossi VII-XII (after Corelli, Op. 5) is a single disc excerpted from a larger set issued in 1999 including all of Geminiani's concerti based on models of Corelli. That set was, and is, something of an expensive proposition, but certainly a first-class choice for the music of Geminiani, for the way the Academy of Ancient Music sounds under the direction of Andrew Manze and as representative of late English Baroque music as a whole. This disc is a single-disc condensation drawn from the earlier set that comes, as an added bonus, with a thick catalog of Harmonia Mundi's active releases, and the asking price is modest.
The concerto grosso form was popularized by Corelli, and Locatelli’s Op 1 is a marvellous example of the genre: its solid craftsmanship, imaginative textures and exciting virtuosity bringing it into the top rank. These works are ravishingly performed here by The Raglan Baroque Players, Nicholas Kraemer and soloist Elizabeth Wallfisch.
Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972. Since 1971 he has taught Baroque violin at the Royal Conservatory of The Hague and the Koninklijk Muziekconservatorium in Brussels. He is noted for using the older technique of resting the violin on the shoulder without a shoulder rest, rather than held under the chin. He is a member of the Kuijken String Quartet, which he formed in 1986. In recent years, he has also performed as conductor of symphonies of the Romantic era…wiki
As a genre, the concerto grosso is virtually unique in its ability to capture the verve and elegance of baroque music. Its most outstanding exponent was Arcangelo Corelli (1653-1713), whose principal concerti grossi are brought together in the present release. Recorded in the magnificent antique Basilica di San Marco in Rome, whose Baroque style dates back to the restorations of the 17th and 18th centuries, this DVD recreates a wonderful historical atmosphere. Played by I Solisti Veneti under their founder and director Claudio Scimone, this DVD also provides for an unforgettable musical experience thanks to the performers’ eminence in this repertory. Having won numerous awards including a Grammy Award and a Grand Prix du Disque, the ensemble and its conductor are excellent authorities in the field of historically authentic performance practice. Their concert performances are entertaining events for their audiences and on this DVD, we can enjoy them with various colourful baroque concertos and sonatas for violin and for trumpet – indulging in the music’s dramatic contrasts.