So Arthur Brown's name remains irremediably attached to the late-'60s freakout hit "Fire." So his numerous subsequent albums and projects never eclipsed that one fulgurous shot at stardom. Yet the man kept on going, re-emerging periodically with a new serving of songs. And in all of them remains one element: the voice. That unusually powerful, charismatic voice upon which aging seems to have no hold is what gives Tantric Lover its soul. Beyond the battered-up Summer of Love lyrics and the acoustic guitars, the voice is still a strange attractor and enough reason to turn your ear to this album. That is not to say that Brown's writing doesn't deserve your attention…
Arthur Brown was one of the prime movers behind the Progressive underground in late 1960s England, famous for his outlandish stage act which included psychedelic robes and a helmet of fire!
Digitally remastered two-fer containing a pair of albums from the British Rock icon. "Requiem" is an end-of-the-world concept album that comes on with a bang, not a whimper, and may well be the best thing that Arthur Brown has ever done! It's got all of the sonic excess you'd expect from the man who gave US 'Fire', but Brown's ornate Art-Rock tendencies are invariably backed up with enough visceral punch to make them marvelously affecting, not merely affected, while producer Earl Mankey handles the electronics well enough to maintain an unusually high level of interest and detail…
Set in Curacao in the 1940s, Ava & Gabriel: A Love Story tells of the painter Gabriel Goedbloed, who arrives from Holland to paint a mural of the Virgin Mary in a local church. Gabriel is black, originally from Surinam. The colonial Antillian society proves less than tolerant towards him, especially after he chooses as his model a young Black teacher, Ava.
Naida Margaret Cole (born 28 October 1974 in Durham, North Carolina, U.S.) is a Canadian-American concert pianist who left a successful career as a recording artist and touring musician in 2007 to pursue medicine at Brown University's Warren Alpert Medical School, where she is currently enrolled. She has recorded music by Fauré, Chabrier, Satie and Ravel. She has also presented the music of Messiaen, Bartok, Beethoven, Brahms, Chabrier, Chopin, Corigliano, Debussy, Fauré, Liszt, Mozart, Rachmaninoff, Ravel, Schubert, Clara Schumann, Scriabin and Stravinsky. She has performed with the Toronto Symphony, the Montreal Symphony Orchestra and National Arts Centre Orchestras and also with Gidon Kremer's Kremerata Baltica, the London Sinfonietta and the Munich, Warsaw and Royal Liverpool Philharmonic Orchestras.
"My favourite piece on this Digital CD would have to be the Fantasie by Fauré as I frequently play it myself. This collection of marvelous French flute pieces is spectacular and I thoroughly enjoy listening to it. Susan Milan has the most amazing soft playing, but can also be very strong. Her vibrato is the most immense I've ever heard. And Ian Brown, well where do I start? The guy's a genius. The way he tickles the keys giving off a smooth and delicate sound, always in time. This is a definite 5 star rating." - Stephen O'Donnell
White’s Lamentations are not as famous as Tallis’s, but their plangent harmonies and clashing lines have an equal intensity. This impressive debut disc by Gallicantus (an all-male group from the Tenebrae choir) includes White’s motets and hymns, emphasising his response to the texts and his eloquent way with the single Hebrew letters that begin each Lamentation. The vocal balance is slightly bass-heavy, but the sound is beautifully recorded.