The award-winning, highly-acclaimed English choral ensemble Stile Antico presents Passion and Resurrection, an album featuring texts inspired by the dramatic events of Holy Week and Easter set to music by some of the greatest Renaissance composers from England and the Continent. Included are two settings of the poem Woefully arrayed - the first by William Cornysh (1465-1523) and the second composed especially for Stile Antico in 2009 by contemporary composer John McCabe. This is the work's first recording.
Fondato sulle più recenti acquisizioni della ricerca, il volume offre un affresco completo della storia greca dalle origini all'età romana, in una sintesi chiara e rigorosa, condotta con stile efficace e piacevole. La puntuale esposizione degli eventi, nel loro sviluppo sincronico e diacronico, si accompagna ad approfondimenti tematici, in cui la riconosciuta competenza dell'autore in ambito storico ed epigrafico consente di mettere a frutto - e a disposizione dei lettori - i risultati delle indagini specialistiche, arricchendo la ricostruzione e l'interpretazione storica. …
"…Ancient love-poetry and masterpieces of Renaissance polyphony: the very essence of music. Not to be missed."
The rising "phoenix" in the title of this release by the leaderless, 12-voice British choir Stile Antico carries several meanings. The album presents selections from the ten-volume 1920s publication Tudor Church Music, which had a great deal to do with the prevalence of English Renaissance choral music in the general choral scene of today. That book essentially revived the reputation of English music, but it has itself become shrouded in historical mists; the album marks both the original funding of Tudor Church Music by the Carnegie UK Trust and the centenary of that organization in 2013.
Stile Antico (joined by Fretwork) explore long-neglected repertory: the wealth of Tudor and Jacobean sacred music written for domestic devotion, rather than for church worship. Culled from collections intended for use in private homes, these pieces by Tomkins, Campion, Byrd, Tallis, Dowland, Gibbons and others, offer a unique insight into the turbulent religious climate of the time and the thriving musical culture at its heart.
The subtitle of this program is “Renaissance Madrigals Embellished,” a collection of the diminution repertoire that, as ensemble director and founder Skip Sempé says in a printed interview, was only miraculously written out or prepared for publication at all.
Antico / Moderno is a journey into music embellished throughout the ages, proving that this ractice, born over 500 years ago, is still alive today. This programme, conceived with care by Skip Sempé, provides time travel with an incredible diversity of sounds and colours. A rare testimony of elegance - that a simple melody composed at the heart of the Renaissance can create an intense emotional experience even in the world of today.
Una coppia senza figli incontra una giovane donna, Malvina, incinta di sei mesi. Strani legami legano il terzetto. Morto l'uomo accidentalmente, Malvina mette al mondo un bambino che consegna all'amica. Come il solito nel cinema di M. Ferreri, il contenitore scenografico della storia (una futuristica megalopoli dove coabitano Palermo, Milano, Ferrara, discoteche emiliane, supermercati lombardi) è suggestivo, ma dentro si muovono fantasmi impacciati dalle catene dell'ideologia. Fin quando mostra, funziona; quando comincia a dire, ristagna e affonda. Il solo modo di divertirsi è leggerlo in chiave di fumetto ironico-grottesco.
In this improbable, grotesque story about a couple who do not want to have children of their own, and a pregnant, single woman who needs a home for awhile, the relationship between the three protagonists is strange, at the very least. After Anna (Hanna Schygulla) and Gordon (Niels Arestrup) invite the expecting Malvina (Ornella Muti) to live with them, Anna becomes neurotically jealous and attempts suicide but is thwarted and in the end decides she really wants to be there for the baby when he/she comes into the world…