This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.
Modern songs performed with a Native American type sound is the best way I can describe it.
Reissue with the latest DSD remastering. Comes with liner notes. Beautiful work from trumpeter Terumasa Hino – an early 80s date that was issued in the US, but one that's got as much bold power and freewheeling soul as his Japanese releases from a decade before! The album's surprisingly open for the time – not in the slicker mode that Columbia was hitting as they crossed over some of their 70s fusion players, but in spacious territory that has Hino blowing cornet, in larger arrangements from keyboardist Masabumi Kikuchi and Gil Evans – the latter of whom seems to contribute a strong sense of color and tone to the album! The lineup is great, too – and features both Herbie Hancock and Kenny Kirkland on keyboards, Steve Grossman on reeds, Harvey Mason and Lenny White on drums, Anthony Jackson on bass, and Airto on percussion.