If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hypnotic and exhilarating, the record sounds utterly otherworldly: the polyrhythmic grooves are deep and driving, the soloing spiritual and free, and the plentiful recording effects trippy and mysterious.
Excellent addition to any prog rock music collection
One of South America’s better groups, El Reloj had an all too brief recording 70’s career and just two albums, their debut being in a much harder rock vein in the Purple line. This one is much proggier and is in my top ten South American records. Just like its predecessor’s reissue, the album starts out with bonus tracks (which I always found rather unsettling and non-respectful of the album itself. Fortunately this occurrence is rare enough in prog (I can only think of Germany’s Parzival with an even stranger set up where bonus tracks bookend the album tracks.
A Night on the Town is Rod Stewart's seventh album, released in 1976. On 30 June 2009, Rhino reissued the album as a two-disc CD with bonus tracks. Stewart performed "Big Bayou" regularly with The Faces during their final US tour the previous year, although that version was based on the one Ronnie Wood released on his solo album, Now Look. A Night on the Town was Stewart's last UK number-one album until Time in 2013.
Scorpions - Virgin Killer (1976). Virgin Killer is the first of four studio releases that really defined the Scorpions and their highly influential urgent metallic sound. It was released in 1976 and was the first album of the band to attract attention outside Europe. The album was a step in the band's shift from psychedelic music to hard rock. For the first time in the band's career the line-up stayed the same with Klaus Meine on vocals, Uli Jon Roth on lead guitar, Rudolf Schenker on rhythm guitar, Francis Buchholz on bass, and Rudy Lenners on drums. The nine tracks were laid down with Dieter Dierks producing…
With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra. While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time – particularly the nearly 28-minute "Mirrors" – can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience.
Superb re-issue of a superb album. Excellent re-mastering of what many consider to be one of the classic albums of the period that escaped mainstream distribution on the big labels. For those of you who have never came across Mazlyn Jones’s music then this is where to start. For those of you who do know his music the bonus tracks are real gems. Beautifully crafted songs and lyric straight from the heart. Its good to find artists who when re-releasing work can manage to put some thought and effort into it. Wholly recommended.
Tracy Huang is a famous taiwanese female singer, every Taiwanese knows Tracy Huang as Huang Yingying (黃鶯鶯), she sings in Mandarin and English. Tracy’s first English album “Feelings” won the Gold Disc Award in Hong Kong for top sales.
This CD reissue brings back one of the oldest recordings ever issued by the Concord label, a set that was already nine years old when it debuted. Drummer Shelly Manne heads a strong quintet comprised of trumpeter Conte Candoli, altoist Frank Strozier (who doubles on flute), pianist Mike Wofford and bassist Monty Budwig. Although the musicians are all associated with the West Coast hard bop tradition, there are plenty of moments during this stimulating set when they make it obvious that they had been listening with some interest to some of the avant-garde players, allowing the new innovations to open up their styles a bit. The fresh material (two standards and a pair of originals apiece by Strozier, Wofford and pianist Jimmy Rowles) inspire the soloists and the music is not at all predictable. Worth investigating.