As well as Brahms’ 175th birthday in 2008 inspired these recordings in the “Kunsthaus” in Mürzzuschlag. Ronald Fuchs and Chanda VanderHart play, in addition to the two cello sonatas, six Brahms lieder transcriptions in their original keys. The lieder selected have a special connection to both the Streicher piano and with Mürzzuschlag itself. Brahms played severel of them, including “Wie Melodien zieht es mir” with Hermine Spies, and composed both “Sapphische Ode” and “Der Tod, das ist die kühle Nacht” during his time in Mürzzuschlag.
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio…
This attractive mixed programme of Telemann’s works featuring flute or recorder has been designed by Ashley Solomon to celebrate Florilegium’s 25th anniversary. The triple concerto for flute, oboe d’amore and viola d’amore in E major stands out as one of the composer’s most beguiling masterpieces: the limpid opening Andante sounds like a serene evocation of sunrise that anticipates the mature Haydn by several decades; the soloists Solomon, Alexandra Bellamy and Bojan Čičić play with elegant finesse, and also conjure up refined melancholy in an intimately conversational Siciliana. The double concerto for recorder and viola da gamba in A minor is a charming example of Telemann’s taste for synthesising French and Italian musical styles with elements of Polish folk music; Florilegium’s civilised elegance in the French-style Grave, gently Italianate sway in the Allegro, and Solomon’s duet with gambist Reiko Ichise in the Dolce has pastoral sensitivity. At the heart of the programme is Ihr Völker hört, a cantata for solo voice and obbligato instrument that was published in the first instalment of the series Harmonischer Gottes-Dienst. Clare Wilkinson’s softly convivial and articulate singing communicates the cheerful Epiphany text.
This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.