Fritz Wunderlich's lyricism, boundless musicianship and exquisite diction made him one of the great tenors of the 20th century. In September 2016, DG will commemorate the 50th anniversary of his death with the release of Complete Studio Recordings on Deutsche Grammophon, a comprehensive 32CD box set of sacred works, opera and operetta, lieder and popular song. The collection includes Decca, Philips and Polydor recordings as well, several appearing internationally for the first time.
The Fritz Powerbook 2016 contains 21 millions opening positions, derived from 1,5 million high class tournament games. Together with each position all relevant information is stored: all moves that were played in the position, by players of what average rating, with what success and performance results. The games from which the Fritz Powerbook 2016 were derived are also included on the PC-DVD. This means that in any position of the openings tree you can load and replay the games in which the position occurred. The Fritz Powerbook 2016 represents the state of the art of current openings theory. Discover exciting and tricky new lines and practice them against Fritz. In addition the PC-DVD has a small but very exclusive book with the strongest GM games (ELO >= 2550) from the past 100 years (2 Million positions).
2008 digitally remastered and expanded two CD edition of this long-deleted classic from the British Ambient House outfit, originally released in 1994. Features a bonus disc containing five rare and previously unreleased remixes compiled by main Orbman, Dr. Alex Paterson: 'Sausage Tats Mit Gravy' (Dom Mix # 1), 'Star Twister' (Pomme Fritz & Apple Sauce Mix), 'Potato Fields of Electric Gliding Blue' (Ambient Mix), 'Eastern Hot Dogs in Gardens of Dub' (Lx Mix) and 'Wrapped With Salt & Vinegar' (Thomas Fehlmann Mix). Enhanced packaging contains previously unseen tour photographs, screen grabs from the 'Pomme Fritz (Meat 'n' Veg)' video and sleevenotes by long time Orb collaborator, Kris Needs.
Despite his premature death at age 35, Fritz Wunderlich was one of the great lyric tenors of the century, equally at home with Mozart's Magic Flute and Mahler's Das Lied von der Erde. Why, then, does Schubert's great song cycle about disappointed love so often elude him? Though he brings his usual vocal splendor and gratifying lyricism to the music in ways that few tenors can dream of, both Wunderlich and his accompanist have a strangely club-footed sense of rhythm. What should often be an intimate expression is extroverted and even labored. – David Patrick Stearns
This recording of a live performance of MEISTERSINGER from Bayreuth 1957 definitely merits five stars. For those of you who don't already know this, Gustav Neidlinger (PeaceBeUponHim) was the undisputed master of Wagner's "howling-and-spitting" villain roles, Alberich and Klingsor, from the early 1950s until the mid 1970s. He sang with unmatched sulfur, cannon-ball density, huge volume, dark tone, and powerful dramatic interpretation. He sang more spontaneously and from-the-gut than most singers. He was the first of his generation to sing these roles with musical line and connected legato, rather than as a series of isolated shouts, grunts, and bellowings. He was typecast for these villainous roles as soon as he set foot on the stage, and almost never performed as a good-guy.