Friedrich Akademie

Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)

Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.32 GB
Genre: Classical | Official Digital Download - Source: Qobuz

The year 2012 marks the tercentenary of the birth of Frederick the Great, whose political and military glory has often relegated his musical talent to the status of a mere hobby. But Frederick II was not only the key personality of Berlin musical life for the whole of the 18th century – as is shown by the works of the composers presented on this CD, all of whom worked at his court at some point in their careers – but also an excellent flautist who left posterity a number of fine flute sonatas from his own pen.

Friedrich Gulda - Gulda Plays Chopin (2010)  Music

Posted by SERTiL at March 29, 2017
Friedrich Gulda - Gulda Plays Chopin (2010)

Friedrich Gulda - Gulda Plays Chopin
EAC Rip | FLAC (image)+cue, log, covers | 150:04 min | 442 MB
Label: Deutsche Grammophon | Tracks: 44 | Rls.date: 2010
Classical, Piano

Gulda's hottest Chopin phase was the mid-1950s, when he regularly played the complete Preludes and complete Ballades in concert. Captured here are recordings from a variety of sources, all released for the first time, with the exception of the Piano Concerto recording, made for Decca (with whom he also recorded the Preludes and Ballades)
Orchester Wiener Akademie, Martin Haselböck - Beethoven: Resound Vol. 5 - Symphony No. 9 (2017)

Orchester Wiener Akademie, Martin Haselböck - Beethoven: Resound Vol. 5 - Symphony No. 9
Classical | WEB FLAC (tracks) & d. booklet | 65:34 min | 290 MB
Label: Alpha | Tracks: 04 | Rls.date: 2017

The Orchester Wiener Akademie and its conductor Martin Haselböck continue their RESOUND Beethoven series. The aim of this project is to record the complete Beethoven symphonies on period instruments in the venues where they were first performed,scrupulously respecting the layout of the orchestra 200 years ago, and also that of the chorus, which at that time was positioned in front of the orchestra.
Die Kölner Akademie & Michael Alexander Willens - Mozart: Posthorn Serenade & Eine kleine Nachtmusik (2017)

Die Kölner Akademie & Michael Alexander Willens - Mozart: Posthorn Serenade & Eine kleine Nachtmusik
Classical | WEB FLAC (tracks) & d. booklet | 74:35 min | 315 MB
Label: BIS | Tracks: 14 | Rls.date: 2017

Die Kölner Akademie and Michael Willens have previously recorded Mozart’s complete piano concertos with Ronald Brautigam, earning praise for their fresh and colourful contributions to the series. The team now releases the first of four projected disc with further Mozart scores, beginning with two of the composer’s best-loved serenades. Serenades were a characteristic feature of Salzburg musical life: opening with a march and continuing with as many as eight or nine separate movements on an orchestral scale, such works will have been ringing in Mozart’s ears from childhood.
Akademie für alte Musik Berlin - Bach: Die Kunst der Fuge, BWV 1080 (2011) [TR24][OF]

Akademie für alte Musik Berlin - Bach: Die Kunst der Fuge, BWV 1080
Classical | FLAC (tracks) 24-bit/44.1 kHz | 77:30 min | 774 MB | Digital booklet
Label: Harmonia Mundi | Tracks: 21 | Rls.date: 2011

Since Bach was more than cryptic in indicating the instrumentation of what is often regarded as his musical testament, The Art of Fugue has been subjected to an infinite variety of arrangements for all sorts of instruments. This recording follows a series of performances in which the musicians of the Akademie für Alte Musik Berlin tested a highly unusual concept: rather than play uniformly one after the other the contrapuncti and canons that Bach left us, they have made great efforts to diversify both the instrumentarium and the macrostructure – to the point where we end up, to our delight, experiencing their interpretation as an exciting musical game for several players!
Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion) (2016) [TR24][OF]

Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion)
Classical | FLAC (tracks) 24-bit/96 kHz | 106:12 min | 1.88 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 40 | Rls.date: 2016

Bach revised his 'Johannes-Passion' regularly: he returned to it over a period of 26 years, from 1724 until his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. However, the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless 'Passion'.
RIAS Kammerchor, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann - Mendelssohn: Elias (2016)

RIAS Kammerchor, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann - Mendelssohn: Elias (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks, digital booklet - 554 MB | MP3 CBR 320 kbps - 294 MB | 02:06:02
Classical, Opera | Label: Accentus (Harmonia Mundi) | Release Year: 2016

Never was there a more complete triumph – never a more thorough and speedy recognition of a great work of art.” This was the response of the critic in the London Times to the wildly successful premiere of Felix Mendelssohn’s Elias in 1846. Hans-Christoph Rademann began his tenure as Principal Conductor of the RIAS Chamber Choir with this groundbreaking oratorio. After eight productive and successful years, his final concert in July 2015 also featured the work. It was a “Farewell Performance with Furor” (Der Tagesspiegel), not least because of the impressive performers involved: the RIAS Chamber Choir, the Akademie für Alte Musik Berlin, and the soloists Marlis Petersen, Lioba Braun, Maximilian Schmitt, and Thomas Oliemans.
Albert Einstein: Akademie-Vorträge: Sitzungsberichte der Preußischen Akademie der Wissenschaften 1914 - 1932 [Repost]

Dieter Simon - Albert Einstein: Akademie-Vorträge: Sitzungsberichte der Preußischen Akademie der Wissenschaften 1914 - 1932
Published: 2006-02-20 | ISBN: 3527406093 | PDF | 448 pages | 20.2 MB
Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)

Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)
Concertgebouw Orchestra, conducted by Nikolaus Harnoncourt; Chick Corea & Friedrich Gulda, piano

EAC | FLAC | Image (Cue&Log) ~ 195 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec | # 2292-42988-2 | Time: 00:47:09

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.
Ronald Brautigam, Die Kolner Akademie - Mozart: Piano Concertos Nos. 18 & 22 (2014)

Wolfgang Amadeus Mozart - Piano Concertos Nos. 18 in B flat major & 22 in E flat major (2014)
Ronald Brautigam, fortepiano; Die Kölner Akademie; Michael Alexander Willens, conductor

EAC | FLAC | Image (Cue&Log) ~ 263 Mb (incl 5%) | Mp3 (CBR320) ~ 147 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2044 | Time: 01:00:03

The sixth disc in this highly acclaimed series combine two works in which Mozart's powers as an orchestrator come to the fore. Concerto No. 18 in B flat major, K 456, is sometimes referred to as one of the composers military concertos on the basis of the march-like main theme of the first movement. But more striking is the variety of ways that Mozart employs the various groups of instruments: strings, wind instruments and, of course, the piano. This aspect certainly didn't pass unnoticed by a listener as initiated as Mozart's father Leopold: in a letter to his daughter Nannerl he described how his enjoyment of the orchestral interplay had brought tears to his eyes.