Not to be confused with Don Friedman, the pianist. This one's a vibes player…. and very good he is too. Earfood Vibraphonist and marimba player David Friedman has recorded and played extensively since the early '70s. He studied drums in the mid-'50s, and marimba and xylophone in the '60s. Friedman attended Juilliard, with major emphasis on percussion. He was also tutored by Teddy Charles and Hall Overton. Friedman played with the New York Philharmonic and Metropolitan Opera in the '60s, then worked with Wayne Shorter, Horace Silver, Joe Chambers, Hubert Laws, and Horacee Arnold in the '70s.
With the superb packaging and quality of sound for which the Swiss hatOLOGY label is noted, and the adventurous, Tristano-tinged blowing for which saxophonist Lee Konitz is known, this set of mostly originals ("Alone Together" being the exception) should satisfy a broad range of listeners. Joined by pianist Don Friedman and guitarist Attila Zoller, the trio dances gently with nuanced patter and exquisite precision, creating minor gems of graceful expansion.
For Friedman's fifth recording, he is definitely exploring the progressive edges of modern mainstream post-bop. He's more sublimated as a voice, with guitarist Attila Zoller taking a prominent role as frontman, while the performances of bassist Richard Davis and drummer Joe Chambers provide perfect foils for Friedman's swashbuckling creative urges. While the pianist utilizes elements stemming from bop and the avant garde, the melodic and listenable ingredients are juxtaposed with challenging ideas, and the leader acts as a true ringleader in the midst of his three brilliant compadres. "Wakin' Up" starts the six tracks in a quirky, mid-swing waltz; Zoller's signature clipped, staccato leads and the innovative Davis' ruminating bass chords identify a sound prevalent throughout.
Pianist Don Friedman's debt to Bill Evans was obvious in the early '60s, particularly on standards, but he also had his own creative spirit to offer. This 1997 CD reissue brings out Friedman's third of four Riverside dates, teaming him with the obscure bassist Dick Kniss and drummer Dick Berk. The pianist shows that he was developing an original voice and was familiar with the avant-garde of the period on such originals as "Ohcre" and "Flashback." In contrast, he swings conventionally but with subtle creativity on "Alone Together," "News Blues" and "How Deep Is the Ocean." A fine, well-rounded set from the underrated pianist.
Pianist Don Friedman first collaborated with Hungarian guitarist Attila Zoller as part of Herbie Mann's 1964-66 rhythm section. But the pair first explored the depths of their musical relationship in this excellent and aptly titled quartet session. Recorded in 1964, the same year Zoller won Down Beat's Talent Deserving Wider Recognition award, Dreams and Explorations is a challenging, evocative program of creative, improvised music that is never as predictable as traditional bop nor as ponderous, pretentious or piercing as free jazz.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The togetherness here comes from great interplay between the piano of Don Friedman and guitar of Klaus Flenter – two players who work surprisingly well on the record, and each seem to bring out the best in each other! Freidman's tones on the piano have this extra-chromatic approach, which is really echoed in the guitar at times – often in the album's more dynamic moments, which have a vibe that's quite different than Don's regular trio outings. The rest of the group features Henk Haverhoek on bass and Eric Ineke on drums – and titles include "Vieux Roue", "Minor Ballad", "Autumn In Summer", "Lonely Evening", "Elba", "New Dawn", and "Mohonk Blues".
The new album from guitar legend MARTY FRIEDMAN, featuring collaborations with Alexi Laiho (Children Of Bodom), Danko Jones, Jorgen Munkeby (Shining NOR), Rodrigo y Gabriela, Keshav Dhar (Sky Harbor), David Davidson (Revocation) + more. Plus a new track co-written with Jason Becker. A true masterclass.