Gil Evans released two records on World Pacific in 1958 and 1959. They were among his earliest dates as a leader. Gil Evans & Ten was issued by Prestige in 1957, but these dates stand out more. New Bottle, Old Wine was the first of the pair and the band included four trumpets, a trio of trombones, French horn (played by Julius Watkins), a pair of tubas, Cannonball Adderley as the lone saxophonist, and a rhythm section that included either Philly Joe Jones or Art Blakey on drums, Paul Chambers on bass, and Chuck Wayne on guitar.
The Belgian composer Wim Mertens (born 1953) is an international recording and performing artist who has given several concerts, as a soloist and with his ensemble all over Europe, in North and Central America, Japan and in Russia. Wim Mertens plays the piano and the classical guitar. He sings in a characteristically high-pitched voice, using a carefully crafted personal language. Since 1980 he has composed many pieces in different formats, from short, accessible songs or Lieder to magnanimous and complex three and four parts cycles, and for different settings: from piano solo to chamber music ensembles and symphonic orchestra. He often writes for unusual instrumentations: twelve piccolos, ten basstrombones, thirteen clarinets. Since his recording debut in 1980, titled For amusement only, an electronic composition for pinball machines, Wim Mertens has released more than 50 albums.
When Stan Getz visited Paris to witness the French Open tennis matches, he would hang out at the Blue Note nightclub to hear how the locals did it, being told their jazz scene was not up to snuff. In London, he would pick up the European band he heard in Paris for an engagement at Ronnie Scott's. Because of his stature, Getz was able to grab the very best musicians the continent could provide, in this case the brilliant Belgian guitarist René Thomas, organist Eddy Louiss from Martinique, and French classical and jazz drummer Bernard Lubat.
Features 24 bit digital remastering. Comes with a description. Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You."