Released soon after the live Roxy & Elsewhere, One Size Fits All contained more of the material premiered during the 1973-1974 tour, but this time largely re-recorded in the studio. The band remains the same: George Duke, Napoleon Murphy Brock, Chester Thompson, Tom Fowler, and Ruth Underwood. Johnny "Guitar" Watson overdubbed some vocals and Captain Beefheart (credited as Bloodshot Rollin' Red) played some harmonica ("when present," state the liner notes). The previous album focused on complex music suites. This one is more song-oriented, alternating goofy rock songs with more challenging numbers in an attempt to find a juste milieu between Over-Nite Sensation and Roxy & Elsewhere.
Official Release #44. Frank Zappa Meets the Mothers of Prevention is a transitional album that sees Zappa turning away from rock and putting more time into his Synclavier compositions. This is a year away from the computer-only (minus one live track) Jazz From Hell. So the album presents a handful of computer pieces ("Aerobics in Bondage," "Little Beige Sambo"), one rock song and one rock instrumental ("We're Turning Again" and the complex "Alien Orifice"), and a couple of attempts at pairing real performers with the computer ("Yo Cats," "What's New in Baltimore?").
On Mother's Day, 2009, the ZFT finally re-released Mothermania in MP3 and FLAC (YAAAY!) formats, bringing it back into "conceptual print." This version is mastered by Bob Ludwig and sounds quite good. All of the exclusive tracks are accounted for; before 2012, this was the only place to find the original "Absolutely Free" tracks sans reverb (albeit with "Call Any Vegetable" edited). The intro to "Plastic People" does not have the glitch found on the 2012 Absoultely Free CD.
Soon after, Frank began writing the tunes that would comprise MEETS THE MOTHERS OF PREVENTION, one of his most politically charged works ever. "Porn Wars" contains actual sampled dialogue of the PMRC hearing, while "I Don't Even Care" features Johnny "Guitar" Watson on vocals. The album also proved to be a turning point for Zappa's '80s music, since it contained the first appearance of the Synclavier, which allowed Frank to finally write and record entire compositions himself, and would appear on the rest of his recordings.
Zappa Records presents The Roxy Performances. A 7-Disc Box Set that contains the MOTHERLODE of all things Roxy. All 4 public shows from December 9 & 10 1973, remixed in 2016 and presented in their entirety for the first time. Also included is the sound check from December 8th and bonus content that features rehearsal nuggets and unreleased tracks along with highlights from the recording session at Bolic Studios that took place in conjunction with the filming dates. Recording Medium: #M Scotch 2inch 16 Track Analog Tape @ 30ips.
Fourty three years ago in December 1973, Frank Zappa played a series of legendary concerts at the famed Roxy Theatre on the Sunset Strip in Hollywood. Considered a high-water mark of his career, owing to the incredible, virtuosic performances of himself and his stellar band The Mothers, the five shows – across three nights – included a private invite-only performance/soundcheck/film shoot followed by back-to-back doubleheaders. A few days later, continuing this incredibly prolific week, Zappa brought his band and camera crew to Ike Turner’s Bolic Sound in Inglewood for a filmed recording session. In typical Zappa fashion, he recorded it all.