Vilde Frang’s Encores is more than a captivating programme of short pieces for violin and piano, it is also a homage to the players of the Golden Age of the Violin, such as Fritz Kreisler, Leopold Auer and Joseph Szigeti. The recital includes music originally conceived not just for the violin, but also for piano, orchestra or voice, and proves once again, as BBC Music Magazine wrote, that “Frang has the knack of breathing life into every note, whether by variations in phrasing, attack, tone or dynamic.”
Norwegian-born violinist Vilde Frang makes her solo recording debut with Prokofiev's first Violin Concerto and Sibelius' Violin Concerto, plus three of the Finnish composer's Humoresques for violin and piano. With her sweet tone, fluent technique, and soulful interpretations, Frang's performances can stand comparison to many of the great recorded performances of the past. She digs in deep in Sibelius' outer movements and dispatches their manifold difficulties with apparent ease.
The Berliner Philharmoniker celebrate their founding day (May 1st, 1892) in a European city of cultural significance every year. In 2016, they travelled to Røros in Norway, to play in the town’s beautiful baroque church. Norwegian violinist Vilde Frang made her debut with the Berliner Philharmonker at this year’s concert, joining them for Mendelssohn’s Violin Concerto in E minor.
Following the success of her discs of Romantic and Late Romantic repertoire, Vilde Frang has recorded Mozart’s Concertos Nos. 1 and 5 ‘Turkish’ and the Sinfonia Concertante K364, enabling music lovers to hear the Norwegian violinist perform Classical repertoire on disc for the first time. The impetus for this album was a 2012 orchestral tour of Asia conducted by Jonathan Cohen in which Vilde performed Mozart’s Violin Concerto No. 5. The vibrancy of their musical collaboration was something both artists were keen to repeat and commit to disc. Jonathan’s Cohen’s chamber orchestra, Arcangelo, proved the ideal partner, joined by violist Maxim Rysanov in the Sinfonia Concertante.
In her third release for EMI Classics the energetic young Norwegian violinist continues the idea of Nordic and Russian concerto pairings established with Sibelius and Prokofiev Concertos on her first album. Here the famous romance of Tchaikovsky’s well-loved violin concerto and Scandinavian poise and unique colouring of Nielsen’s concerto are presented in a rare coupling together on disc.
Both concertos on this new disc were written when their composers were in the USA around the time of World War II: the Korngold was completed in 1945, the Britten in 1939. In the course of the 1930s Korngold, an Austrian Jew, had become a prominent Hollywood composer, but could not return to his homeland after 1938; the young Britten, a pacifist, left the UK for New York shortly before the declaration of war in 1939. Both composers had been child prodigies and both concertos are centred around the key of D, the most ‘natural’ key on the violin and the tonal focus for the violin concertos of Beethoven, Brahms, Tchaikovsky and Stravinsky