Franco Angeli 2016

Mina Cvetkovic - Alex Franco Photoshoot 2016  Girls

Posted by nrg at Aug. 9, 2016
Mina Cvetkovic - Alex Franco Photoshoot 2016

Mina Cvetković - Alex Franco Photoshoot 2016
10 jpg | up to 2500*3244 | 18.38 MB
Serbian model
Diego Fasolis, Orchestra Internazionale d’Italia, Sonia Ganassi, Franco Fagioli - Handel: Rodelinda [2016]

Handel - Rodelinda (Diego Fasolis, Sonia Ganassi, Franco Fagioli) [2016]
Classical | Dynamic 7724/1-2 | TT: 79.10+77.34 | EAC (FLAC, cue, log) | Covers | 702 Mb

As with the majority of Handel’s stage works, Rodelinda is composed in a purely Italian style. The libretto was adapted by Nicola Haym from a previous version by Antonio Salvi. In line with the norms for Italian opera, it consists of solo da capo arias interspersed with secco recitatives and, occasionally, with accompanied ones. The undoubted protagonist of the opera is Rodelinda, for whom the composer wrote eight of the original score’s thirty-two numbers, as well as the duet with Bertarido. Rodelinda’s characterisation is a masterpiece of psychological and musical insight, beginning with the entrance aria, Ho perduto il caro sposo. This is a doleful piece, rich in expressive chromaticism and almost completely devoid of coloratura passages, in which the Lombard queen appears prey to the deepest dejection. No less brilliant and persuasive is the musical characterisation of the exiled king Bertarido, whose courage is, unusually, extolled more in recitatives than in arias. Bertarido is entrusted with the beautiful accompanied recitative in Act One, Pompe vane di morte, one the finest and most moving passages of the entire opera, which introduces the melancholy aria Dove sei, amato bene. The other characters also make significant contributions to the interest and value of this production.
Corrado Rovaris, Orchestra Internazionale d'Italia, Sonia Prina, Franco Fagioli - Hasse: Artaserse (2016)

Hasse - Artaserse (Corrado Rovaris, Sonia Prina, Franco Fagioli) (2016)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 4.89 Gb+7.75 Gb (2xDVD9) | 189 min
Classical | Dynamic | Sub: Italiano, English, Deutsch, Francais, Korean, Japanese

A classic work of its genre and historical period, Artaserse was premièred in Venice in 1730 by the most famous singers of the day: Farinelli in the role of Arbace, Cuzzoni as Mandane and the castrato Nicolino as Artabano. Following its initial success, Hasse produced two different versions of the work, the first in 1740 and the second in 1760. This world première recording is based on the original Venice version. The exceptional cast features countertenor Franco Fagioli in the role originally taken by Farinelli, his stunning technique making light of the 3-octave range with uniform timbre, remarkable power and striking resonance. Equally memorable is the aria “Pallido sole” sung by Sonia Prina.

Beneinsei - Sulla culla dell'arcobaleno  eBooks & eLearning

Posted by SSCN1926 at Aug. 23, 2016
Beneinsei - Sulla culla dell'arcobaleno

Beneinsei - Sulla culla dell'arcobaleno
Italian | Franco Angeli | 2016 | EPUB | Pages 94 | ASIN: B01FQQU6VA | 2.54 Mb

Capriate e tetti in legno. Progetto e recupero di Umberto Barbisan e Franco Laner  eBooks & eLearning

Posted by futon2009 at March 3, 2014
Capriate e tetti in legno. Progetto e recupero di Umberto Barbisan e Franco Laner

Capriate e tetti in legno. Progetto e recupero di Umberto Barbisan e Franco Laner
Franco Angeli | 2010 | ISBN: 8846422740 | 160 pages | PDF | 27 MB

Lo studio e la progettazione delle capriate non possono essere facilmente riconducibili a categorie, schematismi, né tantomeno complessi modelli strutturali. Anzi, con efficace sintesi, si può affermare che le capriate non appartengono alla scienza delle costruzioni, bensì all'arte del costruire: per quanto raffinati possano essere infatti i modelli di calcolo, niente più della perizia esecutiva, specie nella realizzazione dei nodi di confluenza delle membrane resistenti, o giunzioni e unioni, o nella scelta del materiale, garantisce la sicurezza strutturale.
VA - Decca Sound: 55 Great Vocal Recitals (2016) (55 CDs Box Set)

VA - Decca Sound: 55 Great Vocal Recitals (2016) (55 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | 55 CDs, 11:43:45 min | Covers included | 16,4 Gb
Genre: Classical / Label: Decca

Authoritative and comprehensive, this 55CD set presents a unique period in human history: a period when brilliant recorded sound on LP & CD, plus radio, TV, film and live all combined to offer huge new opportunities for singers, record labels and producers to expand the audience for classical music.

Franco Stelzer - Cosa diremo agli angeli  eBooks & eLearning

Posted by Karabas91 at May 16, 2018
Franco Stelzer - Cosa diremo agli angeli

Franco Stelzer - Cosa diremo agli angeli
Italian | 2018 | 130 pages | ISBN: 8806237799 | EPUB | 0,3 MB

Per lui, che lavora come addetto ai controlli di un aeroporto, il mondo è fatto delle vite che gli corrono sotto gli occhi. Vite immaginate. E immaginate con tale furia da diventare racconto. C'è un uomo, in particolare, che arriva ogni domenica e riparte ogni venerdì: «Magro, lo sguardo aperto. Sembra una di quelle persone nate per rendere gli altri contenti». Quell'uomo resterà al centro della narrazione fino alla fine. E la sua scomparsa - quando, una domenica come tutte le altre, non si farà più vedere - genererà un altro racconto ancora, in un continuo gioco di specchi. Perché tutte le vicende umane sembrano essere sotto gli occhi di angeli un po' partecipi e un po' lontani: «Sono così, gli angeli. Si danno il piglio degli esseri perfetti. Fanno un po' di scena, ma darebbero chissà cosa per potersi mescolare, per entrare nelle nostre piccole cose grigie. Faticano a staccarsi da noi»..
Roberta Invernizzi, Laboratorio '600 & Franco Pavan - Della Ciaia: Lamentationi (2016)

Roberta Invernizzi, Laboratorio '600 & Franco Pavan - Della Ciaia: Lamentationi
Classical | WEB FLAC (tracks) & d. booklet | 106:09 min | 428 MB
Label: Glossa | Tracks: 17 | Rls.date: 2016

Roberta Invernizzi is joined by Franco Pavan s Laboratorio 600 in an intimate and intense Passiontide score from mid 17th-century Siena: Alessandro Della Ciaia s set of the 'Lamentations of Jeremiah'. Convents throughout Siena at the time boasted nuns of considerable musical talent, both in singing and in playing instruments, and it is undoubtedly for one such convent that the nobleman Della Ciaia wrote his music for Holy Week matins services.
Various Artists - 101 Opera (2016) {6CD Box Set Decca 478 2998 rel 2011}

Various Artists - 101 Opera (2016) {6CD Box Set Decca 478 2998 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.03 Gb | MP3 @320 -> 0.98 Gb
Full Artwork @ 300 dpi (png) -> 96 Mb | 5% repair rar
© 2011, 2016 Decca Music | 478 2998
Classical / Opera

This SIX CD collection of 101 favorite tracks is the perfect introduction to the world of opera, including the worlds most famous and popular tenor and soprano arias, duets and choruses. With a running time of over 7 hours of music this box set provides excellent value for money. This delightful collection includes everyones favorite opera highlights, from the lyricism of Puccinis Nessun dorma! and O mio babbino caro, to the power and might of Verdis Anvil Chorus and Wagners Ride of the Valkyries. Features some of the greatest opera singers of the last 50 years, including Luciano Pavarotti, Dame Joan Sutherland, Jussi Bjorling, Kiri Te Kanawa, Placido Domingo and Renata Tebaldi.

Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)  Music

Posted by Designol at March 5, 2017
Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

Franco Fagioli, Armonia Atenea, George Petrou - Gioachino Rossini (2016)
EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Scans included | Time: 01:15:21
Genre: Classical, Vocal | Label: Deutsche Grammophon | # 479 5681

Countertenor performances of 19th century opera are a historical and, ultimately, true novelty. This said, for those who love the sound of the countertenor voice and want to give it a try, there are several factors that recommend this release by countertenor Franco Fagioli, with the small orchestra Armonia Atenea under George Petrou. First is that castrati were still around in Rossini's time, although on the decline, and the composer was reportedly intrigued by their voices. Second, Fagioli, unlike the vast majority of other countertenors, studied bel canto singing rather than Baroque repertory exclusively, and a certain distance present in the work of other countertenors is absent here. And third, and most important, is Fagioli's voice itself. Of the countertenors active today, he's the one with the range, the power, the attitude to make you suspend disbelief and think for a moment that you're actually listening to a castrato. He enters into the various Rossini roles represented on this recording, several of which were mezzo-soprano "pants" roles; this adds to the layers of identity-switching happening, and the parts hit Fagioli's vocal sweet spot. A bonus is that several of these are from Rossini opere serie that are little played or recorded.