This is a colossal 18-disc set that focuses on the iconic group’s hit-packed albums, plus two sets that explore the individual careers of founding members Frankie Valli and Bob Gaudio. FRANKIE VALLI & THE FOUR SEASONS - THE CLASSIC ALBUMS BOX contains 18 CDs of the albums that Frankie Valli & The Four Seasons recorded between 1962-1992.
There is no need to wait for winter end to feel how lovely spring is. We always look for it as season heralding something fair and beautiful to come into our life. Indeed, this is the most extraordinary season invented by nature. How beautiful, charming, gentle, magnificent and flawless it is! So much imbued with solemn music, heady fragrance, exceptional warmth, flowers and vivid colors… Its coming never fails to awaken our best feelings so that, having surrendered to them, we could delight in love, joy and happiness to the full. Jane Maximova: "When you listen to a new piece of music it provokes either feeling of the past or that of the future. "Four Seasons - Russian Spring" is one of the few albums provoking feeling of the future, the very feeling we usually experience in springtime".
Violinist James Ehnes has firmly established himself as a master of the modern repertoire and to a lesser extent, the Romantic, so his album of Antonio Vivaldi's perennial violin concertos, The Four Seasons, Giuseppe Tartini's "Devil's Trill" Sonata, and Jean-Marie Leclair's "Tambourin" Sonata is an unexpected detour into the Baroque. The fame and popularity of these pieces guarantees Ehnes an audience, and he, like everyone else, shouldn't be criticized for recording them, though his choice of the modern Sydney Symphony Orchestra for the Vivaldi, and Fritz Kreisler's arrangement of the Tartini for violin and piano, suggests that he isn't really trying to compete with most contemporary recordings, least of all the various period-style releases.
If anyone has earned the right to mess around with Vivaldi’s Four Seasons it is Nigel Kennedy, the violin world’s Marmite violinist. Remember how fresh he made this music sound on his recording of a quarter-century ago? This latest version offers a ferment of all he’s played since – concertos, jazz, Jimi Hendrix. It’s affectionate and irreverent in equal measure, and Kennedy and his Orchestra of Life never sound less than riveting. Pretty much all Vivaldi’s notes are there; around, above and in between them come interjections, overlays and linking passages involving guest musicians from jazz and rock: Orphy Robinson, Damon Reece, Z-Star and others. Spring is welcomed in by a distant-sounding intro on an electric-guitar. Summer’s storms bring forth bursts of crazily sampled static. Autumn tears off at a cracking pace, but with a jazz trumpet sauntering lazily over the top. It all sounds like a colossal jam session from the inside of a Botticelli painting.
This EMI release of The Four Seasons gives violinist Sarah Chang top billing (as would be expected) and the Orpheus Chamber Orchestra a smaller, less significant listing. As far as the quality of performance goes, however, Orpheus should absolutely be considered the star of this recording with Chang getting the footnote instead. This is simply not the case; from the ridiculously posed glamour photos filling the liner notes to the balance of the performance itself, this album is all about Chang. The most fulfilling aspects are the orchestral tuttis. Orpheus is truly at its best here, playing with as much energy and passion as the much ballyhooed recording with the Venice Baroque Orchestra.