'Drawing on archival performance footage and interviews, The Art of Violin evokes the vast panorama of the world of the violin in the 20th century and its most outstanding performers. ….it is hard to express the explosions of joy occasioned by the discovery of long sought-out but undreamed-of archives, such as some silent - and later resynchronised - film footage, or the few brief moments of Chausson's Poème played by Ginette Neveu, the silent yet moving (in every sense of the word) images of Kreisler and Ysaÿe, the awe of a young Menuhin, the superb single camera shot of David Oistrakh performing the cadenza from Shostakovich's First Concerto.'
'Testament' is Rachel Barton Pine's very personal homage to the music of J. S. Bach, on which she performs the composer's complete Sonatas and Partitas for Solo Violin in the acoustic of her hometown St. Pauls Church in Chicago, where she first heard and fell in love with Bach's music.
Teodorico Pedrini is the only 18th century composer of which we know that he wrote European music in China, where he arrived after an eight year long journey from Italy to the Canary Island, Chile, Mexico, Peru and the Philippines. After his arrival in Beijing in 1711, he worked for the emperors Kangxi, Yongzheng and Qianlong until his death in 1746. Until today, he has been appreciated as one of the most important cultural ambassadors for Western music in Asia of all times.
This video that takes students from opening the case to playing a simple tune in no time. Topics include: maintenance and care for the instrument, correct posture and holding techniques, simple finger patterns, bowing and plucking methods, your first notes, music theory, and helpful hints to get you started fast.
Luis Otavio Santos, the renowned Brazilian violinist, performs a set of compositions by Jean-Marie Leclair. This brilliant performance breathes new life into music composed by one of France's best loved instrumental composers.
The Gemini Series features an impressive roster of singers, conductors, soloists, and ensembles of international renown, all from the incomparable EMI Classics stable. EMI's rich legacy of recording expertise comes to the fore in performances from the 1960s to the 1990s. Gemini titles are predominantly collections of single composers and fantastic value with well over an hour of music on each CD, making them the ideal place to start or develop a collection of classical music. Each 2-CD set contains over two hours of music for a fantastically low price. Attractively designed and packaged in space-saving brilliant boxes, each set includes three-language booklets with detailed notes on the music.
Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.