This recording is an important contribution to the understanding of the history of the symphony in Spain and gives us the opportunity to experience this beautiful music. The Córdoba Orchestra has been planning to record these works for several years and the symphonies have been rigorously transcribed.
This compilation features recordings made between 1950 and 1958 and “accompanies” the legendary pianist on his way to the Mount Olympus of piano playing. The repertoire ranges from Johann Sebastian Bach over German classicism and romanticism (Beethoven, Schubert, Schumann) to that gathering of great Russian composers – Tchaikovsky, Mussorgsky, Scriabin, Rachmaninov and Prokofiev.
A live studio electric Chicago Blues and beyond record by the very TOP NYC blues cats. It is as authentic and driving as blues ever gets. Turn up loud and enjoy! Brooklyn Blues is the culmination of a few blues musicians walking into a recording studio with their gear, plugging in and rolling tape. That of course, is an over-simplification of the recording process, but it’s all the listener really needs to concern themselves with. Big Apple Blues is not a homage, but a continuation to the ‘living record’ of the Chicago-style electric blues of mid-century Middle America…
This release sees Murray Perahia returning to Brahms after a significant series of excellent Bach recordings for Sony Classical. His 1991 Sony recording of the Sonata No.3 has an assortment of Intermezzos and Rhapsodies as a filler, but this new disc sees Perahia taking the later opus numbers head-on, working up to them chronologically via the Handel Variations and Rhapsodies Op.79 which, as Katrin Eich says in her booklet notes, each represent an ‘end point’ at certain stages in Brahms’ compositional output.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.