Although written for the configuration of two violins and continuo, Dietrich Buxtehude's Seven Sonatas, Op. 1, are not trio sonatas in the usual sense. They refer back to the older type of Italian ensemble sonata, with contrasting short sections following in rapid succession rather than the three- or four-movement sonata or dance suite types. Buxtehude came at the end of this tradition, which by 1694, when these sonatas were first published, was beginning to give way to newer Italian types in points further south.
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
Among the many genres Beethoven used to build on his reputation upon his arrival in Vienna, the violin sonatas allowed him not only to demonstrate his own prowess on the keyboard, but also played to the increasing popularity of chamber works that might be attempted by sophisticated amateurs. Following Mozart's trend of liberating the violin from a mere secondary role, Beethoven continued to bring about the equality of both instruments in all of his duo sonatas. Performing these 10 sonatas is the splendid duo of violinist Renaud Capuçon and pianist Frank Braley. The recordings take place in la Chaux de Fonds concert hall in Switzerland, a venue that offers listeners an exceptionally wonderful, intimate sound quality even on a CD.
This is a Beethoven Symphonies Cycle of the 21st century! Christian Thielemann and the Vienna Philharmonic Orchestra perform Beethoven Symphonies Nos. 1 – 9 incl. and each DVD includes a one-hour-long documentary for each symphony.
Includes an hour-long documentary for each symphony where Maestro Thielemann and Joachim Kaiser (the most famous German music critic) discuss and analyze in an entertaining conversational exchange Thielemann’s interpretation, complemented by excerpts from rehearsals as well as by comparisons of Beethoven cycles with Karajan, Bernstein etc. – no aspect of Beethoven’s symphonic œuvre will remain unaffected!
This disc presents three vocal pieces for soprano with oboe and basso continuo, interspersed between four trio sonatas for 2 oboes & basso continuo.The first cantata "Mi palpita il cor" was written in England - there are four existing variants, but this presented here is probably the earliest, the date given here as 1717. The theme is typically pastoral, with the singer's amorous affliction, the sorrow and hope of being in love with Chloris. The second vocal piece "Meine Seele hort im Sehen" is one of Handel's nine German da capo arias written around 1724/25 which were never published; they were songs of spiritual devotion rejoicing in God's creation as manifested in the beauty of nature, and not intended for concert performance.
This is the start of a Beethoven Symphonies cycle (Nos. 1-9) with Christian Thielemann and the Vienna Philharmonic Orchestra. The Beethoven cycle of the 21st century!
3 Documentaries - In a one-hour-long film for each symphony Maestro Thielemann and Joachim Kaiser (Germany´s most famous music critic) discuss and analyze in an entertaining conversational exchange Thielemann’s interpretation, complemented by excerpts from rehearsals as well as comparisons of Beethoven cycles with Karajan, Bernstein etc. – no aspect of Beethoven’s symphonic œuvre will remain unaffected!