“El Fantasma De Canterville” is the third album of study of the Argentine singer-songwriter León Gieco. It was released in 1976 by the label Music Hall.
David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.
“Dear fans and friends of LPs, now I beginning a series on the influential Argentine scene, in terms of rock music and its derivatives are concerned. This at the request of several followers-music lovers.
This LP “7 Años” by León Gieco, is a review of seven-year career. Any doubt? The interesting thing is that it is not a compilation of different LPs as one might think and was for that reason that I bought this album.
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.
Everywhere acclaimed for its compelling narrative, its fresh insights, and its dispassionate appraisal of John F. Kennedy's presidency, this #1 national bestseller is the first full-scale single-volume biography of JFK to be written by a historian in nearly four decades.