The Who's 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and they wouldn't tour again until 1989. The tour promoted the recent 'It's Hard' album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York's Shea Stadium and was filmed on October 13th 1982. Although a couple of tracks have appeared on compilations, this is the first official release of the full show and features restored footage and newly mixed sound. The release includes Bonus tracks from the first night at Shea Stadium.
is the debut album by the American grunge band . It was released on June 15, 1989 through the independent record label Sub Pop. Bleach originally sold a mere 30,000 copies, but following the enormous success of the band's second album, Nevermind (1991), fans discovered Nirvana's obscure debut. It has since been certified platinum by the Recording Industry Association of America, making it one of only two albums released on Sub Pop to have received platinum certification.
Albedo 0.39 is a studio album by the Greek electronic composer Vangelis, released in 1976. It was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It was his first Top 20 UK album. It is a concept album themed around space physics (the reflection of light i.e. physical truth). Its title is inspired by the idea of a planet's albedo, the proportion of the light it receives that is reflected back into space. The album title refers to the average albedo value of the planet Earth as it was in 1976. From the explanation on the back of the LP cover : "The reflecting power of a planet or other non-luminous body. A perfect reflector would have an Albedo of 100%. The Earth's Albedo is 39%, or 0.39". It was performed at the Royal Albert Hall in 1977. The album reached #18 on the UK Album Charts.
Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
Most musicians when asked to give a list of their favorite composers will usually have at the top, or near the top of the list George Gershwin. They feel that Gershwin wrote in such a fashion that it gives them the most room for improvisation. You will always find that when people are asked to do albums of various composers, invariably Gershwin is on the list. Buddy DeFranco has recorded many albums for me and for two years has been insisting that he be allowed to do a Gershwin album, and this is it…
The first six selections on this CD are from a long-out-of-print LP featuring the brilliant clarinetist Buddy DeFranco with the Oscar Peterson Quartet (Peterson's trio plus drummer Louie Bellson). While the six selections are all standards, DeFranco and Peterson produce plenty of fireworks with the majority of the numbers being taken up-tempo. DeFranco sounds flawless on clarinet, making it sound so easy to play lightning-fast runs; few other clarinetists have ever come close. Recommended.
2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Dionne Warwick's first album for Warner Bros. in 1971 didn't seem to change much. She was still working with Burt Bacharach and Hal David and still cranking out sophisticated ballads with the trademark orchestrated Bacharach sound. The only thing missing on Dionne is some kind of chart action.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!