The Who's 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and they wouldn't tour again until 1989. The tour promoted the recent 'It's Hard' album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York's Shea Stadium and was filmed on October 13th 1982. Although a couple of tracks have appeared on compilations, this is the first official release of the full show and features restored footage and newly mixed sound. The release includes Bonus tracks from the first night at Shea Stadium.
is the debut album by the American grunge band . It was released on June 15, 1989 through the independent record label Sub Pop. Bleach originally sold a mere 30,000 copies, but following the enormous success of the band's second album, Nevermind (1991), fans discovered Nirvana's obscure debut. It has since been certified platinum by the Recording Industry Association of America, making it one of only two albums released on Sub Pop to have received platinum certification.
Recorded in 1969, Motions & Emotions from Oscar Peterson is a bit of a departure from what the famed pianist was doing back in those days. Featuring lush orchestral arrangements by Claus Ogerman, known for his work with Frank Sinatra and more recently, Diana Krall, the album shows off Peterson and his trio members Bucky Pizzarelli on guitar and Bobby Durham on drums performing a wide range of cover songs, from the Beatles to Bacharach, Bobby Gentry to bossa nova.
2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Dionne Warwick's first album for Warner Bros. in 1971 didn't seem to change much. She was still working with Burt Bacharach and Hal David and still cranking out sophisticated ballads with the trademark orchestrated Bacharach sound. The only thing missing on Dionne is some kind of chart action.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!
Nicholas Simper is an English bass guitarist, who was a co-founding member of Deep Purple and Warhorse. In the 1960s he began his professional career in bands such as Johnny Kidd & The Pirates, The Flower Pot Men, and Lord Sutch's Savages…
The name Tommy Shaw will always be synonymous with Styx, the hugely successful American pomp rock band that notched up a series of multiplatinum albums during the 70s and early 80s. After leaving Styx in 1983 he went on to carve out a solo career, resulting in a trio of well received albums before forming supergroup Damn Yankees alongside Ted Nugent and former Night Ranger songwriter Jack Blades. ‘Ambition’ was Tommy’s third solo album and is generally regarded as the best of the batch. Teaming up with British producer Terry Thomas, the former leader and creative heart of cult AOR band Charlie, and recorded in London, musical assistance was provided by a number of top notch session players…
Tracks have a nice rolling feel, and the group is very comfortable with each other. Foster's tone is excellent. “….this is a great, great record; a very swingin', soulful, and I dare say slightly modal side from the great sax man Frank Foster, long time sideman and musical director of the Count Basie organization. …..Foster has assembled a very competent and skillful support crew, mostly former and then current Basie sideman (which accounts for the title of the LP: 'Basie is Our Boss…) but he is also supported by a great favorite of this blog; the unheralded John Young on piano. Unusually for an Argo side, there are only 6 tracks on this LP, as Foster & company are given a rare opportunity to stretch out and tackle the material.