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The Who - Live At Shea Stadium 1982 (2015) [Blu-Ray Rip, FLAC 24-bit/96 kHz] RE-UP

The Who - Live At Shea Stadium 1982 (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 145:55 minutes | 3,05 GB
Blu-Ray Rip to Hi-Res FLAC | Sourced track: LPCM 2.0 | Artwork: Front cover

The Who's 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and they wouldn't tour again until 1989. The tour promoted the recent 'It's Hard' album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York's Shea Stadium and was filmed on October 13th 1982. Although a couple of tracks have appeared on compilations, this is the first official release of the full show and features restored footage and newly mixed sound. The release includes Bonus tracks from the first night at Shea Stadium.
Kazumi Watanabe - Gracim (2013/2016) [Official Digital Download in DSD64 or FLAC 24-bit/96kHz]

Kazumi Watanabe - GRACIM (2013/2016)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 49:33 minutes | 1,34 GB
FLAC (tracks) 24-bit/96 kHz | Time - 49:10 minutes | 1,01 GB
2x Studio Master, Official Digital Download | Artwork: Front cover

Kazumi Watanabe has for the past 20 years been one of the top guitarists in fusion, a rock-oriented player whose furious power does not mask a creative imagination. Watanabe studied guitar at Tokyo's Yamaha Music School and he was a recording artist while still a teenager. In 1979, he formed the group Kylyn and, in 1983, he put together the Mobo band. Several of his recordings have been made available by Gramavision and they show that he ranks up with Al DiMeola (when he is electrified) and Scott Henderson among the pacesetters in the idiom. This album features a special duet featuring Japanese pianist Kimiko Tanigawa.
Nirvana - Bleach (1989-2009) Sub Pop Records Deluxe Edition (SP 834) 24-Bit/96-kHz Vinyl Rip

Nirvana - Bleach
Vinyl rip in 24-bit/96kHz| m3u, no cue or log (vinyl) | Full LP Artwork
1.9 GB | FLAC | 5% RAR recovery | RS + FF | Grunge | 2009
Sub Pop Records Deluxe Edition ~ Double LP 180g White Marble Vinyl (SP 834)

is the debut album by the American grunge band . It was released on June 15, 1989 through the independent record label Sub Pop. Bleach originally sold a mere 30,000 copies, but following the enormous success of the band's second album, Nevermind (1991), fans discovered Nirvana's obscure debut. It has since been certified platinum by the Recording Industry Association of America, making it one of only two albums released on Sub Pop to have received platinum certification.
Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}

Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 194 Mb | 5% repair rar | 24bit remaster
© 1977, 2013 Blue Note / EMI Music Japan | TOCJ-50563
Jazz / Post Bop / Soul Jazz / Vibes

Beautiful late Blue Note work from Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – and all other players are wonderful too, including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Includes a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good".
Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}

Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 739 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (jpg) -> 46 Mb | 5% repair rar
© 1961, 2000 Roulette Jazz / EMI | 7243 5 24546 2 4
Jazz / Mainstream Jazz

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars.
Miles Davis - Volume 3 (1954/2014) [Official Digital Download 24-bit/192 kHz]

Miles Davis - Vol. 3 (1954/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 26:23 minutes | 961 MB
Studio Master, Official Digital Download | Artwork: Front cover

A stunning piece of jazz history, reissued exactly as it originally appeared – right down to the 10' LP format! The record is one of the classic early bop sides that Miles cut for Blue Note, and it features a smoking quartet with Horace Silver on piano and Art Blakey on drums. Titles include 'Take-Off', 'The Leap', and 'Weirdo' – and the cover has this cool image of Miles blowing against an abstract expressionist painting!
Astrud Gilberto - Windy (1968/2014) [Official Digital Download 24-bit/192 kHz] RE-UP

Astrud Gilberto - Windy (1968/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 28:14 minutes | 1,23 GB
Studio Master, Official Digital Download | Artwork: Front cover

One of Astrud Gilberto's final albums for Verve, released in 1968. "Windy" includes a Beatles cover, the title song and Never My Love from The Association, all done with bossa nova flair. Gilberto's young son Marcello joins her on a charming rendition of The Bare Necessities from The Jungle Book. The album was arranged by Eumir Deodato, Don Sebesky and Patrick Williams, and engineered by Phil Ramone.
Muse - Drones (2015) [Official Digital Download 24-bit/96 kHz] RE-UP

Muse - Drones (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 52:45 minutes | 1,21 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Drones" is the seventh studio album by English alternative rock band Muse. Drones is a concept album following the protagonist's journey from abandonment to indoctrination as a "human drone" and eventual defection. The album was recorded between October 2014 and April 2015 at The Warehouse Studio in Vancouver, British Columbia, and co-produced by the band and Robert John "Mutt" Lange.
Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [Official Digital Download 24-bit/96kHz]

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,36 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St. Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
Ornette Coleman - The Atlantic Years (2018) [Official Digital Download 24-bit/192kHz]

Ornette Coleman - The Atlantic Years (2018)
FLAC (tracks) 24-bit/192 kHz | Time - 406:36 minutes | ~ 15,4 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

Miles Davis had publicly called him a madman. Leonard Bernstein found him, for his part, completely awesome. Few were those that didn’t have a definitive opinion on Ornette Coleman. Some kind of outlaw who preferred playing his own compositions rather than jazz classics, the American saxophonist also developed harmolodics, a theory uniting harmonics and melody. This box of ten discs compiles one of the most important era in the career of his author. Between 1959 and 1961, he released six studio albums for the Atlantic label. Six albums that are present here and spiced up with alternative takes and various bonuses, all of this of course impeccably remastered by John Webber. Albums included: The Shape Of Jazz To Come (1959), Change Of The Century (1959), This Is Our Music (1960), Free Jazz: A Collective Improvisation (1960), Ornette! (1961) and Ornette On Tenor (1961), and the compilations The Art Of Improvisers (1970), Twins (1971), To Whom Who Keeps A Record (1975) and The Ornette Coleman Legacy (1993).