Dream Attic heralds the return of Richard Thompson, one of the most distinguished guitarists and songwriters of our time, with a magnificent collection of 13 new songs. This deluxe edition includes a bonus CD of all 13 tracks performed as acoustic demos.
Touring with the Micky Curtis Band, Yamamoto had the chance to explore several international experiences that he would later use on this album as he worked with this band in France, England and Switzerland. On this SACD, the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the trio. Yamamoto's skill and his jazz feeling adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. Available for the first time on the SACD format, this features latest CD technology developed by Sony.
This disc is part of a Mozart concerto cycle being issued by German pianist Christian Zacharias, conducting the Chamber Orchestra of Lausanne. Several of the discs have been exceptional, and the musicianship here maintains the high level of the earlier releases in the series. The interpretations, however, are a bit unorthodox, so sample well and consider. The audiophile sound from the MDG label continues to be an attraction in itself; the sonics of Lausanne's moderate-sized and heavily acoustically tweaked Salle Métropole concert hall have awesome clarity and depth.
To many, the Lahti Symphony Orchestra has become synonymous with excellence in Sibelius repertoire. Its numerous recordings with the previous chief conductor Osmo Vänskä have received countless distinctions and awards, and the orchestra is universally regarded as having a very special affinity for the music of their great compatriot.
David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.
Paysages is a French word that roughly means "landscapes." In this 1971 album, Sadao Watanabe & his bandmates' music reflected the sign of the times in their use of electric piano, strong emphasis on rhythms – realized, in part, by employing 2 drummers – & a freer approach to improvisation.