A lot has happened since the last record, Greasy Kid's Stuff in 2001. Since then I've fathered two small boys into young men, beaten cancer. It's been about 17 years. I figured it was about the right time toput a Blues record out. My youngest son Johnny has joined the family business. This is his singing debut on this album and he was only 17 at the time of the recording. I'm excited to still be playing guitar,happy that people still want to see and hear me, and haven't thrown any rocks at me yet. This album was made in two days at Big Jon Atkinson's home studio in Hayward, California. It was recorded live to tape on two tracks using all analogue equipment, vintage microphones, and the brilliant technique of Jon Atkinson's recording. The album includes the expert playing of Kedar Roy on bass, Marty Dodson on drums, Mike Welch on piano/organ, Danny Michel on 2nd guitar, with the legendary Kim Wilson performing vocals on one song.
On this high-power album, the larger than life New York bluesman goes back to the roots of post-war Chicago Blues and plays famous tracks by Muddy Waters, Howlin Wolf, Willie Dixon, etc.He's joined by leading contemporary blues stars Bill Perry, Mason Casey, Matt Smith, Jean-Jacques Milteau, Paul Personne and Dimitri Archip from the Black Coffee Blues Band.On "Old School", Popa Chubby (who recently played some UK gigs) smokes TNT, drinks dynamite and shows he can put some speed on the classic tracks of his blues heroes.
This extensive collection gathers together four volumes of demos, live performances, interviews, and other ephemeral material from the earliest phases of Detroit shock-glam legends Alice Cooper, and even traces their roots before the band as most know it came to be. The collection begins with the stompy garage psych number "No Price Tag" from Vincent Furnier's pre-AC 1966 band Spiders. Early demos from 1969's Pretties for You album follow, as do radio spots and raw live recordings from the earliest eras of the band, including an 11-minute organ-drone version of "I'm Eighteen," introduced as "a brand-new song" and sounding more like some bastardized take on the Doors than the three-minute confused coming-of-age rocker that wound up on 1971's Love It to Death album…
Old School is Koko Taylor's first new album in seven years, and after a series of health issues that sidelined her for a while, it could be viewed as a comeback of sorts, but if so, there aren't any signs of rust here. She still belts out her trademark Chicago blues like she always has, sidestepping any 21st century recording tricks for a straightforward set that wouldn't sound out of place next to her classic Chess sides from the early '60s. It's also encouraging that she wrote nearly half the tunes here, while turning in solid covers of a pair of Willie Dixon songs ("Don't Go No Further" and "Young Fashioned Ways"), one by Magic Sam ("All Your Love") and a scorching performance of Lizzie Lawler's classic "Black Rat" that rivals Big Mama Thornton's version.
Old School - is another great solo album, rock album featuring a collection of 12 songs. 11 are new originals by Nils and "Irish Angel" is beautiful ballad written by Bruce McCabe that Nils has been performing in his shows recently. "Let Her Get Away" is a haunting acoustic gem co-written with Root Boy Slim. Featuring rough, raw blues dobros and searing electric guitars to beautiful acoustic tracks, "Old School" is classic Nils at his diverse best. Featuring the legendary Paul Rodgers, Lou Gramm and Sam Moore as guest vocalists, this album has it all and promises to rank among his best.