Have you ever wondered what or who is the missing link between the Passions of J.S. Bach and the more ‘enlightened’ oratorios of Josef Haydn and his contemporaries? For that matter how did things come to change so quickly? I have recently reviewed some cantatas by Gottfried Homilius (1714-1785) on Carus 83.183 and he is certainly a link. But really it is C.P.E. Bach, that great reactionary and under-estimated genius, who is ‘yer man’.
This recording is a result of several years of reconstruction work and then a full performance which took place on Palm Sunday in 2003 after about 220 years of neglect.
Bendik Hofseth is a Norwegian jazz musician, who plays the saxophone and sings. He is also a bandleader, and arranges and composes music. When Bendik Hofseth went to New York in 1987, and replaced the world famous saxophonist Michael Brecker in the band Steps Ahead, it probably came as a surprise to many. A youngster from Lørenskog, Norway in the jazz capital of New York, lining up for one of the most renowned jazz bands in US. Along with Steps Ahead, he has toured world wide several times since 1987.
Solid, soulful blues, often with humorous, self-deprecating lyrics, comes from the well-respected vocalist, tenor player, composer, and veteran of the bands of Albert Collins, Buddy Guy, Magic Sam, and Son Seals. Reed has been called "the definitive Chicago blues sax player." This album features Reed's band, with guests Bonnie Raitt and Stevie Ray Vaughan
Essential: a masterpiece of progressive rock music
“Lovely to see you again”
An excellent compilation covering the period from “Days of future passed” up to and including “Seventh Sojourn”. This was the Moody Blues most creative and productive period, and the tracks selected here arguably represent the best of those albums.