A singer-songwriter can be anything from an unwelcome pub musical disaster to Bob Dylan. I have a negative disposition when I see an artist describe themselves as such as there is a great chance of being underwhelmed due to the liklihood is that the music is compiled simply of a man and a guitar…and the man could be anybody from an unwelcome pub musical disaster to Bob Dylan - and Bob Dylan has been done. If I do say so myself I am usually rather good at accurately comparing one musician or group with another, but Russell Joslin has left me stumped. This would mean that for one man and a guitar, he appears to have created a sound that hasn’t really been done before. It’s not a new genre and it’s not some abstract form of experimentation, it’s just what decent singer songwriter music should be, a man telling his story which if he’s telling it right is from a unique standpoint.
Native Instruments loves body parts – and so does GW Childs – so that’s why we asked him to create a course on The Finger & The Mouth! Learn to get the most out of your NI Body Parts in this tasty, 40 tutorial, 2-for-1 course.
The Bar-Kays were an aggregate born of the same inspiration behind Booker T. & the MG's – performing the double-duty of being a backing combo for the significant canon of vocalists on the Memphis-based Stax and Volt labels, as well as a self-contained unit. The original lineup of James Alexander (bass), Jimmy King (guitar), Ronnie Caldwell (organ), Phalon Jones (sax), Carl Cunningham (drums), and Ben Cauley (trumpet) were only together long enough to have issued this album prior to the tragic loss of everyone sans Alexander and Cauley in the December '67.