Filepost Flac

The Nice - Elegy (1971) Philips/6303 011 - Original DE Demo Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

The Nice - Elegy
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Philips/6303 011 | Release: 1971 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)

The Beatles - Live at the Hollywood Bowl (2016) 2LP/FLAC  Vinyl & HR

Posted by SERTiL at Jan. 17, 2017
The Beatles - Live at the Hollywood Bowl (2016) 2LP/FLAC

The Beatles - Live at the Hollywood Bowl
Pop, Rock | Vinyl Rip | FLAC (tracks) 24-bit/96 kHz | 43:27 min | 1.16 GB | Covers
Label: Capitol | Tracks: 17 | Rls.date: 2016

CD reissue with four unreleased tracks. This album includes 13 original live tracks taken from concerts at the Hollywood Bowl in 1964 and 1965 plus four previously unreleased songs, which were sourced directly from the three-track tapes of the concerts and were remixed and mastered at the Abbey Road studios by George Martin's son, Giles, and engineer Sam Okell.
Tsuyoshi Yamamoto Trio - Midnight Sugar (1974/2004) [SACD ISO+Hires FLAC]

Tsuyoshi Yamamoto Trio - Midnight Sugar (1974/2004) [SACD ISO+Hires FLAC]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans 600dpi | 714 GB + 5% Recovery
FLAC 2.0 Stereo (converted with foobar2000) 24bit/88,2 kHz | Full Scans 600dpi | 883MB + 5% Recovery

Touring with the Micky Curtis Band, Yamamoto had the chance to explore several international experiences that he would later use on this album as he worked with this band in France, England and Switzerland. On this SACD, the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the trio. Yamamoto's skill and his jazz feeling adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. Available for the first time on the SACD format, this features latest CD technology developed by Sony.
Art Pepper - New York Album (1979/2016) [Official Digital Download DSD64+HiRes FLAC]

Art Pepper - New York Album (1979/2016)
DSF tracks 2CH | DSD 64(2,8 MHz/1 bit) | Digital Booklet | 1.59GB + 5% Recovery
FLAC tracks 2CH (converted with foobar2000) 24bit/88,2 kHz | Digital Booklet | 813MB + 5% Recovery
Studio Master, Official Digital Download, Analogue Productions

After prison, after first shocking, then disappointing, and perhaps ultimately (and grimly) amusing the jazz world with enough dope-related hijinks to fill a book (as in Straight Life), alto saxist Art Pepper made a triumphant mid-1970s comeback. This 1979 session is rich with the fruits of Pepper's return, a depth of playing that shows itself constantly throughout the New York Album's five tunes.
The Chieftains – The Chieftains (1964) Island Records/ILPS 9364 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS 9364 | Released: 1964 | US Issue: 1976 | Genre: Irish-Folk

The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.

Larry Young - Larry Young In Paris (2016) [DSD128 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at Jan. 15, 2017
Larry Young - Larry Young In Paris (2016) [DSD128 + Hi-Res FLAC]

Larry Young - Larry Young In Paris (2016)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 99:45 minutes | 5,16 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 99:45 minutes | 1,99 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Originally broadcast on radio in France more than five decades ago, these long-lost tracks were unearthed in the vaults of the ORTF (Office of French Radio and Television, now Maison de Radio France) and are available for the first time on this album. The iconic jazz organist is joined on 1964 and 1965 studio and live recordings by Woody Shaw on trumpet, bandleader Nathan Davis on saxophone and drummer Billy Brooks, plus guest musicians from France, Italy and other countries. Among the many highlights is an over 20 minute version of “Zoltan” that would reappear on Young's classic Unity LP.
Jean-Michel Jarre - Oxygene Trilogy (40th Anniversary Edition) (2016)  3LP/FLAC

Jean-Michel Jarre - Oxygene Trilogy (40th Anniversary Edition)
Electronic, Ambient | Vinyl Rip | FLAC (image+.cue) 24-bit/192 kHz | 121:05 min | 4.61 GB | Covers
Label: Sony Music / Columbia | Tracks: 20 | Rls.date: 2016

40 years after the huge international impact of OXYGENE, and 20 years from its second volume OXYGENE 7-13, Jean-Michel Jarre is fulfilling a trilogy of albums with OXYGENE 3, containing seven newly composed and recorded pieces, consistently titled parts 14-20. His inspiration for the newly added parts on OXYGENE 3 was not to go back in time, but to add a sense of “now” to his iconic piece of work. Plunging into the environment of OXYGENE with its highly original dark, moody and at times quite upbeat musical language, Jarre references some of the music from his entire body of work on OXYGENE 3. It’s a state-of-the-art recording, embracing both classic and modern ways of music production.

Marlena Shaw - Marlena (1972/2014) [DSD64 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at Jan. 14, 2017
Marlena Shaw - Marlena (1972/2014) [DSD64 + Hi-Res FLAC]

Marlena Shaw - Marlena (1972/2014)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 40:51 minutes | 1,2 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 40:51 min | 852 MB
Studio Master, Official Digital Download | Artwork: Front cover

Many have compared Marlena Shaw's range, class and swing to that of eternal jazz lights Sarah Vaughn, Dinah Washington and Nancy Wilson. This 1972 release was Shaw's debut for Blue Note and includes a blend of pop songs and show tunes, arranged and conducted by Wade Marcus. Shaw had just ended a four-year stint as a vocalist in Count Basie's orchestra which earned her an historic contract as the first female vocalist signed to Blue Note, an association that yielded five albums and several singles.
Marlena Shaw - From The Depths Of My Soul (1973/2014) [DSD64 + Hi-Res FLAC]

Marlena Shaw - From The Depths Of My Soul (1973/2014)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 38:35 minutes | 1,12 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 38:35 minutes | 771 MB
Studio Master, Official Digital Download | Artwork: Front cover

Marlena Shaw was the first female vocalist signed to Blue Note and this album, from 1973, was her second for the label. As the title hints, Shaw blends soul with jazz on this material that includes R&B hits from the era alongside Randy Edelman and Fox and Gimbel compositions, even an original tune from Shaw. The album was produced by famed jazz producer and music executive Dr. George Butler who put together a line up of great musicians to support Shaw including Ron Carter on bass, Grady Tate on drums and guitarist Hugh McCracken.
Marlena Shaw - Who Is This Bitch Anyway (1975/2014) [DSD64 + Hi-Res FLAC]

Marlena Shaw - Who Is This Bitch Anyway? (1975/2014)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 39:36 minutes | 1,13 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 39:36 minutes | 751 MB
Studio Master, Official Digital Download | Artwork: Front cover

Marlena Shaw's 1975 release, her best-selling Blue note album, is a soul-jazz hybrid incorporating elements of funk along with topical lyrics dealing with social issues of the day. Shaw came up with the title herself, a tongue-in-cheek reaction to her relative obscurity in the United States.