For an artist whose bio reads that she was “born in 1784 in the backseat of a sea-foam green space pinto,” LA-based soul singer Kadjha Bonet’s debut LP The Visitor sounds a bit closer to home than that. Her sound is retro-fitted, but you only have to travel to, say, the experimental jazz-meets-soul-meets-singer-songwriter traditions of 1974 to find her home planet. Her voice twists Roberta Flack’s velvet tone around the archness of Shirley Bassey over creamery-rich strings, producing a sound as familiar as it is haunting.
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Keith Jarrett's numerous volumes of improvised solo piano recordings are all treasure troves of spontaneous music making. Documented since the 1970s, they reveal the opening of his music as it readily embraces classical and sacred music influences, filters out what is unnecessary in his technique, and encounters the depth and breadth of the jazz tradition and his own unique abilities as a composer. The four discs in A Multitude of Angels were recorded in as many Italian cities during the last week of October 1996 – some 20 months after the concert captured on La Scala.