Eroica Deutsche

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006) [24/96]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006)
FLAC (tracks) 24-bit/96 kHz | Time - 61:04 minutes | 1,24 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet, Front cover

Beethoven took a massive stride forward in the development of the symphonic form with the 'Eroica'. Not only is the work written on an unprecedented scale, it also lays the very foundations of Romanticism in music.The symphony mirrors Beethoven's own emergence from despair and he used it to symbolize mankind's capacity for greatness. He initially dedicated the score to Napoleon whom embodied his view of greatness. However, when Napoleon crowned himself Emperor, Beethoven furiously removed the dedication from the score.
Beethoven - Symphonies Nos. 3 & 9, Overtures (1992) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 368-2 rec 1972}

Beethoven - Symphonies Nos. 3 & 9, Overtures (1992) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 368-2 rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 687 Mb | MP3 @320 -> 345 Mb
Full Artwork @ 300 dpi (png) -> 29 Mb | 5% repair rar
© 1972, 1992 Polydor / Deutsche Grammophon | 437 368-2
Classical / Symphonies

This is one of the greatest recordings of the famous Ninth Symphony. It has long been overshadowed by Karajan's three recordings for the same label, as well as Bernstein's version with the same orchestra. But put them all on your CD player and compare, and this is the one you'll be coming back to. Böhm was the least glamorous of conductors, but he approaches the Ninth with messianic zeal and a fanatical gleam in his eye. The opening movement is a cataclysm, the sublime slow movement never loses its contemplative flow, and everyone involved simply sings and plays the pants off of the finale. If the final minute or two doesn't pull you right out of your seat, nothing will. Grab it while you can at this "twofer" price. It's a steal. –David Hurwitz
Herbert Von Karajan - Deutsche Grammophon's Karajan Gold Series Part 1 (2011)

Herbert Von Karajan - Deutsche Grammophon's Karajan Gold Series (2011)
Classical, Opera | MP3 CBR 320 kbps | 1,40 Gb
Label: Deutsche Grammophon | Release Year: 2011

The compact disc, as a sound carrier, was still on the horizon when Herbert von Karajan urged his record company to utilize the new digital technology in his recordings. Consequently Karajan's Magic Flute, recorded in 1980, became the first release of a Deutsche Grammophon digital production and was first released on LP.
Rafael Kubelik - Rare Recordings 1963-1974 (2006, Deutsche Grammophon # 00289 477 5838) [Box Set]

Rafael Kubelik - Rare Recordings 1963-1974
Works by Beethoven · Dvorák · Mendelssohn · Mozart · Schoenberg · Stravinsky and others
8xCD | EAC+LOG+CUE | FLAC: 2,61 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "Original Masters" # 00289 477 5838 | Country/Year: Germany 2006
Genre: Classical | Style: Various

"The set also includes two magnificent Kubelík recordings from the 1960s with Bavarian Radio forces. Schoenberg's Gurrelieder (with tenor Herbert Schachtschneider as a vocally heroic Waldemar) is superbly played and sung, and Kubelík's conducting is as dramatically involving as any. It sounds better than ever in this latest mastering. Finally, there is utter enchantment: the 1964 recording of Mendelssohn's music for "A Midsummer Night's Dream" (with Edith Mathis and Ursula Boese as soloists), prefaced by a fascinating rehearsal of the Overture, released here for the first time. The booklet includes excellent notes and photographs" ~International Record Review
Seiji Ozawa - The Art of Seiji Ozawa (2013) [16CD Set] {Deutsche Grammophon}

Seiji Ozawa - The Art of Seiji Ozawa (2013) [16CD Set] {Deutsche Grammophon}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.26 Gb | MP3 @320 -> 2.34 Gb
Full Artwork @ 600 dpi (png) -> 446 Mb | 5% repair rar
© 2013 Deutsche Grammophon / Universal | DG 4807020
Classical / Concerto / Symphony

A rewarding release… As to the Mandarin, first impressions suggest a gloved fist on Ozawa's part and a general softening of attack since [his earlier DG recording from] 1975… Ozawa is strong on sensuality - those all-pervading glissandos, the seduction games and the languidly teasing sequences that lead to the chase… As to the Concerto for Orchestra…the Bostonians' Bartókian pedigree - it was, after all, Koussevitzky who commissioned the work — guarantees a certain élan and refinement… Ozawa is best where the going gets frantic (his finale is terrific, especially at the outset, and he plays Bartok's more concise original ending)… Ozawa's virtues are intelligence, alertness and a fine ear for detail… (Gramophone [8/1995] reviewing the Bartók recordings, originally released as Philips 442783)
Ludwig van Beethoven - Kammerphilharmonie Bremen / Paavo Järvi - Symphony No. 3 "Eroica" & Symphony No. 8 (2009) [Repost]

Ludwig van Beethoven - Symphony No. 3 "Eroica" & Symphony No. 8
The Deutsche Kammerphilharmonie Bremen · Paavo Järvi
EAC+LOG+CUE | FLAC: 266 MB | Full Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal # 88697542542 | Country/Year: Europe 2007 | Genre: Classical

…Summarising, the team of Järvi and his talented young chamber orchestra players evoke Beethoven's wilful and often irascible (but lovable) polemics and character like few before them. The Eroica is fully charged and brilliantly executed. It joins the ranks of élite performances, together with an 8th Symphony whose real stature is newly revealed and celebrated. The Polyhymnia International engineers provide an immediate and fully transparent recording, with a measured amount of ambience, despite two locations being involved.
Beethoven - Symphony Nr.3 "Eroica", "Fidelio" & "Leonore III" Overtures [Deutsche Grammophon 427 194-2] {Germany 199_}

Ludwig Van Beethoven - Symphonie Nr.3 "Eroica", Overtüren "Fidelio" & "Leonore III"
Wiener Philharmoniker/Staatskapelle Dresden - Karl Böhm
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 352 MB
Label/Cat#: Deutsche Grammophon "Resonance" 427 194-2 | Country/Year: Germany 199_ (ReIssue)
Genre: Classical | Hoster: Uploaded/Filepost
Herbert von Karajan - Complete Recordings on Deutsche Grammophon

Herbert von Karajan - Complete Recordings on Deutsche Grammophon
Deutsche Grammophon | 2008 | 240 CD | 250 RAR | 22 Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets | Fserve, Fsonic

This box can be considered as the ultimate chapter about Herbert von Karajan and was released in occasion of the Maestro's 100th birthday. Karajan left a huge number of recordings and most of them were for Deutsche Grammophon. This box collect all this bonanza into 240 CD! About 252 hours total time! From the 1938 recording of the "Magic Flute" Overture to the last 1989 recording of Bruckner's Symphony No. 7.
111 Years of Deutsche Grammophon. The Collectors' Edition 2 [2010, Deutsche Grammophon, 000289 477 9142 3] - Part 3

111 Years of Deutsche Grammophon. The Collectors' Edition 2 (2010)
Discs 26 - 40 of 56 | Classical | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Covers Included | Deutsche Grammophon, 000289 477 9142 3 | ~3900 + 2240 Mb | FSonic, FServe, Uploaded

Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Deutsche Staatsphilharmonie Rheinland-Pfalz & Mark Fitz-Gerald - The Gadfly (Original Score) (2017)

Deutsche Staatsphilharmonie Rheinland-Pfalz & Mark Fitz-Gerald - The Gadfly (Original Score)
Classical, Soundtrack | WEB FLAC (tracks) & d. booklet | 61:26 min | 236 MB
Label: Naxos | Tracks: 34 | Rls.date: 2017

Set in mid-nineteenth-century Italy during a turbulent period of pre-Unification political unrest, The Gadfly drew from Shostakovich one of his most dazzling and popular film scores, heard hitherto on record only in a suite arranged and re-orchestrated by Levon Atovmian. This recording presents the full, original score for the first time, as closely as possible to Shostakovichs original conception. Reconstructed by Mark Fitz-Gerald from the original manuscript and the Russian film soundtrack, it calls for a large orchestra including church bells, an organ, two guitars and a mandolin, all excluded from the Atovmian suite.