Eric Howard Carmen is an American singer, songwriter, guitarist and keyboardist. He scored numerous hit songs across the 1970s and 1980s, first as a member of the Raspberries (who had a million-selling single with "Go All The Way"), and then with his solo career, including hits such as "All By Myself", "Never Gonna Fall in Love Again", "She Did It", "Hungry Eyes", and "Make Me Lose Control".
Carmen achieved far greater success with his debut solo album than he ever had with his old group, The Raspberries. In part this was because, freed from the restrictions of leading a rock band, he could indulge his taste in big, lush ballads. That's what he did here, especially on the album's three Top 40 hits, one of which, "All by Myself," was a gold-selling #2 hit.
This album includes Carmen's 1988 hit "Make Me Lose Control" plus six of the other eight singles-chart entries he enjoyed from 1975 to 1980, plus interesting album cuts such as "Hey Deanie," the Shaun Cassidy hit written by Carmen, and, of course, his comeback hit, "Hungry Eyes," from the Dirty Dancing soundtrack.
Tonight You're Mine is a 1980 album by Eric Carmen. There is speculation that its title was inspired by the opening line in the Shirelles song Will You Still Love Me Tomorrow, though this is not confirmed. It peaked at #160 on the Billboard album chart. It contained the singles "It Hurts Too Much" (#75 Billboard Hot 100) and "All For Love".
Review By G. Sawaged
After his stint as leader of The Raspberries, Eric Carmen had a succesful solo career. "All by myself" is from Carmen's solo debut album from 1975. One of his most successful songs, it has since been covered by numerous artists. All of the songs on this album were written by Carmen except "Hungry Eyes" from the movie 'Dirty Dancing'. Eric Carmen has an unerring sense of melody and songcraft that has resulted in some of the best pop rock ever. Just try not to dance to "That's Rock 'n Roll"...impossible. "She Did It" is the greatest Beach Boy song that Brian Wilson never wrote, and "It hurts Too Much" has a Phil Spector-like power to it. This album is a must for music lovers. If you're a fan of Billy Joel and/or Barry Manilow, you will love this album.–-Amazon
If Eric Benet’s career can be defined by anything, it’s the purity of emotion. He’s consistently made music that speaks to love and speaks from the soul and on Lost In Time he does it once again. Featuring duets with Faith Evans, Chrisette Michele, Ledisi and the O’Jays Eddie Levert, Lost In Time is at once a sumptuous homage to and an expansion of the sweet soul of the 1970’s.
Anne-Sophie Mutter obviously had fun making this disc. In the quiet pieces (Massenet, Ysaÿe, Fauré) which serve as interludes, she plays with her usual exquisite taste. In the showpieces, though, she goes to town, sliding, scooping, exaggerating, & letting all the stops out. The gypsy inflection she uses in Ravel’s Tzigane & Sarasate’s Zigeunerweisen is delicious. Even a ridiculous orchestral arrangement of Tartini’s Devil’s Trill Sonata is more amusing than offensive. With James Levine & the Berlin Philharmonic providing uncommonly alert & powerful support, & Deutsche Grammophon’s realistic sound, this disc is a real treat for violin lovers.