Enzo Carella

Fitness Forever - Tonight (2017)  Music

Posted by SERTiL at Jan. 2, 2018
Fitness Forever - Tonight (2017)

Fitness Forever - Tonight (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 264 MB
Label: Elefant Records ‎– ER-1221 | Tracks: 09 | Time: 39:47 min
Pop, Disco

Calling an album full of Italian-disco ""Tonight"" is a total declaration of intent. Without mercy. Carlos Valderrama and company's third album doesn't let you rest for even a second. Blood, sweat, and tears on the dance floor. Syncopated rhythms, instrumental exuberance, unforgettable melodies.
Enzo Amazio Quintet - Essence (2014/2015) [Official Digital Download 24/96]

Enzo Amazio Quintet - Essence (2014/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 53:24 minutes | 1.14 GB
Studio Master, Official Digital Download | Artwork: Front cover

It is inevitable, reflecting on the title of the album and on the nouns in the tracklist, to go back to the good seasons that jazz has lived in its most recent and casual moments, to moments that have helped to refine the essence of new qualities solos that have given life to a Modern Mainstream, always updated with the best genesis of Rock and "border music".

Enzo Biagi - La vita è stare alla finestra. La mia storia  eBooks & eLearning

Posted by Karabas91 at Oct. 26, 2017
Enzo Biagi - La vita è stare alla finestra. La mia storia

Enzo Biagi - La vita è stare alla finestra. La mia storia
Italian | 2017 | 247 pages | ISBN: 8817097071 | EPUB | 0,5 MB

"Sono convinto che i libri di memorie dovrebbero essere pubblicati postumi: sarebbe la garanzia dell'autenticità dei sentimenti." Così scrisse Enzo Biagi un giorno di gennaio del 2000, due anni prima dell'"editto bulgaro" che portò alla sua cacciata dalla Rai. E in effetti quello dell'autenticità, dell'aderenza alla realtà, della volontà di rappresentare fatti e persone come cronista il cui unico padrone è il pubblico, è il filo lungo cui si dipana la sua intera esistenza, senza mai deviare…
Giuliano Carella, Netherlands Philharmonic Orchestra - Bellini: I Puritani (2012) [Blu-Ray]

Giuliano Carella, Netherlands Philharmonic Orchestra - Bellini: I Puritani (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 23955 kbps / 1080i / 29,970 fps | 173 min | 38,7 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4037 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 173 min | 9,35 Gb
Audio: Italian / PCM / 6ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, French, German, Dutch

In Vincenzo Bellini’s last opera, Elvira’s love for Arturo overcomes the power games in Puritan England, staged with darkly dramatic flair by Francisco Negrin as a world of blind dogma. Mariola Cantarero is compelling as the heroine on the verge of insanity in one of the greatest mad scenes in the history of opera. One of the leading lyric tenors today, John Osborn sings Arturo with fearless commitment and some spectacular top notes. In the pit is the bel canto specialist Giuliano Carella.
Giuliano Carella, Symphony Orchestra of the Gran Teatre del Liceu, Fiorenza Cedolins, Vincenzo La Scola - Bellini: Norma (2009)

Giuliano Carella, Symphony Orchestra of the Gran Teatre del Liceu, Fiorenza Cedolins, Vincenzo La Scola - Bellini: Norma (2009/2007)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | (Dolby AC3, 6 ch) | 5.68 Gb+5.40 Gb (2xDVD9) | 169 min
Classical | Arthaus Musik | Sub: English, Deutsch, Francais, Espanol, Catalan

Bellini's "Norma" is a classic of the bel canto tradition, combining lavish vocal splendor with a story of great passion and nobility. The title character in "Norma" is a role with emotions ranging from haughty to desperately passionate to vengeful and defiant. Italian soprano Fiorenza Cedolins is one of the most thrilling Normas of the younger operatic generation. Along with a distinguished supporting cast, including Sonia Ganassi as Adalgisa and Vincenzo La Scola as Pollione, this psychologically staged production by Francisco Negrin, conducted by Giuliano Carella, makes the belcanto tradition vivid and exciting.

Paisiello Giovanni – Proserpine (Giuliano Carella) (2004)  Music

Posted by ArlegZ at Sept. 22, 2010
Paisiello Giovanni – Proserpine (Giuliano Carella) (2004)

Paisiello Giovanni – Proserpine (Giuliano Carella) (2004)
APE, IMG+CUE, LOG, Complete Artwork (jpg) => 663 MB | CD1:74’08; CD2:79’18
EAC Rip | Classical/Opera/Vocal | Label: Dynamic Italy | Recorded 2003

This is Paisiello's one French opera and he adapted to the requirements and traditions of French opera with remarkable success. The result is that the usual French declamatory method of moving the plot forward – rather than using recitativo – is handled with great musical success where often, especially for non-French composers, it can deteriorate into ugly hollering. The orchestra is given a prominent role, not only in the dance sequences, but also more generally in the opera. The orchestration is remarkably rich and veried, with some very distinguished writing for the winds. In addition, the chorus is given a more prominent role than is usual in Paisiello's Italian operas. This is combined with some very lovely and molodic writing for all elements. Indeed, the opera is a listening joy, and it may be better heard this way than in an actual performance, since the libretto is a rather stilted retelling of Greek myth.
Paisiello - Le Due Contesse/ Il Duello Comico (Giuliano Carella)

Paisiello - Le Due Contesse/ Il Duello Comico (Giuliano Carella)
Classical | 3 CD | EAC | FLAC+CUE+LOG+SCANS | 707.66 MB
Released: 2003 | Label: Dynamic

The "Comedy for music" Le due contesse, first staged at the Teatro Valle in Rome in the Carnival season of 1776, marks the first encounter of Giovanni Paisiello (1740-1816) and the Arcadian Roman poet Giuseppe Petrosellini, who at the time had already made something of a name for himself as a versifier, having provided one or more librettos for such prestigious musicians as Piccinni, Anfossi, Mozart and Guglielmi. In accordance with the usage of the day, which forbad the presence of women on stage, the opera was sung by male performers, castrati that is, and its success was so rapid that from the very first performances it won extraordinary fortune in all the major opera houses in Europe. Moreover, the character of the "Contessina di Belcolore" attracted the attention of no few singers of the time, starting with the famous Anna Morichelli Bosello, who was later to link her name to peerless performances of Paisiello's works.

Enzo - September 2017  Magazines

Posted by Shor at Nov. 4, 2017
Enzo - September 2017

Enzo - September 2017
English | 148 pages | True PDF | 33.1 MB

Enzo - October 01, 2017  Newspapers

Posted by Shor at Oct. 26, 2017
Enzo - October 01, 2017

Enzo - October 01, 2017
English | 148 pages | True PDF | 25.8 MB

Enzo - Issue 1 - Autumn 2017  Magazines

Posted by crazy-slim at Oct. 7, 2017
Enzo - Issue 1 - Autumn 2017

Enzo - Autumn 2017
English | 148 pages | True PDF | 33 MB