Enzo Carella

Enzo Traverso - La violence nazie: Une généalogie européenne  eBooks & eLearning

Posted by SSCN1926 at July 12, 2017
Enzo Traverso - La violence nazie: Une généalogie européenne

Enzo Traverso - La violence nazie: Une généalogie européenne
French | La fabrique éditions | 2002 | EPUB | Pages 190 | ASIN: B014PH82CG | 0.31 Mb

Bellini - I Puritani (Giuliano Carella) (2012) [Blu-Ray]  Music

Posted by Vilboa at April 3, 2017
Bellini - I Puritani (Giuliano Carella) (2012) [Blu-Ray]

Bellini - I Puritani (Giuliano Carella) (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 23955 kbps / 1080i / 29,970 fps | 173 min | 38,7 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4037 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 173 min | 9,35 Gb
Audio: Italian / PCM / 6ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, French, German, Dutch

In Vincenzo Bellini’s last opera, Elvira’s love for Arturo overcomes the power games in Puritan England, staged with darkly dramatic flair by Francisco Negrin as a world of blind dogma. Mariola Cantarero is compelling as the heroine on the verge of insanity in one of the greatest mad scenes in the history of opera. One of the leading lyric tenors today, John Osborn sings Arturo with fearless commitment and some spectacular top notes. In the pit is the bel canto specialist Giuliano Carella.

Enzo Capuano - Storia Mai Scritta (1975) [Reissue 1996]  Music

Posted by gribovar at Dec. 11, 2016
Enzo Capuano - Storia Mai Scritta (1975) [Reissue 1996]

Enzo Capuano - Storia Mai Scritta (1975) [Reissue 1996]
EAC Rip | FLAC (image+.cue+log) - 211 MB | MP3 CBR 320 kbps (LAME 3.93) - 94 MB | Covers (5 MB) included
Genre: Progressive Rock | RAR 3% Rec. | Label: Mellow Records (MMP 286)

Enzo Capuano released this mostly instrumental gem on a small label in the mid 1970s. Born in Calabria in 1947, Capuano is a talented guitarist and vocalist who would go on to perform outside the progressive realm for years to come. After this album Enzo would do some acting and have a career in the Chemistry field before returning to singing in the late '80s. Often written off by proggers who got the impression this was a strictly singer-songwriter affair it will surprise many who hear it. It's an interesting progressive album in the form of a long, connected instrumental suite combining some of the Italian folk traditions with a bit different approach than many of the other classic period Italian prog bands. Rather than the manic, wild, anything-goes approach of the day Enzo presents a more measured surface sound that finds its own way of sounding special.

Ed McBain - Attentato Carella  eBooks & eLearning

Posted by Proghunter at May 23, 2016
Ed McBain - Attentato Carella

Ed McBain - Attentato Carella
Italian | 1960 | ASIN: B00HT37BT4 | PDF/EPUB | 110 pages | 4 MB
Enrico Rava, Paolo Fresu, Stefano Bollani, Enzo Pietropaoli, Roberto Gatto - Shades of Chet (1999) {Edel}

Enrico Rava, Paolo Fresu, Stefano Bollani, Enzo Pietropaoli, Roberto Gatto - Shades of Chet (1999) {Edel}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 385MB + 5% Recovery
MP3 CBR 320 Kbps | 194MB + 5% Recovery
Genre: Jazz, Post-Bop

Italian trumpeters Enrico Rava and Paolo Fresu pay tribute to the late Chet Baker – but take it from us, the set's way more than just a simple tribute album! Some of the tunes might be familiar ones from Chet's book, but the performances here are often distdemoinctly un-Baker-like – taken at times, tempos, and tones that really push the envelope – and which make the album more of a nstration of the instrumental strengths of Rava and Fresu than a return to Chet's earlier sound.

Puccini - Turandot (Giuliano Carella) (2010)  Music

Posted by Vilboa at Jan. 31, 2016
Puccini - Turandot (Giuliano Carella) (2010)

Puccini - Turandot (Giuliano Carella) (2010)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 7.63 Gb (DVD9) | 128 min
Classical | BelAir| Sub: Francais, English, Deutsch, Italiano, Espanol, Japanese

In its 88th year, the prestigious Verona Arena Festival honoured the legendary Italian stage director Franco Zeffirelli. Zeffirelli delivered an opulent staging af the fairy-tale story of the Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. The Russian soprano Maria Guleghina proved a brilliant Turandot, whilst tenor Salvatore Licitra’s trump card is his imposingly radiant voice of which he remains in sovereign control even in the role’s muchfeared tessitura. The soprano Tamar Iveri is a beautiful and sensitive Liù. The Orchestra and Chorus of the Verona Arena are conducted by Maestro Giuliano Carella.
Bellini - Norma (Giuliano Carella, Fiorenza Cedolins, Vincenzo La Scola) (2009/2007)

Bellini - Norma (Giuliano Carella, Fiorenza Cedolins, Vincenzo La Scola) (2009/2007)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | (Dolby AC3, 6 ch) | 5.68 Gb+5.40 Gb (2xDVD9) | 169 min
Classical | Arthaus Musik | Sub: English, Deutsch, Francais, Espanol, Catalan

Bellini's "Norma" is a classic of the bel canto tradition, combining lavish vocal splendor with a story of great passion and nobility. The title character in "Norma" is a role with emotions ranging from haughty to desperately passionate to vengeful and defiant. Italian soprano Fiorenza Cedolins is one of the most thrilling Normas of the younger operatic generation. Along with a distinguished supporting cast, including Sonia Ganassi as Adalgisa and Vincenzo La Scola as Pollione, this psychologically staged production by Francisco Negrin, conducted by Giuliano Carella, makes the belcanto tradition vivid and exciting.
Giuliano Carella, Scottish Chamber Orchestra - Rossini: Adelaide di Borgogna [2006]

Rossini - Adelaide di Borgogna (Giuliano Carella) [2006]
Classical | Opera Rara ORC32 | TT: 64.47+69.35 | EAC (flac, cue, log) | Covers | 602 Mb

Maybe you’ve come across this plot before: a damsel-in-distress is saved by a knight in shining armour. This is the standard ‘fairy tale’ we all learned as children. Yet the surprising thing about Adelaide di Borgogna is that the story is true. Oh yes: in an important but rarely remembered piece of Italian history, Otto II, emperor of Germany, came to the rescue of Adelaide, widow of Lotario, king of Italy. And what did Rossini do with this? He covered it, as always, with the most beautiful music, writing arias, duets, quartets and finales to melt your hearts. This is virtually guaranteed to happen when Jennifer Larmore and Majella Cullagh bring their amazing voices together in one of those moments that recording producers pray for. But the joys in this recording are not confined to the contributions of those talented ladies. Bruce Ford, once again the bad guy, is at his virile best with his father, Mirco Palazzi, at one elbow and Rebecca Bottone, as his mother, at the other. This trio of malcontents doesn’t have much chance against Cullagh, who has a formidable aria just before the end of the evening. But Larmore, as Ottone, puts the seal of triumph on the whole evening with a rondo finale of outstanding verve and panache.
Giuliano Carella, The London Philharmonic Orchestra - Rossini: Elisabetta, Regina d'Inghilterra [2002]

Rossini - Elisabetta, Regina d'Inghilterra (Giuliano Carella) [2002]
Classical | Opera Rara ORC22 | TT: 47.48+35.32+71.26 | EAC (flac, cue, log) | Covers | 553 Mb

Elisabetta regina d’Inghilterra (1815) was the first of the nine Rossini Neapolitan operas written for Teatro San Carlo. The works Rossini composed were hailed (and have been ever since) as some of the most remarkable ever to be composed for the lyric stage. Opera Rara has made a new performing edition from the autograph manuscript and, for the first time, Rossini’s opera has been recorded absolutely complete, with the original orchestration. As Queen Elizabeth, Jennifer Larmore takes command of her country and her audience with a portrayal, which is strong, yet avoids the stereotypical concept of Elizabeth associated with the films of Bette Davis. Larmore, with the splendid vocalism, makes Rossini’s florid vocal writing work for the character. The part of her rival Matilde has Majella Cullagh giving another of her limpid-voiced heroines. Antonino Siragusa makes his mark in the demanding tenor part of Norfolk while Bruce Ford as Leicester adds the ninth and last of the Neapolitan operas to his repertoire.
Mercadante - Caritea, regina di Spagna (Giuliano Carella) (2009)

Mercadante - Caritea, regina di Spagna (Giuliano Carella) (2009)
Classical | Eac. Ape, Img+Cue, Log | Covers | 678 MB
Label: Nuova Era | Catalog N.: NUO 231997 | TT: 178:09

Mercadante studied under Zingarelli, who also taught Bellini. Although Rossini’s influence is present, especially in the early works, Mercadante admired operas by Meyerbeer, Halevy, and Mozart. The opening of Caritea’s Sinfonia is strongly reminiscent of Mozart’s Don Giovanni , and much of his music reminded me of Donizetti with a hint of Bellini here and there. Eleven years after Caritea , Mercadante endeavored to “reform” opera by varying the forms, eliminating “trivial cabalettas,” crescendos à la Rossini, limiting the number of repeats, and enriching the orchestrations without overwhelming the singers. He also lost interest in ending operas with a splashy showcase for the prima donna. Beginning with his 41st opera Il giuramento (1837), Mercadante put these reforms in place, although his later operas don’t sound all that radically different than many of his earlier ones…