Ensemble Masques

Ensemble Masques, Olivier Fortin - Romanus Weichlein Opus1, 1695 (2015) {Alpha}

Fred Hersch - Plays Rodgers & Hammerstein (1996) {Nonesuch}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 375MB + 5% Recovery
MP3 CBR 320 Kbps | 155MB + 5% Recovery
Genre: Classical, Baroque

Après un premier disque Schmelzer salué avec enthousiasme par la critique (Editor's Choice de Gramophone, Choc de Classica), l'ensemble Masques dirigé par Olivier Fortin revient chez Alpha dans un programme alliant des oeuvres de Muffat, Kerll ou encore Pachelbel avec celles d'un compositeur resté totalement inconnu, Romanus Weichlein (1652-1706). Moine bénédictin, préfet et compositeur attitré de l'abbaye de bénédictines de Säben, Romanus Weichlein laissa plusieurs collections de sonates et de messes mais aussi de grandes chaconnes; autant de pages magnifiques qui s'inscrivent dans la tradition de ses compatriotes Biber, Johann Heinrich Schmelzer, Pavel Josef Vejvanovsky et Georg Muffat.
Ensemble Masques & Olivier Fortin - Le théâtre musical de Telemann (2016)

Ensemble Masques & Olivier Fortin - Le théâtre musical de Telemann (2016)
Classical | MP3 CBR 320 kbps | 01:06:21 | 134 MB
Label: Alpha

Tremendous fun!, Scintillating!, wrote the journalists of Diapason and Classica about the most recent recording of Olivier Fortin and his ensemble, devoted to the rarely heard Romanus Weichlein, which received every honour from the French musical press (Diapason dOr, Choc de Classica, FFFF Télérama). This year, the Canadian harpsichordist and his loyal band have decided to record Telemann, the 250th anniversary of whose death will be commemorated in 2017. Two anonymous musicians from the city of Hamburg wrote in 1728 that Handel [composes] music but Telemann composes music and affects.

Masques  Comics

Posted by iBooker at Oct. 10, 2017
Masques

Masques
French | CBZ | 62 pages | 58 MB

Ensemble Machine Learning: Methods and Applications (Repost)  eBooks & eLearning

Posted by insetes at Oct. 16, 2017
Ensemble Machine Learning: Methods and Applications (Repost)

Ensemble Machine Learning: Methods and Applications By Cha Zhang, Yunqian Ma
2012 | 328 Pages | ISBN: 1441993258 | PDF | 7 MB
Omnibus Wind Ensemble - Music By Frank Zappa (2001) [2.0 & 4.0] PS3 ISO + Hi-Res FLAC / RE-UP

Omnibus Wind Ensemble - Music By Frank Zappa (2001)
PS3 Rip | SACD ISO | DST64 2.0 & 4.0 > 1-bit/2.8224 MHz | 64:43 minutes | Scans included | 3,17 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,3 GB
Features Stereo & Multichannel Surround Sound / OPUS 3 CD # 19423

The Omnibus Wind Ensemble's interest in Frank Zappa's music dates back to the beginning of the 1980s, almost from their very beginnings. Under the motto "From Mozart to Zappa", which also became the title of their 1st, widely acclaimed CD on the Opus3 label, they have had many of Frank Zappa's compositions in their repertoire over the years.
Wayne Horvitz - The Four Plus One Ensemble - From A Window (2001)

Wayne Horvitz - The Four Plus One Ensemble - From A Window (2001)
EAC Rip | APE (image+.cue, log) ~ 190.60 Mb | 49:57 | Cover
Free Jazz, NYC Downtown | Label: Avant ‎– AVAN-080

A sad melancholia that also strangely exudes hopefulness are the juxtaposing emotions expressed by pianist Wayne Horvitz and his Four Plus One Ensemble on this, their second release collectively. The music, composed by Horvitz while spending two months in central Italy, is quite neo-classical and modern chamber in stance and style, but also borrows on film noir, improvised jazz and third stream, electronica and rock musics.
Sollazzo Ensemble - Parle que veut: Moralizing Songs of the Middle Ages (2017) [Official Digital Download 24/96]

Sollazzo Ensemble - Parle que veut: Moralizing Songs of the Middle Ages (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 45:53 minutes | 749 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Sollazzo Ensemble makes its recording debut following its prizewinning performance at the highly respected biennial York Early Music International Young Artists Competition.

Kevin Mallon, Aradia Ensemble - Vivaldi: Griselda (2008)  Music

Posted by ArlegZ at Oct. 13, 2017
Kevin Mallon,  Aradia Ensemble - Vivaldi: Griselda (2008)

Kevin Mallon, Aradia Ensemble - Vivaldi: Griselda (2008)
EAC | FLAC | Image (Cue & Log) ~ 723 Mb | Total time: 65:17+64:21+39:28 | Scans included
Classical | Label: Naxos | # 8.660211-13 | Recorded: 2006

Vivaldi’s Griselda, one of more than twenty operas, is based on a story retold in Boccaccio’s Il decamerone about the testing of Griselda’s patience and virtue by her royal husband through a series of cruel trials. The sense of drama that permeates many of Vivaldi’s more programmatic works, such as the Four Seasons, is very naturally carried over into his operas, especially with the use of so-called ‘simile’ arias, in which an emotional state is compared with various natural phenomena. Several very fine examples can be heard in Griselda, including Costanza’s extraordinary ‘Agitata da due venti’ in Act Two; the text compares love and duty with two contrary winds, and the setting is correspondingly wild, with fierce fioriture and wide leaps.
Henri-Michel Garzia, Ensemble Neophonia, Benjamin Garzia & Vannina Santoni - Siècle de lumières (2017) [24/88]

Henri-Michel Garzia, Ensemble Neophonia, Benjamin Garzia & Vannina Santoni - Siècle de lumières (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 50:19 minutes | 921 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Age of Enlightenment has never ceased to fascinate. The philosophical ideas and esthetics it sparked are an unending source for inspiration and artistic research.
Ardinghello Ensemble - Ries: Complete Chamber Music for Flute & String Trio, Vol. 1 (2017)

Ardinghello Ensemble - Ries: Complete Chamber Music for Flute & String Trio, Vol. 1
Classical | WEB FLAC (tracks) & d. booklet | 72:05 min | 339 MB
Label: CPO | Tracks: 12 | Rls.date: 2017

If the number of compositions written for a specific instrument is any indication of a predilection, then Ferdinand Ries did indeed have a soft place in his heart for the flute. He penned no fewer than six quartets for flute and string trio, a quintet for flute, violin, two violas, and violoncello, a trio for piano, flute and violoncello, and many works for flute and piano - more works than for any other wind instrument. His first Flute Quartet presents itself as a grand, imposing quartet in the affirmative key of C major and contains many surprising elements.