Shinnobu is a New Age musical project that expresses the existence and non-existence of reality and fantasy, a distant world that fuses electronic sounds, enigmatic, environmental, neoclassical, pop and Gregorian chants that leads the listeners to an emotional escape from the ordinary, where fantasies and their deepest dreams come true. Compositions span a range of moods that include light and darkness, strength and weakness, sadness and happiness, spiritual. This album contains an entire adventure, a range of emotions, dreams, meditations, exciting experiences. Sad, Joy, Rare, Extravagant, Spiritual, Solitude, Fantasy, Surrealism, Gregorian Chanting and New Age fusion. Let existence flow in your life and enter into yourself.
LSD: Love, Sensuality and Devotion gathers over a decade's worth of Enigma's definitive tracks, including the song that started it all, "Sadeness, Pt. 1." "Return to Innocence," "Beyond the Invisible," and "Cross of Changes" are all featured as well, and though the collection ranges from the rock-tinged "I'll Love You…I'll Kill You" to atmospheric, electronic fare like "Shadows in Silence," since it's all essentially Michael Crétu's vision, it flows surprisingly well. Since Enigma's sound has varied fairly drastically over the years, LSD: Love, Sensuality and Devotion is the perfect starting point for anyone curious about Crétu's music, and the only Enigma album that casual fans might need.
A trim, at times, almost balletic Falstaff. If that seems a ludicrous contradiction, I should explain that it refers to Dutoit's spirited interpretation of the work, not the central character, though Falstaff himself has shed a few pounds in the process but is no less loveable. Indeed, Dutoit's swift tempo for the second section (at the Boar's Head) has the theme for Falstaff's 'cheerful look and pleasing eye' sounding less like Tovey's understandable misunderstanding of it as ''blown up like a bladder with sighing and grief''. The trimming down process is abetted by the Montreal sound, with lean, agile strings and incisive brass (the horns are magnificent). Some may feel a lack of warmth in the characterization. I certainly felt that the first presentation of Prince Harry's theme (0'40'') could have done with a richer string sonority. Doubtless, too, there will be collectors who, at moments, miss the generous humanity of Barbirolli, or the Straussian brilliance of Solti. And although Mackerras is wonderful in the dream interludes and Falstaff's death, the start of his fourth section, with Falstaff's rush to London only to be rejected by the new King, is short on teeming excitement and anticipation. (Gramophone)
Big Boy Pete has toured with the Beatles and Rolling Stones and released one of the first English psychedelic songs 'Cold Turkey' which is included in The Rock & Roll Hall of Fame Museum, Ohio's list of Psychedelic Classics. Guitarist and vocalist Peter Miller joined the Offbeats in the late 50's but was lured away to join the Peter Jay & The Jaywalkers in 1961 who up until 1965 enjoyed immense popularity in the UK. He then went 'solo' and in 1968 he released the classic 'Cold Turkey'…