Some say it's violinist Andrew Manze's tone that makes him distinctive, that there's a sweetness to his non-vibrato swells and a strength to his flexible bowing that make his playing so attractive. Some say it's Manze's phrasing that makes him distinctive, that there's a lyrical quality to his line and a molded quality to his dynamics that make his playing so appealing. Some say it's Manze's interpretation that makes him so distinctive, that there's a combination of fantasy, intensity, and effortless virtuosity that make his performances so persuasive. Some say it's all these things at once and this 2006 disc of the last three of Mozart's five violin concertos is the proof.
No, not more Vivaldi Violin Concertos! How can there be any more? Have not decades of scholarships overturned every possible rock to find every possible violin concerto by the composer of The Four Seasons, everybody's perennial favorite? Although the answer is apparently not, that is, in fact, good news: that there are still more lovely, charming, hilarious, touching, and mind-bogglingly difficult Violin Concertos by Vivaldi should warm the hearts and open the wallets of classical music lovers around the world.
Andrew Manze is celebrated as, 'a violinist with extraordinary flair and improvisatory freedom' (BBC Music Magazine). Featuring Manze's longtime duo partner Richard Egarr on harpsichord, Jaap ter Linden on gamba, the Academy of Ancient Music and The English Concert, this varied selection of award-winning recordings offers a comprehensive portrait of one of the past decade's most influential artists.
…In sum, this is a disc that's easy to recommend for its consistently engaging music and first-rate performances–but it's also a recording that you can turn way up and enjoy full-bodied, undistorted, viscerally present instrumental sound. A winner!
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A real stroke of genius from pianist Andrew Hill – and a surprising one too! After an initial legacy of groundbreaking experimental sides for Blue Note, Hill returns to his "grass roots" on this excellent session of straight ahead, fairly funky, soul jazz piano tunes! In the notes, Hill claims a desire to get back to the people – and in a really unusual turn, he shakes off his previous modernist trappings and goes for territory that's much more in the mode of Lee Morgan, Horace Silver, or Hank Mobley on Blue Note!
In 1990, when most of the original members of Yes were working under the name Anderson Bruford Wakeman Howe for legal reasons, Jon Anderson recorded a batch of demos for what would have been the second ABWH album. When the band reunited with Chris Squire under their original moniker, the ABWH project was abandoned, and the songs fell between the cracks. This collection preserves those demos as a part of Yes history. The arrangements are fairly bare-bones, mostly electronic, but one can imagine the elaborate sonic garments of the Yes men being draped over the skeletons of these songs without too much effort.