The songs in this collection span a period of over four hundred years, yet they show a fundamental unity of style which illustrates how static a genre based in a tradition of apparently untrained music-making necessarily remained. Tudor court composers conjure up an Arcadian world of innocence, while later works often derive from indigenous folk-songs. Either way, the secular song packages and sanitises a dangerous world of rustic abandon for an audience more restrictively cultured.
Sir Thomas Beecham was acknowledged as the finest interpreter of Delius' music during the last century. The composer's friend and biographer, his performances remain a benchmark against which all must be judged. This invaluable anthology contains some of the finest he taped for EMI in the 1940's and 50's. The first two discs contain all those works he recorded in stereo. They comprise a selection of shorter works, the complete Florida Suite and a wonderful 'Songs of Sunset' - settings of 'fin du siecle' poems by Ernest Dowson - splendidly sung by John Cameron and Maureen Forrester.
Are you learning English? Or are you an English teacher? Either way… if you're looking for a fun and interesting English magazine for learning or teaching English then you've come to the right place. Hot English magazine is a leading English resource. Its fun and colourful approach to teaching real English as it's spoken by native speakers is popular around the world. Loved by both students and teachers, there's something for everyone and all levels in Hot English magazine.
Inspired by a UK bankcard ad and daring to encroach on the shadow of the Austin Powers franchise, this Bond film satire may well end up as The Spoof That Got Left in the Cold. But in perfect contrast to star Rowan Atkinson's broad physical humor, composer Edward Shearmur delivers a deliciously deadpan musical score that skewers the 007 canon from twangy-guitar main theme to romantic Euro interludes and action-packed chases. Anchored by Robbie Williams' suitably earnest mock Bond-song "A Man For All Seasons" and seasoned with evocative tracks of Moloko's electronica and the suitably named Bond's classics-meets-worldbeat sensibilities, Shearmur's score brings it all to a satisfying conclusion on "Agent No. 1," where the former Pink Floyd/Shakespeare's Sister sideman showcases his own considerable synth and keyboard skills.